PremRock - Did You Enjoy Your Time Here...?

PremRock’s Did You Enjoy Your Time Here…? is a dense, carefully constructed album that moves through moods and textures with a storyteller’s precision. The New York rapper, known for his work with ShrapKnel and his long-standing presence in underground Hip Hop, delivers verses packed with sharp imagery and layered references. His writing leans into introspection without losing a sense of humor, balancing wit and weight in a way that makes each track feel like a conversation unraveling in real time.

Production across the album shifts between hazy loops, crisp drum patterns, and eerie synth textures, creating a backdrop that mirrors PremRock’s measured delivery. Contributions from producers like Blockhead, ELUCID, YUNGMORPHEUS, and Small Professor add variety without disrupting the album’s cohesion. Tracks like “Steal Wool” with Pink Siifu and “Aim’s True” with AJ Suede and Curly Castro bring in distinct voices that add depth to the album’s already rich palette.

The writing is as tight as ever, with lines that land like offhand observations but reveal themselves to be deeply considered. “A Good Man is Hard to Find” feels like a slow-burn meditation on morality, while “Receipts” with billy woods plays out like a verbal chess match. “Plunder!” carries a more chaotic energy, its frenetic pacing matching its themes of excess and collapse. Even at its most abstract, the album never drifts into obscurity—there’s always an anchor, a phrase or an image, that keeps the listener locked in.

While Did You Enjoy Your Time Here…? follows in the footsteps of Load Bearing Crow’s Feet, it feels less like a direct sequel and more like a response. Where the previous album was weighty and contemplative, this one moves with a sharper edge, a little more playful but no less thoughtful. PremRock’s voice remains steady throughout, never rushing, never stretching for effect. His presence is lived-in, the work of an artist who has spent years refining his approach, shaping his delivery until every word lands exactly as intended.

By the time the closing title track rolls around, the question posed by the album lingers. The answer is subjective, but one thing is certain—PremRock is an artist who knows exactly what he’s doing, and he’s doing it exceptionally well.

Release date: March 21, 2025.

Napoleon Da Legend & Giallo Point - F.L.A.W.

Napoleon Da Legend and Giallo Point team up for their fifth collaborative project F.L.A.W. (Following Lies Always Wounds), an album that feels like a tense, late-night conversation about survival, authenticity, and deception. Giallo Point’s production is cold and deliberate, with brooding drums, haunting piano loops, and thick basslines that give the album a nocturnal, street-level feel. The beats are minimalist but vivid, setting a stark tone that lets Napoleon’s dazzling wordplay take center stage. Each track feels like a chapter in a gritty urban narrative, where trust is scarce, and the stakes are high.

Napoleon confidently moves through the tracks and balances introspection with hard-earned wisdom. “Chasing Shadows” kicks things off with a glum atmosphere as he speaks about the thin line between survival and self-destruction. On “Life or Death,” the urgency sharpens as he describes the relentless grind of staying ahead in a ruthless world. “That Ain’t It” breaks down the daily hustle with matter-of-fact honesty, while “Unforgiving” strips away illusions about fairness in life and the rap game.

The production across the album maintains a stripped-down yet effective aesthetic. Giallo Point crafts beats that feel like foggy street corners lit by flickering lamps — moody, immersive, and unyielding. The drum patterns hit with, and the subtle melodic elements give the tracks an understated menace that fits Napoleon’s narrative style.

Guest appearances from Jay Royale, Nejma Nefertiti, and Eloh Kush add texture without breaking the album’s cohesive mood. Jay Royale’s sharp delivery on “Life or Death” reinforces the album’s themes of vigilance and survival, while Nejma Nefertiti brings a fierce, grounded perspective on “Pressume the Unpredictable” that complements Napoleon’s reflective tone.

F.L.A.W. is a tight, consistent project rooted in stark beats and sharp rhymes, reminding listeners of the price of following illusions. Napoleon Da Legend’s best since the underappreciated Maison De Medici (2022).

Release date: February 14, 2025.

Brother Ali - Satisfied Soul

Brother Ali’s Satisfied Soul is a deeply personal album that delivers sharp commentary alongside introspective reflections with musically rich production that evokes a vintage, vinyl-era feel. The beats crackle like worn vinyl, grounding Ali’s verses with a raw, organic energy. With Atmosphere‘s Ant back behind the boards, the production leans on dusty drums, warm basslines, and soulful samples that mirror the emotional depth of Ali’s lyrics, adding warmth and texture to the album’s introspective themes.

The album opens with the title track, a rock-infused declaration of self-assurance, where distorted guitars and driving percussion build a foundation for Ali’s confident verses, setting a bold, rebellious tone that echoes throughout the album. Ali’s voice cuts through the distorted guitars with conviction, making it clear he’s moving with purpose. On “Deep Cuts,” piano chords set a contemplative mood as Ali speaks on resilience and faith. His delivery is direct, blending the weight of his experiences with a conversational ease that draws listeners in.

“Ocean of Rage” stands out with its jazz-inflected backdrop, where smooth horns and syncopated rhythms underscore vivid imagery of internal turmoil and the restless search for clarity. The shift between the laid-back groove and Ali’s unflinching bars creates a dynamic tension. Meanwhile, “Better But Us” uses a soulful hook to explore the cracks in a strained relationship, with Ali toggling between vulnerability and self-awareness.

Throughout the album, Ali’s lyrics balance spiritual insight and grounded realism. “Head Heart Hands” emphasizes the importance of aligning intention with action, while “Immortalized” channels the perspective of a street preacher offering hard-won wisdom.

The album’s closer, “Sing Myself Whole,” finds Ali stepping into melodic territory. The stripped-down arrangement allows his voice to carry the weight of solitude and the resolve to remain authentic in a chaotic world.

Satisfied Soul is a fully realized album with heart and clarity, leaving a lasting impression with its thoughtful craftsmanship. For us, it is Brother Ali’s strongest effort since 2017’s All the Beauty in This Whole Life. Brother Ali continues to evolve, delivering intelligent, well-crafted music without relying on gimmicks or trends. The synergy between his message and Ant’s production results in a well-rounded project that sounds timeless—a worthy addition to Ali’s excellent catalog.

Release date: February 14, 2025.

Ghais Guevara - Goyard Ibn Said

Goyard Ibn Said is a striking album from Philadelphia rapper and activist Ghais Guevara, marking a new chapter in his career under Fat Possum. The project revolves around a fictional anti-hero, Goyard, navigating the tension between mainstream Hip Hop success and the harsh realities of Black life and political consciousness. Divided into two acts, the album first celebrates the highs of fame and fortune before diving into the darker side of achieving success.

The production is bold and unpredictable, blending boom-bap, jazz, and electronic elements into a gritty and expansive sound. Distorted synths, heavy bass, and layered beats create an atmosphere that shifts between aggression and reflection. Guevara’s flow cuts through the mix with precision, delivering lyrics packed with political commentary, cultural critique, and personal introspection. Tracks like “Leprosy” and “3400” showcase his sharp wordplay and vivid storytelling, painting pictures of struggle and survival with an urgent and unrelenting energy.

Throughout the album, Guevara balances humor and anger while addressing capitalism, white supremacy, and the exploitation of Black art. His self-awareness and sharp wit bring depth to complex topics, making them engaging without losing their weight. As the album moves into Act 2, the tone shifts toward introspection, with songs like “4L” and “The Apple That Scarcely Fell” exploring the personal cost of success and the emotional toll it carries.

Each track offers a distinct sonic backdrop, whether it’s the eerie, orchestral flourishes on “Branded” or the stripped-down, soul-sampling approach of “You Can Skip This Part.” The album thrives on contrast—swagger and celebration sit alongside sobering reflections, highlighting the duality of ambition and consequence. Even in its most reflective moments, Goyard Ibn Said maintains an underlying urgency, pushing forward while grappling with identity and purpose.

By the time the album reaches its closing moments, Guevara leaves listeners with plenty to think about. The themes explored feel timely and deeply personal, yet the album never loses its energy or sharp focus. Goyard Ibn Said is a dense, thought-provoking body of work that rewards close listening and reveals new layers with each spin.

