Common & Pete Rock - The Auditorium Vol. 1

Common and Pete Rock’s The Auditorium Vol. 1 is a Hip Hop masterpiece that brings together two of the genre’s most influential figures.

Common, a pivotal voice in conscious Hip Hop since his 1994 breakthrough album Ressurection, has built a career on introspective lyrics and a smooth flow, earning multiple Grammy Awards. Over the years, he’s released critically acclaimed albums like Like Water for Chocolate (2000) and Be (2005), while expanding his reach into acting, writing, and activism. His introspective lyrics and smooth flow have earned him multiple Grammy Awards and a reputation as one of Hip Hop’s most thoughtful voices.

Pete Rock, on the other hand, is one of the true architects of the genre’s sound. Emerging from Mount Vernon, New York in the late ’80s, Rock quickly became known for his innovative production style, blending jazz and soul samples with hard-hitting beats. His work, both solo and as part of Pete Rock & CL Smooth, has influenced generations of producers and helped define the sound of ’90s East Coast Hip Hop.

With over 60 years of combined experience at the genre’s forefront, The Auditorium Vol. 1 delivers exactly what fans have been craving – a return to the soul-infused, lyrically rich sound of Hip Hop’s golden age. From the opening track “Dreamin’,” Common sets the tone with vivid storytelling and name-drops of Black icons, while Pete Rock’s production skillfully blends soul samples with hard-hitting beats. The album’s sound presents a perfect fusion of jazz, funk, and classic boom-bap, creating a rich sonic landscape for Common’s introspective and conscious rhymes.

Standout tracks like “Fortunate”, “Wise Up”, and “Stellar” showcase the duo’s chemistry. Rock’s expertly crafted beats provide the ideal backdrop for Common’s sharp lyricism, which touches on themes of gratitude, philosophy, and personal growth. The production on “Wise Up,” which cleverly incorporates elements from MC Shan’s “The Bridge,” is particularly impressive.

While the album pays homage to the ’90s sound that both artists helped define, it never feels dated. Instead, it demonstrates how timeless great Hip Hop can be. Guest appearances, including Jennifer Hudson on “A God (There Is)” and De La Soul’s Posdnuos on “When the Sun Shines Again,” add depth to the project without overshadowing the core duo.

Common’s performance throughout is stellar, proving that he’s lost none of his lyrical prowess over his three-decade career. His flow is as smooth and confident as ever, whether he’s delving into personal reflections or addressing broader social issues. Pete Rock’s production is the glue that holds the album together. His signature style – soulful samples, crisp drums, and expert scratching – is on full display. Each beat is crafted with obvious love and precision, creating a cohesive sound that flows naturally from track to track.

If there’s any criticism to be made, it’s that some tracks could benefit from tighter editing. A few songs run longer than necessary, which might test the patience of some listeners. However, this is a minor quibble in an otherwise exceptional album.

The Auditorium Vol. 1 is a triumphant return to form for both Common and Pete Rock. It’s a love letter to Hip Hop’s roots that still manages to sound fresh and relevant. For fans of thoughtful lyricism and soulful production, this album is an essential listen. It not only honors the legacy of both artists but also proves they still have plenty to offer in today’s Hip Hop landscape. Here’s hoping we don’t have to wait long for Volume 2.

Release date: July 12, 2024.

Mach-Hommy - #RICHAXXHAITIAN

Mach-Hommy’s #RICHAXXHAITIAN might not topple H.B.O. (2017) and Pray For Haiti (2021) as our favorite Mach-Hommy records, but it’s a strong addition to his discography. This 17-track project is a deep dive into his signature abstract lyricism and grimy production, hinting at a possible artistic shift.

The production on #RICHAXXHAITIAN is terrific. The beats are impressive front to back, from soulful Quelle Chris and Georgia Anne Muldrow tunes to haunting soundscapes by Conductor Williams and August Fanon. These instrumental backdrops, often with jazz, reggae, and other musical influences, perfectly complement Mach-Hommy’s vocals.

Mach-Hommy himself is on fire too. His signature slow flow rides these abstract beats, and his bars are consistently sharp and thought-provoking. He switches between English, French, and Haitian Creole, adding another layer of complexity. Features like Black Thought, Roc Marciano, and Drea D’Nur elevate the tracks they are on.

The abstract nature might be challenging for some listeners, but it’s partly what makes #RICHAXXHAITIAN so rewarding. It’s an immersive experience that demands repeat listens to appreciate its intricacies fully. Tracks like “COPY COLD” and “HOLY ____” evidence the album’s potential for both catchy hooks and elite lyricism. The project’s core theme is Haitian identity and social issues. Mach-Hommy doesn’t shy away from addressing the country’s struggles, weaving his commentary into his abstract narratives. The album’s second half is particularly strong, offering some of Mach-Hommy’s most innovative and cohesive song structures.

#RICHAXXHAITIAN is a triumph for Mach-Hommy. It’s a cohesive and consistently engaging listen, demonstrating his growth as a lyricist and willingness to experiment. The production is top-notch, the features are well-chosen (with the possible expectation of a dubious line from Your Old Droog on “EMPTY SPACES”), and the exploration of Haitian themes adds depth. It’s certainly one of his most rewarding records, offering a glimpse into the mind of a truly unique artist.

Release date: May 17, 2024. 

Revival Season - Golden Age Of Self Snitching

Atlanta’s music scene throws another curveball with the arrival of Revival Season, a duo defying categorization with their debut album, The Golden Age of Self-Snitching. Brandon “Bez” Evans and Jonah Swilley blend rap, rock, and more to craft a unique and captivating sound that is both innovative and infectious.

Drawing inspiration from genre-bending innovators like the Beastie Boys and Run the Jewels, Revival Season injects unbridled energy into each of the album’s 14 tracks. From the opening salvo of “Look Out Below,” the duo grabs hold of your senses and throws you into a world where genre boundaries dissolve and creativity reigns supreme.

One of The Golden Age of Self-Snitching greatest strengths lies in its seamless fusion of disparate elements. Bez’s dynamic flow effortlessly glides over Swilley’s eclectic production, a dope blend of bass-heavy synths, live drums, and pulsating computer beats. Tracks like “The Path” and “Chop” showcase Bez’s lyrical prowess, offering insightful social commentary woven into catchy hooks and irresistible grooves.

Swilley’s production serves as the perfect canvas for Bez’s lyrical fire, with Swilley crafting beats around Bez’s vocals, instead of the other way around. In an era where so much Hip Hop is formulaic and derivative, Revival Season delivers a breath of fresh air with this album, standing out for its bold originality. The Golden Age of Self-Snitching brings something new and exciting to the table, destined to leave a lasting impression, unlike the fleeting hype many releases experience in today’s music landscape. The Golden Age of Self-Snitching is a vibrant and fun album you won’t want to miss out on.

Release date: February 23, 2024. 

Masta Ace & Marco Polo - Richmond Hill

Masta Ace is a stalwart figure in the rap industry, with a career that spans across generations. Hailing from Brownsville, Brooklyn, New York, he rose to prominence in the late 1980s as part of Marley Marl’s Juice Crew, where he showcased his rap talent alongside legends like Big Daddy Kane, Biz Markie, and Kool G. Rap, debuting on Marley Marl’s classic posse cut “The Symphony” in 1988. His 1990 debut album, Take a Look Around, marked the beginning of what would become an underappreciated but exceptional discography. After his debut LP, Ace explored the impact of gangster rap with SlaughtaHouse in 1993 and blended East Coast sensibilities with West and South Coast car culture on the groundbreaking Sittin’ On Chrome in 1995.

The concept-driven brilliance of Disposable Arts (2001) and its successor A Long Hot Summer (2004) cemented his status as an artist who proved he was able to evolve with the times, as did collaborative projects with eMC and Ed O.G., and albums like MA_DOOM: Son of Yvonne (2012), and The Falling Season (2016).