Release date: January 24, 2025.

clipping. - Dead Channel Sky

clipping.’s Dead Channel Sky crashes in like a dial-up modem screech—jarring, nostalgic, and impossible to ignore. The Los Angeles trio—Daveed Diggs, William Hutson, and Jonathan Snipes—returns after five years with a cyberpunk-inspired album brimming with industrial noise and glitchy tension. Unlike the horrorcore of Visions of Bodies Being Burned, this record pulses with digital paranoia—glitchy synths, relentless beats, and a world humming with technological menace. It’s chaotic, overwhelming, and thrilling.

From the start, the album is aggressive. The modem squeal of “Intro” bleeds into “Dominator,” a pounding track built on hardcore rave elements, with Diggs’ rapid-fire delivery slicing through the chaos. “Change the Channel” slams with breakbeats and stuttering synths, while “Run It” builds a relentless chase with deep bass and skittering percussion. The pressure momentarily lifts on “Keep Pushing,” where piano and strings introduce a brief calm before the beat snaps back.

Structurally, the album sprawls over 20 tracks, moving like a mixtape with abrupt pivots. Interludes like “Simple Degradation (Plucks 1-13)” crackle with disjointed noise, reinforcing the cyberpunk aesthetic. Some under-two-minute cuts spark with ideas but fade before fully developing. The constant shifts keep things dynamic, though sometimes leave moments underexplored.

Despite the sprawl, standouts emerge. “Mirrorshades pt. 2” pulses with hypnotic glitch-house loops, featuring a sharp verse from Cartel Madras. “Dodger” races forward with drum-and-bass rhythms, while closer “Ask What Happened” layers breakbeats and dreamy synths under Diggs’ raw, historical verses.

Guest features add texture. Aesop Rock’s off-kilter flow quirks up “Welcome Home Warrior,” while Nels Cline’s warped guitar distorts “Malleus” into eerie dissonance. Tia Nomore’s hypnotic hook on “Scams” lingers over a knocking beat. Each collaboration shifts the sonic landscape, keeping the album unpredictable.

Hutson and Snipes push deeper into electronic influences. While Splendor & Misery floated through sci-fi space and Visions roared with horror, Dead Channel Sky crackles with techno-infused chaos, like ’90s rave floors or rogue video game soundtracks. “Mood Organ” oscillates between abrasive kicks and melodic swells, while “Polaroids” layers vocal samples into a hazy hum. It’s harsh but meticulously crafted.

The album ties everything together with themes of digital decay, surveillance, and tech-induced paranoia. Some moments stretch thin, but when Dead Channel Sky connects, it’s electric. Industrial beats, glitchy synths, and Diggs’ rapid flow create a cyberpunk fever dream that’s impossible to turn away from.

Release date: March 14, 2025.

Pink Siifu - Black’!Antique

Pink Siifu’s BLACK’!ANTIQUE is an ambitious, sprawling album that pulls listeners into a world where hazy loops, blown-out beats, and distorted vocals crash into each other with purpose. This long album feels like a culmination of everything the artist has done before, weaving together elements of experimental Hip Hop, Southern rap, and noise-driven soundscapes. Each track carries a raw, tactile quality, with layers of sound that feel assembled from the depths of memory and experience.

The production ranges from gritty, industrial textures to laid-back, smoke-filled grooves. Tracks like “ALIVE & DIRECT’!” hit hard with chaotic, buzzing energy, while moments like “TRANSLATION’!” slow things down into murky, jazz-infused introspection. Siifu’s delivery shifts fluidly between urgent, aggressive bursts and subdued, reflective passages, giving the album a restless, shape-shifting feel.

Lyrically, the album dives into survival, heritage, and self-reflection themes, often blurring the lines between personal experience and collective memory. Siifu’s words feel instinctive, sometimes fragmented, carried by the weight of the production rather than sitting neatly on top of it. Collaborations throughout the album add further texture, with guest features blending seamlessly into the dense, atmospheric mix.

BLACK’!ANTIQUE is a challenging listen, but it’s also rewarding in its depth and complexity. Tracks bleed into one another, creating an immersive experience that demands attention. Siifu doesn’t adhere to traditional structures, instead allowing the music to unfold in unexpected ways. Whether through thick, overdriven beats or stripped-down, intimate moments, the album maintains a consistent sense of urgency and intention.

This is an album that doesn’t explain itself—it exists as a testament to Siifu’s evolution and his refusal to be boxed in by expectation. It’s dense, unpredictable, and deeply rooted in the artist’s vision, offering something new with every listen.

Release date: January 27, 2025.

Mike - Showbiz!

MIKE’s Showbiz! is a hazy, free-flowing meditation on movement and memory, built from warm loops and scattered thoughts that linger like smoke. His delivery is unhurried, his voice thick with experience, letting each bar settle into the grainy, off-kilter production. Recorded between tours, the album captures the push and pull between transience and stability, with MIKE finding comfort in his own rhythm.

The production leans heavily on warped samples, nostalgic and slightly distorted, giving the music a dreamlike quality. MIKE handles much of it himself under his dj blackpower moniker, though collaborators like Laron and Harrison add texture. Lounge music records, pitched-up soul, and reverberant saxophones drift through the mix, creating an atmosphere that feels both intimate and surreal. Tracks like “What U Bouta Do? (A Star Was Born)” shake things up with jagged rhythms, keeping the album from feeling too static. These beats rarely settle into full-fledged grooves—songs come and go in quick bursts, ideas flashing by before dissolving into the next.

Lyrically, MIKE balances introspection with sharp confidence. He’s never been one for traditional storytelling, preferring to sketch moments, emotions, and reflections in a stream-of-consciousness style. “Then we could be free..” finds him meditating on patience and loss, while “Lucky” makes his ambitions plain. His writing is direct but layered, moving between grief, ambition, and gratitude without over-explaining. Themes of resilience and self-determination run throughout, but MIKE never forces a resolution. He’s more interested in the process of understanding than in offering conclusions.

This fragmented approach can make Showbiz! feel elusive on first listen, but it rewards patience. The brevity of many tracks enhances the album’s restless energy, though certain ideas sometimes feel cut short. Still, MIKE thrives in this space—his music doesn’t demand to be picked apart line by line but felt in its entirety.

The album’s structure mirrors its themes: a series of fleeting moments, some joyful, some heavy, all coexisting. There’s a sense of movement and impermanence as if MIKE is capturing thoughts before they slip away. Rather than a grand statement, Showbiz! feels like a collection of snapshots, a document of where he is right now. The result is an album that thrives on movement—always shifting, always searching, always in motion.

Release date: January 31, 2025.

Queen Herawin - Awaken The Sleeping Giant

Queen Herawin’s Awaken The Sleeping Giant lands like a spark igniting a quiet room, a 32-minute burst from a New York MC with deep roots. Known as one-third of The Juggaknots—alongside her brothers Breeze Brewin and Buddy Slim—she brings that crew’s legacy of sharp lyricism to this solo outing. “Focus” opens with Bear-One’s booming bass and crisp snares, Herawin’s voice slicing through, the mood tense yet determined, the beat locking tight. The Juggaknots link shines on “Gluttony,” featuring Breeze Brewin—his flow weaves with hers over Neff Beatz’s gospel-tinged thump, the mood raw and hungry. “Shame” pairs Open Mike Eagle with King Rem’s organ hums and synth stabs, brooding and relentless. “Manifest” closes with Apathy and Mickey Factz, Supastition’s guitar flip swaying loose, the vibe triumphant. It’s a great project—Herawin’s lyricism shines, the production bangs—but its brevity stings. At 32 minutes, it leaves you craving more.

Release date: February 28, 2025. 

Goya Gumbani - Warlord Of The Weejuns

Goya Gumbani’s Warlord of the Weejuns moves with ease between jazz, Hip Hop, and soul, bringing a sense of natural fluidity. The Brooklyn-born, London-based rapper leans into rich instrumentation, letting live drums, bass, and brass breathe alongside his steady, unhurried delivery. His voice sits in the mix like another instrument, neither overpowering nor getting lost, balancing presence with restraint.

The album title references a description of Miles Davis, an artist known for reinvention, and Gumbani channels that spirit by approaching rap with a bandleader’s ear. Songs unfold like jam sessions rather than rigid structures, shifting between warm grooves and more meditative stretches. On “Beautiful BLK,” horns swell behind affirmations of self-worth, while “Firefly” carries the weight of a breakup over a laid-back R&B shuffle, guided by Fatima’s vocals. Guest appearances never feel like add-ons; lojii, Seafood Sam, and Yaya Bey weave in naturally, adding texture without disrupting the album’s cohesion.

Skits and interludes create movement between tracks, making the record feel lived-in rather than stitched together. Warlord of the Weejuns doesn’t force anything—it moves at its own pace, letting mood and melody lead the way.

Release date: March 21, 2025.

Phill Most Chill & Djar One - Deal with It

Deal with It is another strong release from Phill Most Chill, packed with high-energy rhymes and crisp production from Djar One. The throwback beats are hard-hitting, built on funky loops and sharp cuts that bring back the feel of late-80s Hip Hop without sounding outdated. Phill Most Chill’s collaborative album with Jorun Bombay, Jorun PMC, was one of our favorite albums of 2020, and this one has the same kind of fun and energetic vibe. Tracks like “I Get Phunky,” “Ill Rhyming,” and “Back 2 Rhymes” bring non-stop momentum, while “Let Yourself Go” stretches things out with a deeper groove. The chemistry between MC and producer is tight throughout, making this a must-hear for anyone who loves classic Hip Hop.

Release date: February 7, 2025. 

Fines Double - Espejismo

Portland producer Fines Double crafted an engaging and even hypnotic listen with Espejismo, an album that dives into left-field Hip Hop with precision and vision. Following his 2021 debut, Flotar, this project expands on his knack for atmospheric, genre-bending beats, building tension and depth in every track. Across 14 tracks, Fines Double constructs an enigmatic and deliberate world, with production that shifts between sparse, meditative tones and layered, ominous textures.

The guest features elevate the album, each artist bringing a unique energy to Fines Double’s dense instrumentals. “Misanthropic Optics,” with AJ Suede, opens the project with surreal, introspective imagery, while “Abandoned Shopping Malls,” featuring Old Grape God, feels ghostly and unmoored. On “Opposite of Hell,” Sleep Sinatra, Defcee, and Semiratruth deliver razor-sharp performances over brooding production.

Fines Double’s ability to shape mood and texture shines throughout. Tracks like “Levant,” featuring billy woods, are deliberate and weighty, pulling the listener into hypnotic rhythms. Meanwhile, “Sundown Science” with Curly Castro is concise but gripping, creating tension through compact storytelling and tight production.

Espejismo thrives on its balance of experimental beats and incisive lyricism. Fines Double’s command of sound and structure gives the album a cohesive and immersive quality. For listeners drawn to unconventional Hip Hop that pulls you in, this record offers a richly layered and captivating experience.

Release date: January 28, 2025.

Boldy James & Chuck Strangers - Token Of Appreciation

After two lackluster January releases—Murder During Drug Traffic with RichGains and the solo Permanent Ink—Boldy James bounces back with Token of Appreciation, a collab with Pro Era’s Chuck Strangers. This 11-track, 32-minute album marks a return to form for the Detroit MC, driven by Strangers’ lo-fi production. “B.O.B. (Big Ol’ Business)” opens with a calm piano hum and soft snares, Boldy’s deep voice rolling steady, the mood relaxed yet confident. “Whale Fishing” strips drums for a chipmunk soul loop, the beat swaying gentle, his rhymes gritty, the vibe introspective and smooth.

Strangers’ sound—jazzy flares and soul chops—shines on “Thank God,” where a warm sample layers over a slow thump, the mood grateful and mellow. “Lop Sided” hums with synth-organs, the beat zippy, his flow sharp, the track pulsing with street energy. The structure keeps it tight—short tracks, no filler—Alchemist’s mixing adding a crisp edge. “Fail Proof” grooves rich, Boldy’s voice steady over a funky bassline, the mood defiant.

Overall, the beats knock smooth, and Boldy’s delivery cuts deep with vivid street tales. It’s a strong rebound, proving Boldy’s still got fire.

Release date: February 27, 2025. 

Vega7 the Ronin & Machacha - The Ghost Orchid

Underground boom-bap is a packed scene, thick with MCs and beats clawing for air. The Ghost Orchid cuts through the noise. Danish producer Machacha lays down heat—gritty kicks and snares punch hard, dialing back his usual moody haze for a leaner, dirtier edge. Vega7 The Ronin rides these tracks with a sharp growl, his verses stacking clever twists and meaty ideas that dig into your skull. The sound crackles with grit—think dusty vinyl spinning in a basement, the mood taut and hungry, every bar locked tight into the beat’s groove. Machacha’s production carves a rugged frame, letting Vega7 flex his range—lyrical darts fly fast, then slow to a simmer, always worth the rewind. This project hits hard, a grimy gem that lingers.

Release date: March 21, 2025. 

Nerves Baddington - Driving Off Cliffs

Driving Off Cliffs is another strong entry from Birmingham, AL duo Nerves Baddington. Inkline’s lyricism moves between direct storytelling and cryptic wordplay, while Kilgore Doubt lays down murky, off-kilter production that leans into hypnotic repetition and eerie textures. The beats blend dusty drum loops with unconventional sampling, creating a sound that feels weighty but never stagnant. Tracks shift between slow-burning meditations and urgent, percussive rhythms, pulling listeners into the project’s heavy atmosphere. Hooks keep things anchored without softening the impact, letting the verses take center stage.

While not as expansive as their excellent 2022 duology micro/macro, the album sticks to a tightly wound aesthetic that highlights the duo’s knack for mood-driven, cerebral Hip Hop. The chemistry between Inkline and Kilgore remains strong, with each track feeling purposeful in its arrangement. The production choices, from dissonant melodies to layered vocal chops, reinforce the themes of pressure and perseverance. Nerves Baddington continues to refine their signature sound, pushing their craft without losing the grit that defines their work. Driving Off Cliffs isn’t interested in easy moments—it’s immersive, unflinching, and fully committed to its vision.

Release date: February 28, 2025.

MindsOne - Stages

Stages is a sharp, polished boom-bap record that keeps its focus on craftsmanship. MindsOne delivers intricate lyricism over a diverse lineup of producers, blending thoughtful storytelling with head-nodding beats. KON Sci and Tronic trade bars with precision, moving between introspection and sharp observations about life, ambition, and purpose.

The production lineup is stacked. Marco Polo, Da Beatminerz, Kev Brown, and others contribute beats that range from smooth and soulful to rugged and raw. Tracks like “Blind Fury” and “Off the Handle” hit with hard drums and murky basslines, while “Grateful Heart” and “Liberation / Obligation” bring warmth with jazzy samples and laid-back grooves. Scratches from DJ Iron, DJ Noumenon, and DJ Slim Deluxe give the album an authentic, turntable-driven energy that ties it all together.

KON Sci and Tronic bring clarity to complex themes without overcomplicating their delivery, making the album engaging from start to finish. Stages is grounded in Hip Hop’s classic traditions while still feeling fresh, proving that sharp lyricism and top-tier production will always have a place.

Release date: February 7, 2025.

Larry June, 2 Chainz & The Alchemist - Life Is Beautiful

Life Is Beautiful brings together San Francisco’s laid-back cool and Atlanta’s trap energy, an unexpected mix held together by The Alchemist’s masterful production. His jazzy, textured beats layer warm keys, hazy samples, and crisp drums, setting the mood from the first note. Every instrumental choice feels deliberate, from the lush, Axelrod-inspired strings on “Munyon Canyon” to the hypnotic loops of “Epiphany.” The production is the foundation, pulling the best out of both rappers.

Larry June delivers his signature hustler wisdom with calm, conversational ease, but he can sometimes be a one-note rapper. The Alchemist pushes him to elevate, giving his verses space to stretch while keeping the energy dynamic. 2 Chainz provides contrast, injecting playful energy and punchlines that land. Their chemistry shines on tracks like “Bad Choices” and “Jean Prouve,” where smooth confidence meets animated bravado.

Following 2023‘s The Great Escape, his strongest project to date, Larry June continues to thrive under Alchemist’s direction. The album stays focused at 11 tracks, wasting no space. Life Is Beautiful works because of its cohesion—Alchemist’s production is the glue, bringing everything together into a polished, immersive listen.

Release date: February 7, 2025. 