In 2018, Masta Ace teamed up with Toronto producer Marco Polo for A Breukelen Story, and their collaboration continues in 2024 with a sequel, this one based on Polo’s upbringing in Richmond Hill, Ontario. Titled Richmond Hill, the album presents a mature and well-rounded collection of tracks featuring strong lyricism paired with stylish boom-bap beats. Artists like Inspectah Deck, Stricklin, Blu, Che Noir, Wordsworth, and Coast Contra make guest appearances, adding depth to the narratives and addressing contemporary issues with clarity. This album showcases Masta Ace’s decades of rapping experience and his ability to cut through Polo’s soulful samples and crisp drums with effortless skill, proving his lyrical finesse is timeless.

Release date: January 26, 2024.

Midnight Sons - Money Has No Owners

Zilla Rocca and producer Chong Wizard are Midnight Sons, and with Money Has No Owners they deliver a mature and thoughtful follow-up to their strong self-titled 2020 debut. Money Has No Owners features regular Zilla Rocca collaborators like PremRock and Curly Castro, alongside voices like Blu, AJ Suede, Midaz The Beast, and Defcee. Warm production from Chong Wizard lays the soulful foundation for Zilla Rocca’s introspective lyricism. Tracks like “Tough Guys Fill A Cemetery” and “Marathon Man” deliver classic boom-bap vibes, while “Ignore The Red Flags” and “Terrible Twos” bring delicious jazz flavors. The title track sets the tone, reminding us that success requires constant hustle. “Money Has No Owners” is a reminder to stay focused and build momentum, a sentiment that resonates with anyone who’s ever chased a dream.

Money Has No Owners deserves a wider audience than it will probably get, but trust us, it’s worth seeking out. This is one of the best Hip Hop albums released in 2024 so far.

Release date: March 29, 2024. 

ShrapKnel - Nobody Planning To Leave

Underground Hip Hop veterans Curly Castro and PremRock, aka ShrapKnel, are back with their third LP, Nobody Planning To Leave. The album, produced entirely by Controller 7, boasts Open Mike Eagle, Onry Ozzborn, Lungs, Breezly Brewin, D-Styles, and ELUCID guest appearances.

The title Nobody Planning To Leave is a double-edged sword. It’s both a declaration of dedication and a nod to the realities of life. Sometimes you fight for what you love, other times fate has a different plan. One thing’s for sure – nobody wants to abandon their passion. More often than not, life’s pressures force us to walk away.

Nobody Planning To Leave is the product of a chance encounter. A few DMs between Castro and Controller 7 in 2021 blossomed into a full-fledged album. Following in the footsteps of their previous albums, ShrapKnel (2020) and Metal Lung (2022), this latest offering delivers hard-hitting, slightly experimental beats paired with intricate wordplay. Nobody Planning To Leave is a fun listen for forward-thinking underground Hip Hop fans, another jewel in the crown of the Backwoodz Studioz label.

Release date: June 7, 2024.

Roc Marciano - Marciology

For the past fifteen years, Roc Marciano has been an undisputed titan of underground Hip Hop. His journey began with Busta Rhymes’ Flipmode Squad and The U.N., but Marciano’s true calling emerged as a solo artist. He became a driving force in the revival of the mafioso subgenre, originally pioneered by 90s icons like Kool G Rap, Raekwon, and Nas.

Marciano’s signature sound – atmospheric, gritty lo-fi beats – has become the blueprint for a new generation. His style heavily influences artists like the ones from Griselda and all their affiliates. His dark, post-boom-bap sound, often eschewing drums altogether, has heavily influenced and dominated underground Hip Hop in the past decade.

Marciano’s discography boasts standouts like Marcberg (2010) and Reloaded (2012), and the more recent The Elephant Bones (2022). His latest offering, Marciology, continues this tradition of excellence. While maybe not his absolute best, it’s another strong entry in a strong catalog, delivering a laidback but deadly soundscape across its 14 tracks and 45-minute runtime. Features from Larry June, Crimeapple, T.F., and Flee Lord complement Marciano’s signature flow and sharp wit, further solidifying the album’s strength.

Marciology is a masterclass in atmospheric production, a collaboration between Marciano himself, Alchemist, and Animoss. When it comes to crafting this style of Hip Hop there’s only Brownsville’s Ka who might rival Roc Marciano. Marciology is a must-listen for any true Hip Hop head.

Release date: March 29, 2024. 

Blu & Evidence - Los Angeles

Blu and Evidence’s Los Angeles is a love letter to the City of Angels, crafted by two of its most talented sons. This collaborative effort brings together Blu’s seasoned lyricism and Evidence’s masterful production, resulting in an album that captures the essence of L.A. in all its gritty, sun-soaked glory.

Blu, who first made waves in the underground scene with his and Exile’s 2007 classic Below the Heavens, has had a somewhat inconsistent output since. However, Los Angeles marks a return to form, arguably his strongest work in the 2020s decade. Evidence’s production provides the perfect backdrop for Blu’s introspective bars, ranging from hard-hitting boom bap to jazzy, soulful instrumentals that perfectly complement the lyrical content.

The album kicks off with “54th,” a stripped-down track that sets the tone with shout-outs to the neighborhood. From there, we’re taken on a journey through the city, with tracks like “The Land” and the title cut painting vivid pictures of life in L.A. “3 Wheel Motion,” featuring Kokane, offers a syrupy, laid-back vibe that’s perfect for a smoke session, while “L.A. Tourists” with M.E.D. cleverly switches up from piano-driven boom bap to psychedelic sounds midway through.

Blu’s storytelling shines throughout the project. He touches on everything from the infamous L.A. traffic (“L.A. Traffic” featuring Cashus King & Self Jupiter) to the rare cold days in the typically sunny city (“The Cold”). “Heaven” stands out with its gospel-infused production, as Blu recounts a letter from a departed friend describing the afterlife.

The features on “Los Angeles” are well-chosen and add depth to the project. The Domo Genesis and Navy Blue collaboration on “Lights at Night” is a particular highlight, with the trio painting a vivid picture of the city’s nighttime skyline. Evidence himself steps up to the mic on “Wish You Were Here,” delivering passionate bars alongside Blu.

Evidence’s production deserves special mention. He effortlessly switches between styles, from drumless tracks to hard-hitting boom bap to jazz-infused beats. This versatility provides a rich sound that will keep you engaged throughout the album’s runtime. While Blu’s flow might not be the most technically complex, it fits perfectly with the melodies and production. His delivery is consistently on point, whether he’s delving into grittier street narratives or more introspective material.

Los Angeles is a homerun for both Blu and Evidence. For fans of thoughtful lyricism and top-tier production, this album is a must-listen. With Los Angeles, Blu and Evidence have created an authentic, engaging portrait of their city that will resonate with long-time fans and new listeners alike.

Release date: July 12, 2024.

Arrested Development - Bullets In The Chamber

Our love for Arrested Development dates back to their 1992 debut, 3 Years, 5 Months & 2 Days in the Life Of..., and it’s a flame that still burns. Speech and crew have maintained their artistic potency, evident in recent gems like Don’t Fight Your Demons (2020) and For The FKN Love (2021), both standout releases, and both part of the best Hip Hop albums released in the 2020s so far.

Bullets In The Chamber proudly continues this legacy, delivering over an hour of great music laden with positive vibes and self-reflection. Featuring an impressive lineup including Chuck D, Canibus, Sa-Roc, Ras Kass, Skyzoo, and Grandmaster Caz, the album underscores that, even in their fourth decade, Arrested Development remains as fresh and relevant as ever. The beats, predominantly crafted by British producer Configa, are consistently top-notch, providing a dope backdrop for the inspiring lyrical content and performances. The lead single “Hip Hop Saves Lives” (featuring Chuck D and Grandmaster Caz) served as a prelude to yet another memorable chapter in the Arrested Development saga.

Release date: January 12, 2024.

Apathy - Connecticut Casual: Chapter 2

Two decades after emerging as part of the Demigodz and Army of the Pharaohs collectives, Connecticut underground emcee Apathy celebrates the upcoming 10th anniversary of his acclaimed Connecticut Casual album with a sequel. This ninth full-length solo LP returns to his roots, with Playa Haze crafting a chilled-out boom-bap soundscape reminiscent of 90s Hip Hop, without sounding derivative. Longtime collaborator Celph Tilted appears on “Todd McFarlane”, just one of the many standout tracks on the album. Connecticut Casual 2 is a mature evolution for Apathy, showcasing his lyrical prowess over stylish beats. This album is a must-listen for fans of classic Hip Hop and followers of Apathy’s career trajectory.

Release date: April 12, 2024.

Cavalier - Different Type Time

Different Type Time is a deeply personal reflection on life and a love letter to Hip Hop. Cavalier’s rhymes weave through the smooth, jazzy beats like a master storyteller, proving his skills as a wordsmith haven’t dulled a bit. The production on Different Type Time is a dream team effort, with producers like Quelle Chris, Ahwlee, and Messiah Musik crafting a cohesive vibe that feels effortless. Cavalier meticulously curated the entire experience, ensuring the 21-song album flows perfectly despite its hour-long runtime.

Different Type Time offers an introspective journey that explores life’s complexities with refreshing honesty, reminding us of the power of music to connect and inspire. It’s a tasteful blend of jazz-hop and raw lyricism, a hidden gem waiting to be discovered. So put on your headphones, hit play, and let Cavalier take you on a trip.

Release date: April 19, 2024.

Awon & Parental - Sublime

Hailing from Brooklyn, NYC, and currently based in Newport News, Virginia, rapper Awon established Don’t Sleep Records in 2014 alongside his frequent collaborator Phoniks. Since then, Don’t Sleep Records has been holding it down as one of our go-to labels, boasting a lineup and catalog that’s straight fire. The initial three collaborations between Awon and Phoniks remain among our top picks for best Hip Hop albums of the 2010s.

Fast forward to 2024, and Awon’s still on top of his game. His teaming up with the French beat wizard Parental, renowned for his jazzy touch, resulted in Sublime, a certified gem. With its smooth lyricism and beats, this album epitomizes jazz-hop at its finest. Released under the German record label HVV, it’s tailor-made for all the Jazzmatazz aficionados out there.

Release date: February 9, 2024.

Lupe Fiasco - Samurai

Lupe Fiasco’s ninth studio album, Samurai, is an intriguing concept project dedicated to the life and career of neo-soul singer Amy Winehouse, imagined from her perspective as a battle rapper. Though the concept may not fully come across, the album is a compelling listen anyway.

The album’s concept, inspired by an actual voicemail from Winehouse, is a creative homage to her legacy. Standout tracks like “Samurai” and “Cake” feature minimalistic, jazzy beats that perfectly complement Lupe’s dense rhyme schemes, making the album an easy and at the same time complex listening experience. The absolute highlight, “No. 1 Headband,” is one of the best Hip Hop songs of the year. The production throughout the album is smooth and jazzy, with clean and polished instrumentals that emphasize Lupe’s intricate lyrics and diverse flows, allowing listeners to focus on the depth and complexity of his storytelling.

Samurai consists of eight tracks and runs just over 30 minutes, which we feel is too brief to really be considered a full album. However, by our standards, it qualifies for making the cut for our best albums list, if just barely. Because of its short length, it demands perfection, and while the album starts strong, not all tracks maintain the same level of quality musically. Lupe’s pengame and lyrical prowess are as impressive as ever, but the beats, particularly in the latter tracks, tend to meander.

For us, Samurai is better than Drill Music in Zion (2022) but doesn’t quite reach the heights of Tetsuo & Youth (2015) or Drogas Wave (2018). It also falls short of the brilliance of his first two albums, Food & Liquor (2006) and The Cool (2007). Nonetheless, Samurai is a strong addition to Lupe’s discography, with his technical skill and lyrical depth on full display.

Samurai may require multiple listens to fully appreciate its lyrical intricacies, but it is a smooth, thematically rich album that will satisfy both long-time fans and new listeners alike.

Release date: June 28, 2024.

Ol' Burger Beats - 74: Out Of Time

Hailing from Norway, Ol’ Burger Beats is a producer renowned for his signature jazzy sample-based beats. His 74: Out of Time is a vibe that pays homage to the year 1974 and serves as a showcase of chill abstract jazz rap. Set at a steady 74 beats per minute, the album not only captures the essence of ’74 but also taps into its music, activism, and aesthetics. Ol’ Burger Beats uses this tempo as a foundation to construct sublime, jazzy instrumentals that provide the perfect canvas for some of underground and abstract Hip Hop’s finest vocalists.

Across 17 tracks, Ol’ Burger Beats crafts a seamless trip through his sonic world. With a lineup that includes Fly Anakin, Awon, Quelle Chris, Pink Siifu, billy woods, lojii, YUNGMORPHEUS, Tha God Fahim, Vic Spencer, and more, the roster is stacked with talent, each bringing their A-game to the table.

While 74: Out of Time may not push boundaries or surprise listeners with wild experiments, its consistent vibe is its strength. So if you’re a fan of laid-back, abstract jazz rap, don’t overlook this gem—it’s a great offering from start to finish.

Release date: February 16, 2024. 

Vince Staples - Dark Times

Vince Staples dives deep into personal territory on Dark Times. Thematically, it recalls the introspective storytelling of his 2015 debut album, Summertime ’06, exploring past struggles and the weight of the present. The production reflects this inward focus, with a slower, more atmospheric soundscape than his previous releases.

Dark Times prioritizes a cohesive flow over individual bangers. Standout songs like “Black & Blue” and “Freeman” showcase some of Vince’s sharpest lyricism, painting vivid portraits of his experiences. However, the emphasis on atmosphere comes at a cost. Catchy hooks are largely absent, and some tracks struggle to stand out independently. The well-crafted production, heavily influenced by jazz, lacks the versatility of his past work, maybe leaving some listeners wanting more upbeat moments. We like the subdued vibe of this album though, making this Vince Staples’ best work since his classic debut in our book.

Dark Times is a compelling listen. Vince’s rapping is top-notch, and his introspective lyrics offer a unique perspective on familiar themes of religion, societal struggles, and personal growth. This is a well-made, grounded, and honest Hip Hop album. While some may miss the energy of Vince Staples’ earlier work, Dark Times offers a mature and thought-provoking exploration of one of modern Hip Hop’s most captivating voices.

Release date: May 24, 2024. 

Beans - ZWAARD

Experimental Hip Hop veteran Beans and Finnish electronic producer Vladislav Delay (aka Sasu Ripatti) join forces on ZWAARD, a full-length exploration of electronic-infused beats and mindblowing lyricism. Despite never meeting, the two share a rich history within the independent music scene. ZWAARD serves as a validation of both artists’ talents. Beans, a founding member of the influential left-field rap act Anti-Pop Consortium, brings his fiercely innovative rapping style to the forefront. Ripatti, known for his diverse production aliases, sheds light on his role as a groundbreaking electronic composer.

The album unfolds like a journey, meticulously numbered but far from linear. The album starts with a direct and revelatory exploration of mortality and artistic purpose. Beans’ lyricism remains sharp throughout, whether confronting aging, the recent pandemic, or weaving cryptic wordplay. His delivery is unwavering, even as the album delves into more abstract territory. Experimental interludes add texture, culminating in the nihilistic deconstruction of “ZWAARD 14”, the album’s closer and one of the standout tracks.

ZWAARD is an album that demands repeated listens. It’s not for everyone, but for those seeking a unique blend of electronic experimentation, mind-bending wordplay, and raw talent, it’s a rewarding listen.

Release date: March 13, 2024.

Rapsody - Please Don't Cry

Five years after her critically acclaimed album Eve, North Carolina rapper Rapsody is back with her fourth studio LP, Please Don’t Cry. This introspective project presents her signature soulful production, razor-sharp lyricism, and a newfound vulnerability.

While there’s no denying Rapsody’s talent, Please Don’t Cry has some minor flaws. Clocking in at 22 tracks, the album feels slightly bloated. Some tracks, like “Raw” and “Black Popstar,” are good but don’t quite match the brilliance of others. However, the highs on this album are truly exceptional. Tracks like “Asteroids” showcase Rapsody’s resilience in the face of criticism, while “3:AM” featuring Erykah Badu offers a heartwarming glimpse into her personal life. “He Shot Me” tackles gun violence with raw honesty, and “Look What You’ve Done” explores the challenges faced by women in the music industry.