Dear Derrick & Kool Keith - Galaxy Thot

Dear Derrick and Kool Keith’s Galaxy Thot is a rough, spacey ride through unpolished beats and off-the-wall rhymes. The album opens with “Back from Space,” which interpolates a rough interpretation of Eric B. & Rakim’s “My Melody” beat, giving the track a familiar but distorted foundation that sets the album’s unpredictable tone. The beats throughout the project are rugged and lo-fi, with Marc Live crafting a sound that feels raw and unfiltered, perfectly matching Kool Keith’s abstract delivery and Dear Derrick’s narratives.

Dear Derrick, a Brooklyn-based creative known for his work as a visual artist, rapper, and cultural curator, brings sharp, grounded lyrics that reflect his self-taught hustle and experiences in New York’s art and music scenes. Kool Keith, a legendary figure in underground Hip Hop, is known for his surreal, stream-of-consciousness style and decades-long influence on experimental rap. Together, they create an album that is both disorienting and entertaining.

Tracks like “MC Ultra” and “Keez and Geez” combine bizarre imagery with stripped-down, head-nodding production. At the same time, guest appearances from Marc Live, Dane Uno, and others add extra layers of oddball charisma. Galaxy Thot is a niche release, but for fans of Kool Keith’s unpredictable style and Derrick’s street-level storytelling, it’s a short, engaging listen (billed as an EP, but over 30 minutes so eligible for inclusion here) that rewards those who appreciate Hip Hop’s weirder corners.

Release date: February 14, 2025. 

Miles Cooke - ceci n'est pas un portrait

Miles Cooke’s ceci n’est pas un portrait thrives on tension—between faith and despair, grit and grace, structure and improvisation. The album, a cerebral labyrinth of dark humor and vivid introspection, carries the weight of existential fatigue, delivered through Cooke’s raspy, lived-in voice. Each line feels less like a recitation and more like an urgent confession, made in the margins of a world spinning out of control.

Cooke’s beats, along with contributions from Foule Monk, Roper Williams, and Jeff Markey, evoke smoky backrooms and shadowed cityscapes. Sparse jazz pianos collide with menacing basslines, crafting a sound as uneasy as the truths Cooke lays bare. Guest verses from Defcee, SKECH185, and RAMA expand the narrative’s layers, blending camaraderie with critique.

This is an album that doesn’t seek comfort. Instead, it confronts the absurdity of modern life with sharp metaphors and a wry gaze, offering listeners a brutally poetic mirror.

At 32 minutes, the album is on the short side, but its brevity doesn’t detract from its impact. Recommended for fans of edgy underground Hip Hop, ceci n’est pas un portrait delivers a raw, uncompromising experience that lingers long after the final track.

Release date: January 10, 2025.

DirtyDiggs - Gold Chain Music

Gold Chain Music offers a heavy dose of underground Hip Hop built on DirtyDiggs’ (LA duo JR and Noy One) signature production —soulful loops, crisp drums, and a hazy, cinematic feel. The beats pull from rich samples, layering jazzy horns, dusty piano chops, and deep basslines into a sound that feels both polished and unfiltered. Planet Asia leads the charge with his precise delivery, while guests like K.Burns, Supreme Cerebral, and TriState bring sharp lyricism, syncing smoothly with DirtyDiggs’ throwback swing. The energy shifts between laid-back, smoked-out vibes and harder, streetwise anthems, giving the project a dynamic rhythm. The chemistry between the production and the verses keeps the momentum steady. It’s a solid, dope listen.

Release date: February 26, 2025.

Josiah The Gift & Machacha - The Happening

Josiah The Gift and Machacha’s The Happening delivers a gritty, no-frills Hip Hop experience, grounded in sharp lyricism and dark, moody production. Machacha layers crackling drums with eerie samples, crafting an atmosphere that feels like a midnight walk through dimly lit streets. Josiah’s verses cut through the haze with precision, his voice carrying a mix of hunger and hard-earned wisdom. Tracks like “The Warning” and “Blood Oath” hit with relentless energy, while guest spots from Willie the Kid, Eddie Kaine, M.A.V., Jamil Honesty, and Vega7 the Ronin add distinct textures. At a concise 34 minutes, The Happening is short but punchy, giving underground Hip Hop heads exactly what they came for.

Release date: February 14, 2025.

Eddie Kaine & Machacha - Crown Me Kaine

Crown Me Kaine is sharp, focused, and built for replay. Brooklyn‘s Eddie Kaine moves with confidence over Machacha’s moody, boom-bap production, delivering verses with a steady, deliberate flow. The beats are raw but never overpower the lyrics, letting Kaine’s delivery cut through cleanly.

The album keeps things tight at 35 minutes, sticking to its strengths without filler. Every track feels purposeful, with grimy loops and crisp drums setting the backdrop. Kaine’s voice carries weight, balancing street wisdom with self-assurance. Machacha’s production keeps the energy consistent, making this a strong addition to Kaine’s rapidly growing catalog and a standout underground release.

Release date: February 3, 2025.

ILL Tone Beats - The Outcome

The Outcome is a heavy dose of grimy, street-level Hip Hop with ILL Tone Beats laying down a cold, hard foundation. The production leans on eerie loops, slow-burning drums, and that unmistakable underground grit. Black Soprano Family takes center stage, with Elcamino, Benny the Butcher, and Conway the Machine delivering their usual weighty bars.

Tracks like “The Outcome” and “Raw Cain” hit hardest, laced with menacing energy and rugged storytelling. “Super Immaculate” and “36 Ounces and a Mercedes” shift toward a more soulful side, weaving in rich samples and cinematic textures. Some hooks feel undercooked, but the verses and beats carry the weight.

For those who live off raw, unfiltered Hip Hop, this album does exactly what it should.

Release date: March 7, 2025.

KRS-One - Temple Of Hip Hop Global Awareness

KRS-One’s legacy in Hip Hop runs deep—no one can argue that. For us, he is one of the GOATS. The Bronx legend helped carve the genre’s conscious edge, his voice a booming force since the ‘80s. Lately, though, his drops—like Temple Of Hip Hop Global Awareness—slip out quiet, tied to a European tour with zero buzz. It’s on him: no promo, no push, just like he bragged back in 1997—skills over hype. This one’s got that DIY vibe—cheap, home-made cover art, beats stripped thin, all snares and echoes built for live stages, not headphones. At 35 minutes, it’s lean, almost flimsy—skeletal production leaves you wanting meatier grooves. Still, damn, KRS delivers. His bars crackle—gruff, wise, slicing through with 40 years of fire. The mood swings from preachy to fierce, verses piling tight over bare loops, a teacher spitting lessons. Live, he’s untouchable—rocking crowds solo for hours, no crutches, pure energy. Here, that power shines, even if the album feels slight. We’re still waiting for a heavy hitter like Apollo Brown or DJ Premier to lace him with beats and a label to match his weight. For now, this holds us—proof KRS-One’s lyrical grip hasn’t slipped.

Release date: March 21, 2025. 

Big Cheeko - Coulrophobia

Courophobia by Atlanta artist Big Cheeko is a bold and dynamic blend of Hip Hop, soul, and jazz influences, with every track offering something distinct. The production is rich and diverse, weaving together smooth beats, jazzy elements, and sharp percussion that perfectly frame Cheeko’s unique vocal delivery. Cheeko’s lyricism is thought-provoking, capturing themes of self-awareness and societal reflection, all while maintaining a sharp sense of humor. Collaborations with artists like Jay Nice and Rocxnoir add texture to the album, enhancing its variety without overshadowing Cheeko’s voice. Throughout, the record’s experimental nature keeps things fresh, though its steady flow ensures a cohesive listening experience. Coulrophobia is a well-rounded effort that blends deep vibes with creative risks, proving Cheeko’s potential as an artist to watch.

Release date: January 17, 2025.

ZelooperZ & Real Bad Man - Dear Psilocybin

Dear Psilocybin is hypnotic, murky, and unsettling in the best way. ZelooperZ drifts between clarity and delirium, his voice stretching and slurring over Real Bad Man’s eerie, off-kilter loops. The beats feel warped, with flutes, dusty samples, and haunting melodies swirling in and out of focus. Tracks like “Sweet Celine” and “World Blew” feel weightless, floating in a hazy dream, while “Explains It Scientifically” twists doo-wop elements into something ghostly and unsteady.

ZelooperZ is unpredictable, shifting flows and vocal tones mid-bar. At times, he sounds detached, his delivery fading into the production like a voice lost in thought. The lyrics carry an underlying tension, touching on substance use, paranoia, and self-destruction without losing the album’s detached, almost psychedelic mood. The production keeps everything in orbit, giving even the strangest moments a loose sense of structure.