Comparisons can be made to classic albums like Little Simz’s Sometimes I Might Be Introvert (2021) and Kendrick Lamar’s To Pimp a Butterfly (2015). Please Don’t Cry shares a similar introspective quality, tackling themes of growth, self-acceptance, race, personal struggles, plus genre boundaries crossing musicality. Rapsody’s flawless wordplay and ability to craft relatable narratives further cement her position as one of Hip Hop’s most skilled lyricists.

Despite its length, Please Don’t Cry maintains a cohesive flow, smoothly transitioning between soulful introspection and energetic bangers. This record feels genuine, demonstrating Rapsody’s artistic growth and willingness to lay bare her soul. While a few tracks might not hit the mark, the overall quality is undeniable.

Release date: May 17, 2024. 

Gangrene - Heads I Win, Tails You Lose

Gangrene, the duo comprised of producer/rapper The Alchemist and rapper/producer Oh No, came to fruition through a chance meeting facilitated by their mutual friend and Dilated Peoples member, Evidence. What began as a casual exchange of beats and verses via email swiftly evolved into a serious musical partnership, leading the duo to unveil Gangrene. Their debut album, Gutter Water, made its mark in 2010 and was followed by Vodka & Ayahuasca in 2012 and their third offering, You Disgust Me, in 2015.

Often flying under the radar, the first three Gangrene projects deserve more recognition. Their album Heads I Win, Tails You Lose further solidifies the quality level of their discography. Oh No and Uncle Al both deliver solid bars and flows, and the grimy boom-bap production and intricate sampling truly captivate. The album features appearances from trusted collaborators like Evidence and Boldy James, the latter shining on the standout cut “Just Doing Art”. This release arguably is Gangrene’s darkest and most enigmatic work to date, maintaining their signature sound while delving into deeper, more cryptic themes.

Release date: April 19, 2024.

Daniel Son & Futurewave - Bushman Bodega

Toronto emcee Daniel Son returns with Bushman Bodega, reuniting with producer Futurewave for another hard-hitting collaboration. Known for his early projects like The Gunners with Giallo Point and Yenaldooshi with Futurewave, Daniel Son’s profile in the underground scene has been steadily rising. His recent collab with Raz Fresco, Northside, paid homage to Toronto’s Hip Hop roots, and now, Bushman Bodega continues that momentum.

This album exemplifies Daniel Son’s lyrical prowess and gritty storytelling, paired with Futurewave’s meticulously crafted beats. Together, they create an immersive listening experience that feels raw and cinematic. Daniel Son’s dark humor and reflective lyrics perfectly complement Futurewave’s atmospheric production, making each track a compelling piece of the larger narrative.

Bushman Bodega reaffirms the strong chemistry between Daniel Son and Futurewave, highlighting their ability to bring out the best in each other. The album features a strong lineup of guest artists, adding depth and variety to the project. Overall, Bushman Bodega not only meets but exceeds the high expectations set by their previous collaborations, this is a great listen for fans of underground boom-bap.

Release date: July 12, 2024.

ScHoolboy Q - Blue Lips

After a five-year hiatus, Los Angeles rapper ScHoolboy Q’s long-awaited sixth studio album, Blue Lips, proves the wait was worth it. This project throws listeners into a world of captivating duality, blending jazzy and soulful sounds with eerie, menacing beats, and mixing up mature introspection with trash talk to great effect. Blue Lips is a clear step up from the very underwhelming CrasH Talk (2019) and rivals his critically acclaimed earlier works like Habits & Contradictions (2012) and Oxymoron (2014). While Blank Face LP (2016) remains our favorite ScHoolboy Q album, Blue Lips holds its own.

Blue Lips throbs with the signature darkness that has always defined Q’s sound, yet it feels refreshingly inventive. The production is strong throughout, featuring lots of dope beat switches and soulful samples that complement Q’s dynamic and at times fiercely biting delivery. Particularly the first half of the album is powerful, boasting standout tracks like “Pop”, “THank God 4 Me”, “Blueslides”, “Love Birds”, “Cooties”, “oHio”, and “Foux”. Guest appearances from artists like Freddie Gibbs, Ab-Soul, and Rico Nasty add extra flavor to the project.

Q isn’t afraid to be experimental on Blue Lips. He navigates smoothly between visceral trap-flavored bangers and jazzy vibes, sometimes within the same track. While the second half of the album, might not quite match the strength of the first, the overall experience remains finely tuned and engaging. Whether you’re a longtime ScHoolboy Q fan or just discovering his music, Blue Lips is a strong modern rap album that demands to be heard.

Release date: March 1, 2024. 

Eddie Kaine & Big Ghost Ltd - Last Exit To Crooklyn

In the ongoing storyline of Eddie Kaine and his experiences in Brooklyn’s Bed Stuy neighborhood, Last Exit To Crooklyn picks up where A Tree Grows In Brooklyn (2021) left off, with both albums produced by Big Ghost Ltd. Collaborating with artists like Planet Asia, Rim, Jae Skeese, Smaccz, Emilio Craig, Spoda, O Dawg, and Passport Rav, this latest project is Eddie Kaine’s best work to date for us. The album offers a diverse mix of voices that add depth to Kaine’s storytelling, providing insight into the challenges and realities of life in Bed Stuy. From introspective reflections to gritty street tales, Kaine’s sharp lyricism is engaging throughout, set against Big Ghost Ltd.’s distinctive production style. Last Exit To Crooklyn is a must-listen for fans of authentic Hip Hop, offering a genuine glimpse into one of New York City’s most iconic neighborhoods, cementing Eddie Kaine’s place as a promising voice in Brooklyn’s Hip Hop scene.

Release date: April 2, 2024.

Joey Valence & Brae - No Hands

Joey Valence & Brae return with a genre-bending party on their NO HANDS album, reminiscent of a time when it was still OK for Hip Hop albums to be FUN. Forget generic Hip Hop; this album throws everything in the mix, from Miami bass to old-school breakbeat, with splashes of electronic dance music and even jazz. Somehow, it all works together beautifully. The beats are powerful and energetic, providing the ideal platform for the duo’s engaging lyrical delivery.

NO HANDS is a clear step up from their debut. The album feels more polished, the rhymes flow better, and the chemistry between Joey Valence and Brae is even more tangible. Valence’s production skills are on full display as he blends diverse musical influences into a cohesive and infectious sound.

The album boasts some fire collaborations as well. Especially Danny Brown’s feature on “PACKAPUNCH” integrates into the album’s vibrant atmosphere perfectly, adding another layer of energy to the already electrifying track. NO HANDS channels the humorous old-school energy of the Beastie Boys, but with a modern twist that keeps things fresh and exciting.

Despite being only 31 minutes long, NO HANDS packs a punch. Playful, internet-savvy lyrics add to the album’s charm, making it an enjoyable listen from beginning to end. Tracks like “PACKAPUNCH”, “NO HANDS”, “LIKE A PUNK”, “THE BADDEST”, “OK”, “JOHN CENA”, and “DOUGHBOY” flaunt the duo’s talent for crafting fun and energetic Hip Hop.

In short, NO HANDS is a contender for the year’s ‘funnest’ album. It’s a perfect example of how to have a blast making music and still deliver top-notch Hip Hop. This album cements the duo’s place in the East Coast scene and leaves us hungry to see what crazy concoctions they come up with next.

Release date: June 7, 2024.

Crimeapple & Big Ghost Ltd - Bazuko

Crimeapple and Big Ghost Ltd. are back with a bang on Bazuko, the successor to their excellent 2018 collabo Aguardiente. Bazuko is a masterclass in raw lyricism and gritty production. Crimeapple unleashes lyrical fire over Big Ghost’s signature beats, blending jazz (“Laugh Now”), hardcore boom-bap (“Chemical Imbalances”), and soulful samples (“Pretty Girl Who Can Rap”).