Real Bad Man and ZelooperZ build a surreal, insular world where melodies dissolve into noise, and verses slip between lucidity and delirium. It’s an album that feels lived-in, like a night of distorted memories pieced together the morning after.

Release date: February 7, 2025. 

Recognize Ali & Stu Bangas - Guerilla Dynasty 3

Recognize Ali, the tireless underground MC, links up again with producer Stu Bangas for Guerilla Dynasty 3, the latest chapter in their rugged series. If you know these two, you can already hear it: beats that hit like a fistful of gravel—boom-bap laced with grime—and bars that snarl with the same dirty edge. This album doesn’t chase new territory or linger long in your head after the last track fades. It doesn’t need to. There’s a crowd that craves this strain of Hip Hop—hard, unpolished, straight from the gutter—and we’re right there with them, nodding along to the familiar grit.

Release date: March 14, 2025.

Grand Official - Supreme

Supreme hits hard with golden-age boom-bap, packed with razor-sharp cuts and heavyweight features. Grand Official—MC Dose, DJ Hallucin8, and producer Grip—lock into deep, knocking drums and gritty loops, keeping their sound raw and urgent. The title track kicks off with Lil Fame and Teflon, setting the tone with rough-edged energy, while “Kings” leans into Da Beatminerz’s signature murky bounce.

The lineup gets deeper with KRS-One on “Respect,” his booming presence adding weight, and Ras Kass, Cappadonna, and M.O.P. bringing firepower to the mix. Reagan Era Records members drop in throughout, reinforcing the album’s underground roots. Beats snap, verses land with intention. This is a LONG album, and not every track hits, but the overall quality of this LP is undeniable. This is Hip Hop built for the heads—uncompromising, sharp, and drenched in that 90s grit.

Release date: February 2, 2025. 

Smif-N-Wessun - Infinity

Smif-N-Wessun’s Infinity, released via Duck Down Music, pairs Tek and Steele with The Soul Council’s tight production across 14 tracks. Khrysis’ “Infinity” kicks off with a mellow bass hum and crisp snares, Tek’s voice gliding, “We here forever,” the mood reflective yet steady.  Standout cut “Medina” with Pharoahe Monch bangs hard, Sndtrak’s vocal sample looping over thumping kicks, the vibe gritty and intense. 9th Wonder’s “Enjoy Ya Life” layers soulful pianos, Steele rapping, “Make the best of the time we got,” the track smooth and warm. “On My Soul” with Buckshot hums with a funky bassline, the mood loyal and laid-back, stretching over four minutes.

The structure flows consistent—each beat polished, from “Chuuch’s” gospel flip to Nottz’s “Bad Guy” with its stark guitar sting. We like this album for its smooth listen, the production crisp and unwavering. But it’s a bit too glossy for a Smif-N-Wessun joint—the R&B hooks, like Ralph Tresvant’s croon on “Shine,” dilute the grit we crave from these Brooklyn vets. The Soul Council’s sound is tight, no doubt, yet its slick polish clashes with the rugged edge we expected.

Release date: February 21, 2025. 

Isaac Castor & Foul Mouth - The Rabbit Hole 3: Smoking Caterpillar

Isaac Castor and Foul Mouth return with The Rabbit Hole 3: Smoking Caterpillar, the latest chapter in their ongoing series. The album dives deep into boom-bap roots while weaving in jazz and rock influences, creating a dense and textured backdrop for Castor’s sharp lyricism. From the opening track “Here They Come,” the energy is direct and unwavering, setting the tone with tight drums and confident delivery. Tracks like “I Ain’t Fresh?” tap into gritty basement-style beats, while “Blind” takes a smoother approach with jazz-infused melodies.

Throughout the project, Castor balances battle-ready bars with introspection. “Why Should I Die?” layers horns and punchy percussion under lyrics that explore his sense of self-worth, while “Sidetracked” critiques the compromises others make in pursuit of fame. Guest appearances from Kain Cole, J-Classic, and Mvck Nyce add variety, complementing Castor’s style without overshadowing his presence.

Production by Foul Mouth remains grounded in the signature Middle Finger Music sound—rich sampling, crisp drums, and a knack for balancing nostalgia with freshness. “Time for Jazz” and “Spin Itch” highlight this versatility, blending soulful loops with raw energy. As the album winds down with “Thoughts Runnin’” and “Live Wire,” Castor circles back to themes of persistence and artistic growth, reinforcing the cyclical nature of his journey.

Castor’s confidence and hunger are evident, making each track a statement of purpose. The Rabbit Hole 3: Smoking Caterpillar feels like a culmination of years of hard work, shaped by experience and a relentless drive to keep moving forward.

Release date: January 23, 2025.

Curren$y & Harry Fraud - Never Catch Us

Never Catch Us brings Curren$y and Harry Fraud back together for another smooth, luxurious ride through the high life. The production leans into warm, layered instrumentation—lush strings, crisp drums, and hazy keys set the mood for Spitta’s effortless glide. His laid-back delivery and sharp details paint scenes of private jets, classic cars, and late-night plotting.

“Money Magnet” is the standout, with its eerie, looping sample and thudding drums providing the perfect backdrop for Curren$y’s unshakable cool. Conway the Machine and Rome Streetz step in with menacing energy, and Rome’s closing verse is especially sharp. The features throughout add texture—Wiz Khalifa slides in comfortably on “Airport Industries,” while Babyface Ray, Styles P, and 03 Greedo bring weight to the trap-flavored “True Lies.”

Fraud’s best production moments blend jazz and soul influences with his signature polished touch, as heard on “Encrypted Messages” and “No Wrinkles.” Some tracks in the second half don’t land as strongly, leaning into flatter production, but the highs outweigh the dips. Curren$y and Fraud have locked into a formula that works, and while this project doesn’t reinvent their sound, it stays fresh with small shifts in energy and approach. It’s an easy listen, built for long drives and slow afternoons, reinforcing their chemistry without forcing anything new.

Release date: March 14, 2025. 

Da Inphamus Amadeuz & The Punchline Academy - The Punchline Playbook: Lesson 1

The Punchline Playbook: Lesson 1 introduces The Punchline Academy, a collective formed by Bronx producer, videographer, and SiriusXM host Da Inphamus Amadeuz. Built around sharp lyricism and boom-bap beats, the album brings together underground and established artists to keep punchline-heavy Hip Hop alive.

It kicks off with a freestyle from Onyx and Ricky Bats, setting a raw and aggressive tone. Styles P and Blazin trade streetwise bars over a gritty beat on “Delay the Drama,” while “It’s Like a Jungle” gathers Blazin, Kiko Medina, Rah tha Ruler, Shortee Sha, Spittin Image, and Tahmell to fire off punchlines back-to-back. “Another Day” takes a smoother approach, layering jazzy boom-bap under introspective verses from Amber Simone and Tahmell. G. Dep’s appearance on “Can’t Do Nothing Right” proves his pen is still sharp, and “ICU” gives Rah tha Ruler a solo moment to shine. Canibus and Tahmell bring commanding presence to “Air Traffic Control,” delivering deadly lines.

Da Inphamus Amadeuz keeps the production tight, rooted in boom-bap but tailored for each artist’s style. The energy stays high, packed with sharp wordplay and raw delivery. Billed as a first lesson, so hopefully, plenty more will come.

Release date: February 7, 2025.

Omari Hardwick - BuffalOes & Butterflies

BuffalOes & Butterflies moves at its own pace, stretching across nearly two hours with a loose, reflective energy. Omari Hardwick blends spoken word, rapping, and singing, shifting between poetic storytelling and smooth melodies. The production is warm and atmospheric, built on laid-back instrumentation that lets each verse breathe.

Guests like Big Daddy Kane, Raphael Saadiq, and Fat Joe add texture without disrupting the flow. Hardwick’s voice carries weight, delivering personal reflections with a measured, deliberate tone. The album drifts between moods, never rushing, allowing space for each moment to settle. A slow-burn listen that rewards patience.

Release date: February 3, 2025.