Bazuko explores a range of themes, from the harsh realities of street life (“5000 Degrees”) to introspective self-reflection (“Higher Learning”). Crimeapple tackles even darker territory with “Smoke Signal,” while “Las Trompetas” injects a welcome groove.

Surpassing its predecessor El León, Bazuko boasts a richer soundscape and a more seasoned Crimeapple. This reunion proves their creative chemistry is still there, resulting in a project that elevates both the rapper and the producer.

Release date: May 31, 2024.

NAHreally & The Expert - BLIP

Massachusetts-born Jersey City-based rapper NAHreally, known for his down-to-earth wit and relatable observations, joins forces with Dublin, Ireland-based producer The Expert on BLIP. The Expert’s airy, psychedelic beats are tailormade for NAHreally’s conversational flow. The result of this partnership is an album brimming with humor, insightful lyrics, and clever wordplay.

NAHreally avoids flashy flows, instead opting for a style that feels more like a conversation with a close friend. His raps are full of folksy wisdom and wry observations, delivered with a casual charm. The Expert, meanwhile, is a master of sonic tapestries. He weaves samples from various sources into light, free-flowing beats that serve as standalone pieces and backdrops for NAHreally’s verses.

Despite collaborating remotely, NAHreally and The Expert found a natural connection. They exchanged ideas and references, building the album from nearly 100-beat sketches and lyrical fragments. This meticulous approach results in a dynamic, open record with a lived-in feel. Guest appearances by Open Mike Eagle, Hemlock Ernst, Dillon, and Jesse The Tree further elevate the project, adding depth to the 14-song tracklist.

BLIP is an engaging journey through contemporary life. Packed with humor, relatable experiences, and skillfully crafted lyricism, it’s an album that will leave you wanting to revisit it.

Release date: March 29, 2024.

Brother Ali & unJUST - Love & Service

Minneapolis legend Brother Ali’s 2024 album Love & Service is a powerful addition to his impressive two-decade discography, following 2019’s surprise release Secrets & Escapes. Ali’s trademark sharp lyrics and passionate delivery are fully displayed on Love & Service, tackling weighty themes like God, mortality, societal collapse, and the enduring search for beauty. The unconventional production, crafted by unJUST of Hieroglyphics fame, offers a heady blend of chopped-up 70s and 80s educational film samples, creating a warm but raw soundscape that perfectly complements Ali’s dense wordplay.

Love & Service isn’t afraid to ask tough questions. It’s a beautiful album, that confronts the harsh realities of human failings. The guest spots, featuring heavyweights Roc Marciano, Aesop Rock, Quelle Chris, and Casual, add to the album’s richness. Clocking in at 42 minutes, the album is packed with substance without sacrificing flow, blending styles while maintaining a cohesive feel. Love & Service may not reach the heights of classics like Shadows On The Sun (2003) or The Undisputed Truth (2007), but it’s undoubtedly a worthy addition to Brother Ali’s legacy. This is conscious Hip Hop at its finest: thought-provoking, socially aware, and ultimately, hopeful.

Release date: April 26, 2024. 

Moses Rockwell & Plain Old Mike - Regular Henry Sessions

Moses Rockwell from Rochester, NY, and Plain Old Mike from Wisconsin, WI, embarked on a musical collaboration in 2021, which organically evolved into the formation of the group Regular Henry. With impressive track records individually, Moses counts collaborations with billy woods, J-Live, Homeboy Sandman, and Von Pea, while Plain Old Mike boasts work with Armand Hammer, Defcee, and Curly Castro, among others—their combined efforts culminated in the creation of Regular Henry Sessions, the duo’s collaborative debut project.

Reflecting on their partnership, Moses remarks, “I believe the synergy Mike and I achieved as a duo is undeniable. We share a fascination with the quirks of rap music and revel in the same humor, all of which shines through on this record.” Meanwhile, Mike adds, “Our aim with this album was twofold. Firstly, it pays homage to our favorite De La Soul albums – De La Soul is Dead for Moses and Buhloone Mindstate for myself. Secondly, we wanted to craft a lighthearted record. Life can weigh heavy on the soul, but perhaps with Regular Henry playing, you can indulge in 40 minutes of silly jokes and find solace in laughter.”

Regular Henry Sessions is a collection of infectious tracks, each full of playful but clever bars set against quirky jazz-flavored beats. While Moses and Plain Old Mike may not be able to lay claim to being the greatest emcees ever, their chemistry and the album’s overall vibe make it a joy to listen to.

Release date: March 1, 2023.

YUNGMORPHEUS & Alexander Spit - Waking Up & Choosing Violence

YUNGMORPHEUS’s latest album, Waking Up and Choosing Violence, finds the L.A.-based rapper navigating life’s anxieties with renewed vigor. Partnering with producer Alexander Spit, known for his work with The Alchemist, YUNGMORPHEUS sounds more energized than ever. Tracks like “DEAD WHITE FACES” and “Chateau d’Yquem” capture his reflections on societal struggles and personal transitions. On “Deuteragonist’s Issue #3,” he acknowledges faulty foundations, his delivery shifting from dejection to relief, signaling a deeper understanding of life’s priorities.

Spit’s production enhances YUNGMORPHEUS’s introspective journey. “A Moment’s Reprieve” transitions from a somber sax to joyful samples, paralleling the artist’s musings on outgrowing old habits. “Al Herpin” blends nostalgic sounds with modern beats, displaying YUNGMORPHEUS’s ability to weave personal history with contemporary issues.

Supported by Spit’s masterful production, YUNGMORPHEUS delivers brutally honest lyrics with a newfound confidence. Waking Up and Choosing Violence is a pivotal record in his discography, poised to elevate his career.

Release date: June 28, 2024. 

Boldy James & Nicholas Craven - Penalty Of Leadership

Boldy James started 2024 on a strong note, collaborating with Nicholas Craven for a second time on a full album. The relative silence from Boldy in 2023, attributable to a serious accident he was in, amplified the anticipation for this release. Craven’s sample selection elevates the beats, creating a dope sonic experience. Boldy’s performances over Craven’s beats are solid, maintaining his established tone and approach that smoothly align with the production.

While Penalty of Leadership is not his absolute best work, it is a robust addition to Boldy James’ discography, signaling a promising start to 2024 for him and Hip Hop in general. The collaboration showcases a strong pen game from Boldy, with the soulful samples by Craven adding depth. The beats shine, and Boldy, discussing his accident candidly amidst the typical braggadocio in his deadpan style, sounds great.

Release date: January 12, 2024.

Everliven Sound & Slimline Mutha - Echo Chamber

Cymarshall Law and Skit Slam, also known as BlackBelt Poemz, form the duo of Everliven Sound. Echo Chamber is a collaborative LP with UK producer Slimline Mutha. Drawing inspiration from the sounds of 90s legends like Pete Rock, Q-Tip, and Large Professor, Slimline Mutha’s beats set a dope backdrop. Everliven Sound’s bars and flows are in sync with the instrumentals, culminating in an exceptional album that feels like a nostalgic nod to early 1990s Hip Hop, sure to resonate with fans of the era.

Release date: March 13, 2024.

Copywrite - The Last Supper

Underground Hip Hop veteran Copywrite returns with his seventh full-length album, The Last Supper, a dense and potent project that feels like a culmination of his career. Harkening back to the golden age of the Weathermen crew, The Last Supper boasts 13 tracks brimming with that early 2000s boom-bap sound. Copywrite reunites with DJ Mighty Mi for a few tracks, and Swab, another frequent collaborator, takes the production helm on a significant portion of the album, crafting instrumentals that evoke a nostalgic 89-tek-9 vibe reminiscent of the classic WKCR days.

The guest list is a who’s who of indie rap’s golden age, featuring underground royalty like Ras Kass, Breeze Brewin, Niko Is, Bless Picasso, Mickey Factz, and Atmosphere’s Slug. Breeze Brewin’s presence alongside Bobbito Garcia on a Swab-produced banger is sure to excite fans of that era, while Slug’s introspective lyricism perfectly complements Copywrite’s own on the poignant “Turning the Page.”

Other standout tracks include “Green Screen,” where Copywrite lays down scorching bars over a classic Evidence beat, and “Diamond Bukowski,” featuring Niko Is and Bless Picasso, a track that flaunts the pure lyrical passion of these underground veterans.