Doseone & Steel Tipped Dove - All Portrait, No Chorus

All Portrait, No Chorus from Doseone and Steel Tipped Dove is a sparse and challenging listen that pushes the edges of Hip Hop’s usual structures. The production by Dove is ethereal and abstract, filled with dreamy loops, disjointed rhythms, and haunting textures that create an almost otherworldly atmosphere. Doseone’s unorthodox delivery, part spoken word and part rap, weaves through the beats with a surreal flow that can be difficult to latch onto at first. His lyrical content—dense with metaphors and esoteric references—demands attention and repeated listens to fully absorb.

The album features guest appearances from notable figures like billy woods and Quelle Chris, who bring a sense of weight and depth to the project, though they are used sparingly. The overall tone of the album is introspective and cerebral, with a focus on mood and abstract storytelling rather than catchy hooks or conventional song structures.

All Portrait, No Chorus is not an easy listen but it rewards those who are willing to immerse themselves in its strange, labyrinthine sound world. Fans of experimental, left-field Hip Hop who appreciate a more challenging, unconventional approach, will find plenty to enjoy here.

Release date: January 10, 2025. 

Slik Jack & Vincent Pryce - Everyone's Gotta Pryce

Everyone’s Gotta Pryce by Slik Jack and Vincent Pryce presents a dark and gritty narrative that pulls listeners into a world of crime and suspense. The production by Vincent Pryce is steeped in haunting, atmospheric beats with a touch of 1980s horror film vibes, creating a fitting backdrop for Slik Jack’s sharp East Coast flow. The album’s sample choices add a raw, cinematic feel that heightens the intensity of each track. Guest features like Bub Styles, Daniel Son, and Pro Dillinger bring additional weight to the project, enhancing its underground appeal. It’s a tight, immersive listen with plenty of style and grit.

Release date: January 22, 2025.

Doodlebug & 80 Empire - A Galactic Love Supreme

Doodlebug, known for his work with Digable Planets, brings his signature smooth delivery to A Galactic Love Supreme, a collaboration with 80 Empire that blends jazz, funk, and soulful Hip Hop. Digable Planets made their mark with warm, sample-driven production and poetic lyricism, and that influence carries through here, though with a modern twist.

“Outtaspace Connection” kicks things off with a Zapp-style talkbox hook over deep bass, setting the mood for the album’s cosmic themes. “Breathe” reflects on Doodlebug’s love for rhythm over crisp drum breaks, while “Mother Earth is Dying” pairs melancholic horns with a call for environmental awareness. Shabazz Palaces joins “Deliveries,” trading off abstract bars over a hazy groove.

“Amore” glides into silky, soul-infused production, while “Time Keeps Slipping” leans into introspection, with Nejma Nefertiti’s verse adding sharp urgency. “Intergalactic Love Supreme” expands on the album’s theme of love and connection, its floating synths creating a dreamlike atmosphere. “Nothing Lasts Forever” closes things out with Bone Crusher and KXNG CROOKED, delivering reflective bars over moody piano loops. With rich, organic textures and a laid-back but thoughtful energy, this album feels like a continuation of Doodlebug’s legacy while embracing new sonic directions.

Release date: March 7, 2025.

Maze Overlay & Slang Hugh - Word

Maze Overlay and Slang Hugh’s Word delivers a smoky, hypnotic experience rooted in introspective lyrics and textured beats. Maze Overlay’s laid-back delivery glides over Slang Hugh’s production, which blends crackling drums with hazy samples that linger like late-night streetlights. Tracks move with a quiet intensity, balancing reflective storytelling with sharp observations. Guest appearances from Asun Eastwood, Lord Juco, and Ja’king the Divine (among others) add distinct voices without disrupting the album’s cohesive mood. Word is an immersive, atmospheric listen that maintains a cool, effortless groove throughout.

Release date: February 14, 2025.

Murderers' Row & Snowgoons - Murderers' Row

Murderers’ Row brings together Reef the Lost Cauze, King Syze, and Outerspace with Snowgoons behind the boards, delivering a tight collection of rugged, no-nonsense boom-bap. The beats hit hard, packed with thumping drums and eerie samples that create a tense, aggressive atmosphere. Lyrically, the group sticks to what they do best—gritty street narratives and sharp punchlines delivered with precision. Guest appearances from Elemxnt, Kxng Charisma, and Trxstworthy add variety, while DJ Crypt and DJ TMB provide cuts that keep the old-school energy alive. The biggest drawback is the short runtime, with only eight tracks that leave the project feeling more like an appetizer than a full meal. Despite its brevity, Murderers’ Row delivers enough heavy-hitting moments to satisfy fans of hardnosed Hip Hop.

Release date: January 24, 2025. 

MC Homeless - Stay Slick

Stay Slick by MC Homeless is a sharp, offbeat ride through playful wordplay and vivid storytelling. With Marc Live handling the production, the beats hit with a funky, bass-heavy energy that keeps things moving. Tracks like “Stay Slick” and “Funky Fresh Forever” lean into humor and social observations without losing their edge. MC Homeless plays with vocal styles, shifting between laid-back delivery and animated flows. Guest features from Myka 9 and Copywrite add extra flavor, blending with Homeless’s personality without overshadowing it. The album feels like a spontaneous conversation—quick-witted, fun, and always grounded in the groove.

Release date: February 14, 2025.

Distrik22 - Brooklyn Queens Expressway

Brooklyn Queens Expressway runs on thick basslines, crisp snares, and a no-frills boom-bap foundation. Distrik22—emcee Flowhipnotic and producer Intra-Nothing—locks into a 90s-rooted groove, crafting beats that give space for sharp lyricism. Flowhipnotic and Intra-Nothing move with purpose, trading bars over production that feels built for subway rides and late-night sessions.

Craig G and Ruste Juxx bring veteran presence, weaving through beats with precise delivery. Features from 4-Ize, Epic, and others add depth, keeping the energy shifting without losing focus. The album stays true to its underground roots, built on tight loops, raw drum patterns, and voices that cut through.

Release date: January 20, 2025.

Action Figures Of Speech - Action Figures Of Speech

Fort Wayne MC Sankofa joins Memphis Reigns and JON?DOE on Action Figures Of Speech, a fun 12-track blast. 8Greg2’s beats thump with deep bass and snappy snares, layered with DJ Wally Styles’ sharp scratches. Sankofa’s voice rolls steady, blending with Reigns and JON?DOE’s flows—the mood hums with chill, crew energy, like a late-night rhyme session. Tracks unfold tight and punchy, each beat hitting hard, the structure keeping a brisk pace across the dozen cuts. Sankofa’s relentless grind fuels this collab, the chemistry tight, the sound gritty yet fun. It’s a solid, lively spin worth the listen.

Release date: February 15, 2025. 

Handsome Gentlemen - FILMED BY QUENTIN TARANTINO

FILMED BY QUENTIN TARANTINO twists boom-bap into something hazy and surreal. Cut Beetlez dial back their usual punchy throwback boom-bap production, layering eerie samples and warped melodies over unhurried drums. Handsome Gentlemen—HP JASS and THEFOODLORD—navigate these beats with a loose, unpredictable delivery, their voices shifting between sharp and sluggish like old VHS tapes glitching mid-scene. Guest verses slip in and out, adding more textures to the album’s disjointed energy. Tracks linger, never rushing to their conclusions, building a hypnotic effect. The album pulls from classic Hip Hop while warping it into something stranger, making for an off-kilter, immersive listen.

Release date: February 1, 2025.

Kool Keith & Dane Uno - The Yoohoo bros.

Kool Keith pulls us in every time—his wild orbit keeps us hooked. The Yoohoo Bros., a quick dip with Dane Uno, doesn’t take up much space in his sprawling catalog, but it’s got bite worth savoring. Keith’s offbeat bars twist through the mix, packed with quirky chants and sly jabs that amplify his signature freaky flair. KutMasta Kurt and Junkaz Lou lay down low, greasy funk with glitchy kicks, locking into Keith’s oddball stride better than his own production, which doesn’t land as strong. Dane Uno glides in smooth, his steady flow blending seamlessly with Keith’s voice. The mood stays loose and weird, but the structure keeps it tight—lean bars over warped grooves. It won’t flip the script, but for Keith diehards, this little project crackles enough to keep the speakers warm.

Release date: March 7, 2025.