The Last Supper is a strong contender for Copywrite’s best work yet. It’s denser and more focused than his previous releases, with the production matching the intensity of his lyrical power. This album is a must-listen for fans of underground Hip Hop and those who appreciate skilled lyricism delivered with raw intensity.

Release date: May 10, 2024. 

Body Bag Ben & Vega7 the Ronin - Kawasaki Killers

California rapper and producer Body Bag Ben blends the eerie side of West Coast funk with classic New York boom bap. His signature sound? Think thick, organic drums and versatile flows. For Kawasaki Killers, he teams up with Vega7 The Ronin, fresh off his dope 2023 project Sleep Is The Cousin. Body Bag Ben crafts the entire soundscape, while Vega7 unleashes a barrage of tough bars and vivid imagery. This potent brew makes Kawasaki Killers a top-tier underground release.

Release date: March 29, 2024. 

Saigon - The Jordan Era

Brooklyn emcee Saigon’s 2024 album, The Jordan Era, represents a significant step forward in his artistic development. best known for his mixtape background and debut studio LP The Greatest Story Never Told (2010), Saigon hones his rapping style and elevates his lyricism on this project. The featured artists, including Hip Hop legends like Grandmaster Caz, Big Daddy Kane, and Kool G Rap, hold their own alongside Saigon. French producer Fredro provides a strong foundation with his beats throughout the album.

The Jordan Era takes listeners on a vivid journey through Saigon’s experiences in Hip Hop culture in the 1980s. The opening track, “G Miller,” sets the energetic tone for the album. Tracks like “Lyrical Genius” and “Think Twice” featuring Grand Puba demonstrate Saigon’s growth and his ability to collaborate with established icons. Songs like “The Mobbery” and “3 Digits” delve into gritty narratives of street life and ambition. The collaboration with Pete Rock on “Get Loose” is a particular highlight, offering a funky and classic boom-bap sound.

The Jordan Era is a strong addition to Saigon’s discography, a return to top form after previous studio albums that fell short. This album prioritizes authentic storytelling and skilled production, paying tribute to Hip Hop’s roots while propelling Saigon into a new era of his own. Fans of 80s Hip Hop will appreciate the homage to the era and the dope guest appearances that enhance the overall listening experience.

Release date: May 3, 2024.

Enoch - Waiting for Something To Happen

Waiting For Something To Happen is a solo LP by Enoch, the Florida-based producer and long-standing member of CYNE. Born from a mix of emotions including grief, confidence, fear, and ambition, this project reflects the complexities of modern life. Enoch enlisted a great lineup of Hip Hop icons and underground spitters, including Artifacts, Sadat X, Kool Keith, Psycho Les, Rockness Monsta, Elzhi, and Guilty Simpson, among many others, to join him on this journey.

While the lyrical talent on display is impressive enough, Enoch’s production steals the spotlight, making this album one of the standout producer projects of the year. Those familiar with CYNE know to expect nothing less than top-notch production, but Waiting For Something To Happen goes beyond expectations. Enoch’s meticulously crafted deep-bass beats serve as the backbone of the project, tying together the diverse contributions of the featured artists in a great way.

Release date: March 8, 2024. 

Nacho Picasso & TELEVANGEL - Jesse's Revenge

Jesse’s Revenge by Nacho Picasso and TELEVANGEL is a dope addition to the Seattle Hip Hop scene. Nacho Picasso, known for his slow flow and dark humor, has carved a unique niche in his decade-plus career, earning accolades from underground fans inside and outside Seattle. With a rich catalog of solo projects and collaborations with Blue Sky Black Death, Nacho’s latest work with TELEVANGEL, a former member of BSBD now producing solo from Portland, Oregon, lives up to the hype.

TELEVANGEL’s meticulously crafted beats provide a cinematic backdrop for Nacho’s brooding lyrics. Standout tracks like “Nacho Blues 2” feature hauntingly beautiful beats that complement Nacho’s contemplative verses, while “Dear Druggies” and “Do It For Johnny” highlight the duo’s chemistry, merging Nacho’s laid-back flow with shimmering, slowed-down production.

The album’s introspective nature adds depth, showing Nacho’s growth as an artist while maintaining his signature edge. The result is a sound that echoes his earlier work with Blue Sky Black Death, yet feels refreshed and evolved. Jesse’s Revenge captures an artist who has grown wiser, delivering comically sinister lyrics with a deliberate flow that draws listeners into his darkly humorous world. This album is a significant chapter for both Nacho and TELEVANGEL, a worthwhile listen without a doubt.

Release date: July 12, 2024.

Big Hit, Hit-Boy & The Alchemist - Black & Whites

Los Angeles rapper Big Hit’s sophomore album, Blacks & Whites, is a study in contrasts. Fresh off a wrongful conviction and recent release, Big Hit teams up with his son, Hit-Boy, and legendary producer The Alchemist. The Alchemist and Hit-Boy deliver a masterclass in beatmaking. From the murky boom-bap of “Drug Tzar” to the atmospheric “Temperature Check”, the production is consistently dope. However, Big Hit’s rapping is a point of contention. While his raspy voice is a good fit for the gritty production, his skills don’t always match the caliber of the beats, and excepting a killer verse from Boldy James on the album highlight “Godfather, Pt. 2”, not all featured artists deliver.

But despite the mixed bag of vocals and guest spots, Blacks & Whites is a dope LP. The Alchemist’s signature touch is undeniable, and Hit-Boy proves to be a worthy collaborator. Big Hit delivers some tough bars, particularly on tracks like “Only Weight I Feel”, “Gank Money”,  and “Foreclosure”, making for a solid listen for fans of raw, traditional Hip Hop. It’s not a perfect album, but the production shines bright, and Big Hit’s energy and passion is undeniable.

Release date: May 28, 2024. 

Eminem - The Death Of Slim Shady (Coup De Grâce)

Eminem’s 2024 album The Death of Slim Shady (Coup De Grâce) marks a strong return to form for the rap icon. After years of mixed reception and a notably low point with 2017’s Revival, Em has managed to recapture the magic that made his iconic trifecta – The Slim Shady LP (1999), The Marshall Mathers LP (2000), and The Eminem Show (2002) – so legendary.

This concept album revolves around the struggle between Eminem and his alter-ego Slim Shady, with the latter aiming for cancellation and control. Em taps into his outrageous roots, aiming at various groups and societal issues, sometimes coming across as trying too hard, but mostly without being overly corny. The interactions between Eminem and Slim Shady add depth and engagement to the record.

Lyrically, Eminem is on point. His wordplay, flow, and delivery are top-notch throughout most of the album. He even addresses his critics head-on, calling out the tendency to nitpick and hate on great artists:

Now let’s travel inside the mind of a hater
‘Cause I don’t see no fans, all I see’s a bunch of complainers
“Kendrick’s album was cool, but it didn’t have any bangers
Wayne’s album or Ye’s, couldn’t tell you which one was lamer
Joyner’s album was corny, Shady’s new shit is way worse
Everything is either too tame or there’s too much anger
I didn’t like the beat, so I hated Might Delete Later”
You nerdy pricks would find somethin’ wrong with 36 Chambers
It’s what they do to the greats
Pick apart a Picasso and make excuses to hate

Production-wise, the album benefits from Dr. Dre’s involvement, bringing a welcome return to their collaborative sound. While some beats could be stronger, overall, the production complements Eminem’s style well. The features are a mixed bag, but thankfully, there are no questionable Ed Sheeran-like pop collaborations this time around.

Standout tracks like “Temporary” and “Somebody Save Me” add emotional depth, contrasting nicely with more aggressive cuts like “Habits,” “Lucifer,” and “Antichrist.” The album’s strength lies in its overall songwriting, concept, and the interplay between Eminem and Slim Shady. The Death of Slim Shady isn’t without flaws. Some topics are repetitive, and the AI-assisted “young Shady” vocal effect can be hit-or-miss. However, when it works, it adds an interesting layer to the concept. Highlights include the clever flip on “Guilty Conscience,” JID’s stellar verse on “Fuel,” and Skylar Grey’s performance on “Temporary.”

The Death of Slim Shady sees Eminem wrestling with his past persona in an entertaining back-and-forth. He uses Slim Shady to aim at various targets, from Gen-Z to cancel culture to specific public figures, while attempting to play the rational personality himself. This framing device works well, even if it could be seen as a scapegoat for the juvenile and edgier content. While not a blazing return to glory, the album is filled with light-hearted and funny moments lacking in Eminem’s recent work. There are a few missed opportunities and some regression to pop elements towards the end, but the album is largely consistent.

For open-minded listeners and long-time fans, The Death of Slim Shady is a solid addition to Eminem’s discography. It may not reach the heights of his early classics, but it’s a fun, self-aware reflection on his legacy that proves Em can still entertain and provoke. This album won’t convert die-hard Eminem haters, but for those willing to give it a chance, it’s a return to form that showcases his enduring skills as a rapper and storyteller. While not perfect, The Death of Slim Shady is Eminem’s most consistent and thematically cohesive effort since the underappreciated Relapse (2009), proving that the recent hate he’s received is largely undeserved.

Release date: July 12, 2024.

Erick The Architect - I've Never Been Here Before

Brooklyn’s own Erick the Architect, best known as one-third of the legendary Flatbush Zombies crew, steps out with his long-awaited solo debut, I’ve Never Been Here Before. Erick’s solo endeavor is an engaging sonic journey through his deepest thoughts and emotions. From the gritty streets of Brooklyn to the inner workings of his mind, each track on I’ve Never Been Here Before paints a vivid picture of his experiences and struggles.

With a versatile blend of jazz, soul, R&B, dancehall, psychedelia, synth, trap, and classic boom-bap vibes, Erick crafts a sound that’s uniquely his own. Tracks like “2-3 Zone” and “Colette” showcase his lyrical prowess and smooth flow, while collaborations with James Blake and Joey Bada$$ add layers of depth and complexity to the project.

Thematically, Erick delves into themes of self-reflection, love, and resilience, offering listeners a glimpse into his inner world. From the haunting introspection of “Breaking Point” to the infectious energy of “Mandevillain,” each song leaves a lasting impression, drawing listeners deeper into Erick’s narrative. As the final member of Flatbush Zombies to go solo, Erick proves he’s more than capable of holding his own.

Release date: February 23, 2024.

Benny The Butcher - Everybody Can't Go

Everybody Can’t Go is Benny the Butcher’s fourth studio album and his inaugural release on Def Jam Recordings. The project features collaborations with Armani Caesar, Babyface Ray, Conway the Machine, Jadakiss, Kyle Banks, Lil Wayne, Peezy, Rick Hyde, Snoop Dogg, Stove God Cooks, and Westside Gunn. The album’s production, primarily handled by The Alchemist and Hit-Boy, takes a bold approach, with their contrasting styles alternating throughout the tracks. Despite the risk of potential inconsistency due to the distinct production styles, the album manages to maintain a cohesive flow, for the most part.

While we typically favor The Alchemist’s gritty minimalistic sounds and do not have a lot of love for Hit-Boy’s overly polished beats, the differences do not grate as much as might be expected. On the whole, we do prefer the instrumentals on the Alchemist-produced tracks, but the Hit-Boy-produced ones do not all bring the album down. “Pillow Talk & Slander” is a typical Hit-Boy instrumental that doesn’t do it for us, just like the trap of “Big Tymers” which is the weakest song on the album, but the beats on the first half of the album especially are all pretty dope, regardless of who crafted them – “BRON” is a great single, and “Jermanie’s Graduation” is a very nice album opener. The pinnacle of Everybody Can’t Go is “TMVTL,” featuring outstanding Alchemist beats and compelling, well-crafted storytelling.

While the album starts strong and finishes with a weaker back end, it is a solid addition to Benny’s discography, outshining Burden of Proof (2020) but falling just short of Tana Talk 4 (2022) and especially Tana Talk 3 (2018), which remains Benny’s best LP.

Release date: January 26, 2024.

Mista Sinista - ReBorn

Mista Sinista, the New York-based turntablist, discovered his love for DJing in his family’s basement, influenced by his father’s breaks. Starting at six on his dad’s turntables, he got a pair of his own at fourteen, launching his career at parties. Throughout the ’90s, he honed his skills with friends and DJs like Dr. Butcher and Rob Swift. Joining the renowned DJ crew, the X-Men, in 1997 (later the X-ecutioners), Sinista contributed to their singles and album, X-Pressions. In 2000, he released a solo single and participated in the X-ecutioners’ major-label debut, departing just before Built From Scratch‘s release in 2002 to explore new projects.

Reborn showcases a powerful mix of instrumental tracks, highlighting Mista Sinista’s turntablism, alongside vocal bangers featuring Vinnie Paz, Ill Bill, UG, El Da Sensei, Jean Grae, and others. Iconic DJs like Rob Swift, DJ Q-Bert, and DJ Eclipse join in on this pure, ’90s-centric Hip Hop album that gloriously celebrates the art of turntablism.

Release date: January 12, 2024.

DJ Illogik - Time & Tenacity

DJ Illogik’s dope cuts & scratches take center stage in this nostalgic boom-bap project, steeped in the essence of the 90s. With beats crafted by Apollo Brown, Foul Mouth, FLXVCL, ParanormL, and Jamil Honesty, and verses delivered by a lineup including Artifacts, Finale, A.G., Skyzoo, Apathy, Jay Royale, Rasco, Ty Farris, Eto, J Scienide, Journalist 103, The Bad Seed, Jamil Honesty, and Substance810, Time & Tenacity boasts a plethora of talent. This project is tailored for Hip Hop purists, even if it is a bit generic. Favorite tracks: “East 2 West”, “Break’s Over”, “Pisces”, “Malefaction”, and “Enjoy Your Weekend”.

Release date: March 13, 2024.

Heems & Lapgan - LAFANDER

Heems, known as one half of the now-defunct Das Racist, makes a triumphant return to the spotlight with his first solo album in nearly a decade, LAFANDAR. Born and raised in Queens, New York City, Heems infuses his Indian-American heritage into his music, a theme that has remained central throughout his career. For LAFANDAR, he teams up with producer Lapgan, signed to his own label and lifestyle brand, Veena Sounds, to deliver a 12-track platter featuring collaborations with notable artists such as Kool Keith, Blu, Open Mike Eagle, Quelle Chris, Your Old Droog, and more.

Heems’ niche status within the industry stretches far beyond the confines of underground rap, thanks to his unique blend of Asian flavors and tongue-in-cheek lyricism. Utilizing his “otherness” to his advantage, Heems has always approached his craft with an educated and playful flair. With LAFANDAR, he and Lapgan craft his most refined offering yet, a record that stands out amidst the sea of underground releases. Clocking in at just a couple of minutes over half an hour, this 12-track LP wastes no time. Whether you’re an underground rap enthusiast or a fan of left-field Hip Hop, LAFANDAR is sure to satisfy your musical cravings with its blend of musical and lyrical quirks.

Release date: February 16, 2024. 

Real Bad Man & Lukah - Temple Needs Water. Village Needs

Album blurb: “Temple Needs Water. Village Needs Peace. is a philosophical exploration into the essence of community, spirituality, and transformation. This 15-track collaboration between producer Real Bad Man and Memphis rapper Lukah meditates on themes of unity, leadership, sacrifice, and renewal. With contributions from billy woods (Armand Hammer), Adrian Utley (Portishead), and Shabaka Hutchings, this album ascends through personal and spiritual achievements, delves into the duality of knowledge, the unseen forces, and the cyclical nature of life and death. The album reflects on growth, resilience, duty, ancestral wisdom, and the healing power of words, culminating in a celebration of inner peace and communal harmony. With a backbone of musically ambitious beats and soul-baring verses, this album carves its mark as the year’s most enthralling listen.”