FastLife, Madhattan & Spanish Ran - Bergin Hunt & Fish

Bergin Hunt & Fish brings together FastLife, Madhattan, and Spanish Ran for a hard-edged, street-level project that stays locked into its lane. Spanish Ran’s beats are stripped-down and moody, with chopped loops and drums that knock without excess polish. The production carries a grime-streaked tension, giving FastLife and Madhattan the space to deliver their rhymes with weight and precision. Their verses are tough and direct, reflecting a relentless hustle mentality. The album sticks to a familiar underground formula—short runtime, gritty beats, sharp bars, and a no-frills approach—but it’s done with focus and consistency, making it a worthwhile listen for Hip Hop purists.

Release date: February 20, 2025. 

.Tetsuo - GOSSAMER

GOSSAMER is a long, winding listen that leans into its own offbeat style without hesitation. At 77 minutes, it’s packed with meandering jazz-influenced instrumentals that strip things down to the essentials—often drumless, leaving plenty of space for Tetsuo’s relentless delivery. His rapping pushes forward in an almost breathless rush, a steady stream of words that rarely lets up. The abstract, free-flowing approach won’t connect with everyone, but those who do will find a hypnotic quality in its repetition and off-kilter rhythms. It’s an ambitious project that takes its time and isn’t afraid to be different.

Release date: January 19, 2025. 

Landon Wordswell & Es-K - Remember To Breathe

Remember to Breathe brings Landon Wordswell’s intricate lyricism together with Es-K’s mellow, jazz-infused production. The beats lean on warm keys, dusty drums, and laid-back loops, creating a steady pulse that lets the verses land with weight. Wordswell’s delivery is fluid, shifting between sharp storytelling and reflective moments. He packs his lines with detail, and his flow never lags, keeping the energy consistent. Features from Skyzoo, Talib Kweli, and Blu add texture without overshadowing the main voice. The album moves with purpose, keeping the mood grounded while giving enough space for the instrumentals to breathe. A strong listen throughout.

Release date: February 21, 2025.

Farma G - How To Kill A Butterfly

How to Kill a Butterfly is Farma G’s first solo album, but his pedigree in UK Hip Hop is long-established. As part of Task Force, his intricate rhyme patterns and unfiltered storytelling helped shape a sound that still looms large over the scene. Here, he steps out alone, but there’s no hesitation—his delivery is sharp, his presence commanding.

Across 13 tracks, Farma G moves between eerie, dreamlike loops and raw, hard-hitting drums, his voice carrying weight and wear. Some beats creep forward with an unsettling stillness, others knock with force, keeping the momentum unpredictable. His lyrics unfold in twisting, layered patterns, loaded with meaning and experience. There’s no sense of chasing trends or looking over his shoulder—this is an artist fully in his own lane. How to Kill a Butterfly is direct, uncompromising, and rooted in a lineage that Farma G helped build.

Release date: January 31, 2025.

Henny L.O. & Ewonee - The Coldest Season Ever

Henny L.O. from Mutant Academy delivers a tight, tasty gem with The Coldest Season Ever. Ewonee’s beats glide—smooth, jazzy currents with crisp drums that roll easy and warm, setting a laid-back groove. Henny’s voice, mellow but firm, weaves through, while Fly Anakin, Kaay Taurus, Lord Jah-Monte Ogbon, and Big Kahuna OG drop in, each adding a distinct kick. The sound hums with smoky vibes, the mood chill but alive, built on verses that stack snug over Ewonee’s loops. It won’t stick in your head forever—nothing here screams for repeat spins—but it’s a solid, enjoyable ride, perfect for a quiet night with the volume up.

Release date: March 21, 2025.

Westside Gunn - 12

Westside Gunn’s 12 delivers more of the gritty, off-kilter flair that made the Hitler Wears Hermes series a cult favorite. The production sticks to the grimy, drumless loops fans expect, with Daringer, Conductor Williams, and others crafting beats that are eerie, soulful, and raw. Gunn’s signature high-pitched delivery remains distinct, though the content rarely breaks new ground.

The features lean heavily on Stove God Cook$, Estee Nack, and Brother Tom Sos, who add variety to the otherwise familiar formula. Tracks like “055” and “Health Science” stand out for their smooth, hypnotic backdrops and compelling verses, while “Bury Me with a Stove” brings dark humor and relentless hustle talk.

The album maintains a consistent atmosphere but lacks standout moments that define earlier entries in the series. Gunn’s curatorial instincts are still sharp, yet the smaller feature list and repetitive themes leave parts of the project feeling stagnant.

12 is another solid addition to Gunn’s catalog—gritty, confident, and steeped in Buffalo street ethos. But the formula might be wearing thin. While loyal listeners will appreciate the familiar vibe, others might find themselves wishing for more experimentation or a stronger sense of evolution from the Griselda frontman.

Release date: February 14, 2025. 

WateRR & Machacha - Almighty II

Chicago’s WateRR teams up again with Danish producer Machacha for Almighty II, a sequel that doesn’t top their best work but still lands heavy. We’ve heard sharper cuts from each—WateRR’s gravelly bark has bitten harder, and Machacha’s beats have swirled darker elsewhere. Even so, this album rises well above the usual churn. Machacha conjures a thick, moody haze—drum kicks roll slow, samples curl like smoke—while WateRR’s rough growl digs into the grooves, gritty and unyielding. It’s a lean, mean listen, worth spinning for anyone hooked on underground Hip Hop’s raw pulse.

Release date: March 14, 2025.

Dave East & Ransom - The Final Call

The Final Call brings together Dave East and Ransom for a cold, deliberate take on street rap. The production leans on soul-sampling, layering dramatic loops over steady, knocking drums. Dave East sounds locked in, delivering measured verses with an aggressive but controlled presence. Ransom brings a heavier tone, his delivery sharp and calculated. Tracks like “Exotic Prayer Rugs” and “Soul Food in Mecca” hit hardest, their instrumentals carrying weight without drowning out the vocals. The features are hit-or-miss, but the chemistry between the two main artists keeps the album focused. This is a no-frills release built for replay.

Release date: February 21, 2025. 

Redline The Ace - Origin Story

This 90s-centric boom-bap album delivers straightforward but enjoyable beats. While not groundbreaking, it’s a solid listen. Guest appearances by Ren Thomas, RJ Payne, Spit Gemz, and The Bad Seed add extra flavor, and production from the likes of Solo for Dolo, Audio Rohn, Magic Hands, Jay Ferg, and Sound Professor guarantees a set of dope beats. The most special aspect of this project is the iconic Rob Swift’s crisp cuts and scratches. Recommended for throwback Hip Hop fans.

Release date: January 13, 2025.

Benny Holiday - Holiday Land

Holiday Land by Benny Holiday delivers a smooth, concise collection of tracks that blends classic Hip Hop with modern flair. The project runs just over 30 minutes, leaving you wanting more, but it packs a punch in its short runtime. Benny’s lyrical style flows effortlessly over the hard-hitting beats provided by Snowgoons, with guest appearances from Conway the Machine, Lil Flip, and others. Each track hits with precision, offering a mix of gritty rhymes and sharp production. While it may feel lightweight in length, the album’s energy and strong collaborations make it an engaging listen for any Hip Hop fan.

Release date: January 17, 2025.

OC from NC - Project 25

On Project 25, OC from NC continues to demonstrate his skillful lyricism and introspection, though the project feels lighter compared to standout works like Higher Learning (2015), It’s Not You, It’s Me (2018), and The Black Phillip Tape (2021). The album is grounded in OC’s signature style—sharp storytelling and smooth flows over soulful boom-bap beats.

While the production maintains a steady groove with soulful samples and gritty drum patterns, it lacks some of the depth and variation found in his strongest projects. That said, OC’s effortless delivery and knack for vivid imagery ensure that Project 25 is still engaging and easy to listen to.

Even if it doesn’t reach the heights of his best work, this release underscores why OC from NC remains one of North Carolina’s most consistent and underrated voices in Hip Hop.

Release date: January 1, 2025.

M.W.P. - Temple Of Roses

Temple of Roses is a concise producer album from Denmark’s M.W.P. Dusty. The largely drumless instrumentals provide an atmospheric backdrop for rhymes from well-regarded underground MCs like SageInfinite, Tha God Fahim, Nowaah the Flood, Ty Farris, Mark 4ord, Bub Rock, Bless Picasso, Justo the MC, Ill Conscious, and the late Senica Da Misfit. DJ Grazzhoppa’s cuts, featured on most tracks, add a welcome texture to the project. While there’s nothing here you haven’t heard before, it makes for an enjoyable enough listen.

Release date: January 9, 2025.

The Bad Seed & Murda Megz - From Us With Love

From Us With Love by underground veteran The Bad Seed and producer Murda Megz delivers hard-hitting beats and sharp rhymes rooted in classic New York underground Hip Hop. Murda Megz lays down gritty, soulful production, with tracks like “Watermelon Chunx” and “Wonderful” hitting hard thanks to raw samples and sharp cuts from Tone Spliff. The Bad Seed moves through the album with confidence, offering vivid street narratives and biting social commentary. “The Day the Internet Died” stands out with its humor and sharp perspective, while “Rae & Ghost” pays homage with slick storytelling. It’s a tough, straightforward project with no wasted moments.

Release date: February 6, 2025.

Otis Mensah & the intern - before the noise my cousin

before the noise my cousin moves through hazy, jazz-inflected production with Otis Mensah’s introspective lyricism floating over the intern’s abstract beats. The album drifts between spoken-word poetics and off-kilter rap cadences, shaping a dreamlike atmosphere where memories and emotions dissolve into sound.

The production leans into airy textures—muted horns, soft percussion, and warm synths—giving space for Mensah’s voice to roam. Tracks stretch and contract in unpredictable ways, mirroring the transient themes of youth, identity, and creative struggle. There’s a looseness in the structure, but nothing feels directionless.

Lyrically, Mensah navigates artistic ambition, self-doubt, and the weight of time with a delivery that teeters between urgency and reflection. Guest appearances from Blu, Speech of Arrested Development, and Lando Chill add texture without overshadowing the album’s deeply personal tone.

before the noise my cousin unfolds like a late-night conversation—wandering, vulnerable, and fully committed to artistic freedom.

Release date: March 14, 2025.

Mac Miller - Balloonerism

We’ve never been big fans of Mac Miller, though we can recognize his artistry and the appeal his music holds for many. Balloonerism, his second posthumous album, is a good piece of music, even if his sing-song rapping style isn’t quite our thing. The album—recorded in 2014 but never released—features a loose, relaxed sound driven by smooth basslines and hazy, melancholic production, that feels intimate and unforced. Tracks like “Mrs. Deborah Downer” and “Stoned” create an almost languid vibe, with subtle grooves that draw you in despite their downbeat moods. Miller’s vocals here, slow and wistful, build a sense of introspection, especially when layered with Thundercat’s bass or the dusty drums. The music feels personal, more like an exploration of Miller’s emotional space than something crafted for broad appeal. It’s not flashy or overproduced, and it’s a mood piece—comfortable, but never settling into easy territory. Fans of his mellow, soul-infused Hip Hop will find much to appreciate.

Release date: January 17, 2025.

Eddie Kaine & Rim - Welcome To Stuyville

Welcome to Stuyville by Eddie Kaine and Rim delivers gritty, streetwise lyricism over heavy, atmospheric production. The album thrives on its raw energy and unfiltered storytelling, capturing the essence of Brooklyn’s Marcy and Stuyvesant neighborhoods.

Camoflauge Monk and 38 Spesh craft ominous, boom-bap backdrops that underscore the duo’s verses, with tracks like “What’s This” and “Ice Cold” setting the tone. Standout collaborations, including “Salute” with Benny the Butcher and the reflective “Made Men” featuring the late Fred the Godson, elevate the project. While the beats occasionally blur together, the cohesive mood and sharp rhymes make this a solid little slice of street-level Hip Hop.

Release date: January 8, 2025.

G-Clef Da Mad Komposa & Jus-P - Xavier & Logan

G-Clef Da Mad Komposa & Jus-P’s Xavier & Logan is a solid throwback to ’90s Hip Hop, packed with sharp rhymes and classic beats. The production leans into boom-bap grit, with crisp drums and soulful samples driving each track. Jus-P delivers steady, confident verses while G-Clef’s compositions maintain an engaging, head-nodding energy. The concept, loosely inspired by the comic book duo, doesn’t add much depth and might even distract from the music itself. Still, with a runtime of 55 minutes and a roster of guest appearances that add variety, the album stays entertaining throughout. It’s a straightforward, satisfying listen for fans of classic Hip Hop.

Release date: February 14, 2025. 

Anitek & Tabinstereo - Indigo Immaculate

Indigo Immaculate brings together Anitek’s layered boom-bap production with Tabinstereo’s versatile style, creating a project that blends smooth beats, precise cuts, and steady rhymes. The instrumentals carry a laid-back, jazzy feel, with soulful touches and a steady groove that keeps the energy moving. Scratches and samples are woven in with purpose, adding texture without feeling overdone. Tabinstereo’s delivery fits well, balancing between thoughtful lyricism and effortless flow. At fourteen short tracks, the album moves quickly, leaving an impression without overstaying its welcome. It’s a well-crafted listen that offers plenty to appreciate without feeling too heavy or overproduced.

Release date: January 22, 2025.

Best Hip Hop EPs Of 2025

• Che Noir & Superior – Seeds in Babylon
• White Shadow & Son of Saturn – Seppuku
• Rim & Vanderslice – Corner Disciple
• Previous Industries – Evergreen Plaza
• Tone Chop & Frost Gamble – I Just Wanna Rap
• Jalen Frazier & Circa 97 – All Love Until It’s Not
• Young Buck – Renovation
• Andreaus Haley & Custom Made – It’s Nasty Outside
• The Bad Seed, LR Blitzkrieg & Nottz – The 6ixers
• Coast Contra & Marco Polo – In Case You Forgot
• Jay Royale – Jacked for the City
• Mr. Cheeks (Lost Boyz) – Still in da Game
• Top Hooter & MichaelAngelo – Hooter Hyena
• Stik Figa & DJ Sean P – A Small Fortune
• Daniel Son & Ghost Notes – The Estes Method
• John Jigg$ & ButterKnife Haircuts – Teflonious Monk
• Ankhlejohn & Cookin Soul – The Michelin Man
• Sinopsis – Kooley High – Still Infinite
• Lord Fury & Sibbs Roc – Supreme Era
• Milc & Televangel – Things to Do in Portland When You’re Dead
• A-F-R-O & Chrome Waves – My Mind is My Biggest Gun
• Al Rock – Run the Line
• The Doppelgangaz – Dumpster Dive Vol. 2
• FuHandz – Done Different
• OT the Real & Nickel Plated – The Devil You Know
• Homeboy Sandman & Illingsworth – Dancing Tree
• Ty Farris & Divine Crime – Timing of a Tarantula
• Busta Rhymes – Dragon Season… Equinox
• Nacho Picasso, Milc & Televangel – Montage Music
• Wavy Da Ghawd – The Muse’s Embrace
• Vincent the Owl & Felons – 201 Degrees
• Teller Bank$ & Wino Willy – Black Man!
• Milano Constantine & DJ Ready Cee – Fly Dialogue
• Elcamino & 38 Spesh – Martyr’s Prayer III
• John Jigg$ & ButterKnife Haircuts – Teflonious Monk
• Akil the MC (Jurassic 5) – Dress Rehearsal
• IAMGAWD & Master ILL – City xf GAWD
• AJ Suede – The Duke of Downtempo
• The Musalini & DJ Skizz – The Pierre Hotel
• V Don – Sent For
• Ankhlejohn – Give Grace (Side B)
• Chubs & Rob Viktum – 40 Cal Capone
• Turt1e – Shell Shocked
• Napoleon Da Legend & JR Swiftz – Great Minds
• Busta Rhymes – Dragon Season… The Awakening
• R.A.P. Ferreira – Outstanding Understanding
• Jae Skeese – 40 Hours
• Logic – Aquarius III
• Diamond D – The Diam Piece 3: Duo
• Ferris Blusa & Observe Since 98 – And That’s When I Saw Gawd
• Jae Skeese – 40 Hours
• Supreme Cerebral & Swab – Son Of Hannibal
• NAHreally – Secret Pancake
• Novatore & Brenx – Agoraphobia
• Ransom – Cabrini Green Project
• Paradox & DJ Sean P – Now. Here. This
• Wavy Da Ghawd – The Muse’s Embrace
• Ty Farris & Divine Crime – Timing of a Tarantula

The Best Hip Hop Albums Of 2024

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