While calling Temple Needs Water. Village Needs Peace. the year’s most enthralling listen might be a stretch, it’s certainly an intriguing project. The music takes a meandering approach, the focus seems to be squarely on the lyrical content. Perhaps these understated instrumentals are a deliberate move, giving the powerful lyrics the space they deserve. This is a slow burn of an album, one that might require multiple listens to fully appreciate it.

Release date: March 29, 2024. 

Machacha - Kunst.Art

As with any project featuring Danish producer Machacha behind the boards, Kunst.Art is a must-listen for underground Hip Hop enthusiasts. The album lives up to expectations, putting Machacha’s production talents on full display. The true strength lies in the instrumentals Machacha creates, but the lyrical side is no slouch either. He’s assembled a crew of renowned underground artists, including SmooVth, Estee Nack, Daniel Son, Nowaah the Flood, Vega7 the Ronin, Josiah the Gift, Eddie Kaine, Supreme Cerebral, Ty Farris, and WateRR, to name a few.

Overall, Kunst.Art is a dope producer’s album, highlighting Machacha’s sonic vision and complemented by the lyrical skills of the featured artists. Favorite tracks: “Rooftops” and “Ferragamo Bvlgari”.

Release date: May 5, 2024. 

Mickey Diamond & Ral Duke - Super Shredder

Detroit rapper Mickey Diamond has been working hard to establish his position as a figure to watch in the underground scene, and Super Shredder is one of his finest works to date. Since making waves with his debut EP Bangkok Dangerous in early 2020, Mickey Diamond has consistently impressed with nearly 20 projects in only four years. Over the past year, he has delivered some of his most compelling work, including the Ral Duke-produced Oroku Saki EP, a prelude to Super Shredder.

Reuniting with Ral Duke in 2024, Mickey Diamond continues to show off his distinctive voice and lyrical talent. Super Shredder builds upon the foundation laid by Oroku Saki, with Ral Duke’s raw production setting the stage for a record that pays homage to the iconic MF DOOM with taste and finesse. The album maintains a consistent level of quality, with Ral Duke’s evolving beats complementing Mickey Diamond’s unique delivery. The infusion of Teenage Mutant Ninja Turtles samples adds an intriguing element that goes well with the MF DOOM references woven throughout the project. Listeners can anticipate top-tier production and entertaining lyrical performances, delivering on the promise of Mickey Diamond and Ral Duke’s previous collaboration.

Release date: April 5, 2024. 

Jae Skeese & Superior - Testament Of The Times

Buffalo’s own Jae Skeese teams up with German producer Superior for his fourth studio album, Testament of the Times, a follow-up to the strong Abolished Uncertainties LP from 2023. The album starts strong with the standout track “Union 2’s,” but for us, it’s “Cantonese Characters,” featuring Rome Streetz and Ty Farris, which steals the show as the absolute highlight. Building on the reflective storytelling of his previous album, Jae Skeese continues to entertain with his narratives. Superior’s production offers a nice mix of deep boom-bap beats and drumless instrumentals, even if some tracks are somewhat generic music-wise. Despite this, Jae’s rhyming elevates the album, he is one of the most talented emcees on Conway The Machine’s Drumwork label.

Release date: March 1, 2024. 

Stetsasonic - Here We Go Again

Stetsasonic deserves a place at the forefront of classic Hip Hop conversations. Their 1986 debut, On Fire, was hugely influential despite often being overlooked. Under Prince Paul’s visionary guidance and Daddy O’s leadership, it was a cornerstone of Golden Age Hip Hop.

While their 1988 follow-up, In Full Gear, got overshadowed by other monumental releases in a stacked year, with classic tracks like “Sally,” “Miami Bass,” and “Talkin’ All That Jazz” it cannot be denied that it was a great album too. Their third album, Blood, Sweat & No Tears, didn’t quite capture the same magic of the first two, and by 1991, Prince Paul was busy launching De La Soul and later Gravediggaz (with Stetsasonic member Frukwan, the only original group member absent from the new album).

Fast forward 33 years, and the world’s first Hip Hop band is back with a bang. Here We Go Again is a 12-track journey featuring the core crew of Daddy-O, MC Delite, Wise, Bobby Simmons, and a surprise reunion with Prince Paul. It’s a diverse project, but undeniably Hip Hop at its core, with guest appearances by Ruste Juxx, Lillo Thomas, and Smoothe Da Hustler.

While a few tracks and production choices might not land perfectly, the overall vibe is fun. The group’s infectious energy is palpable, brimming with dope throwback vibes. If there’s a touch of nostalgia coloring our perception, it is a testament to the respect Stetsasonic commands and the enduring legacy of their first two albums (which, by the way, are essential listens if you haven’t heard them yet!).

Release date: April 5, 2024.

WateRR & Wavy Da Ghawd - Washed Ashore

Chicago’s Waterr has been on a roll with a string of strong releases in recent times. Both last year’s ALMIGHTY and Compendium Of Arcanum earned spots on our 2023 honorable mentions list, and his latest project, Washed Ashore, continues this streak of quality projects. A collaboration with Brooklyn-based producer Wavy Da Ghawd, the album showcases Waterr’s versatility and his knack for syncing with his beatmakers.

Wavy Da Ghawd’s boom-bap beats set a dark and brooding tone, perfectly complementing Waterr’s bars. Clocking in at close to 50 minutes, the album offers a refreshing departure from the trend of shorter projects so prevalent in today’s Hip Hop landscape. Washed Ashore delivers the kind of underground Hip Hop we appreciate and enjoy.

Release date: February 1, 2024. 

Planet Asia x Local Astronauts - No Retirement

Hailing from Fresno, California, Planet Asia is no stranger to collaboration. A former member of Cali Agents, Durag Dynasty, General Monks, Gold Chain Military, and Skhool Yard, he’s built a reputation for consistent work. Hip Hop often carries a stigma about age, but Planet Asia shatters that with his latest project, No Retirement. Forget the “young man’s game” narrative – here’s a legendary MC proving veterans can stay relevant by refreshing their sound.

This 13-track album, produced entirely by LA’s Local Astronauts, is an ode to that very idea. It opens with the late Nipsey Hussle’s voice on independence, setting the tone for Asia’s lyrical prowess. Tracks like “Incognito” and “Deadly Dialogue” showcase his wordplay, while “Cigar Lounge” featuring Washeyi Choir and “Cognac” exemplify his smooth flow over soulful samples. “Easy On The Pedal” with Jay Worthy continues this vibe, proving King Medallions (one of Asia’s aliases) can adapt with the best. But Asia doesn’t shy away from classic energy. Bangers like “Watch Out” and “Already Know” are sure to ignite crowds.

No Retirement is a cohesive journey, catering to both longtime fans and the new generation. While it might not quite reach the heights of Sardines, his 2023 collaboration with Apollo Brown, No Retirement is a solid offering from a true Hip Hop veteran.

Release date: April 6, 2024. 

Recognize Ali - As You Sow So Shall You Reap

As You Sow So Shall You Reap is the first offering in 2024 from prolific underground lyricist Recognize Ali. Clocking in at a concise 32 minutes, it may be short, but it’s packed with the heart and grit we’ve come to anticipate from Recognize Ali. Expect nothing less than hard beats and hard bars – this is Hip Hop at its purest.

Release date: February 9, 2024. 

Conway The Machine - Slant Face Killah

Conway the Machine churns out yet another album with Slant Face Killah, a project showcasing his signature gritty boom-bap style with some notable highs and a few lows. While there are a couple of stinkers like the trap-heavy “Ten/Rya Interlude” and “Dasani,” the album boasts a solid collection of tracks. Standouts are “Mutty”, “Give & Give”, “Milano Nights Pt. 1”, “Meth Back!”, “Surf & Turf”, “Karimi”, “The Red Moon In Osaka, and “Vertino.” The latter features a killer verse from Joey Bada$$, marking him and Stove God Cooks as the album’s most impressive guest appearances.

Production is strong, with heavyweights like Conductor Williams, Camoflauge Monk, Daringer, Swizz Beatz, and The Alchemist lending their talents. Unfortunately, the tracklist pacing suffers with the poorly placed trap tracks disrupting the album’s flow. Despite these hiccups, Slant Face Killah delivers a satisfying dose of grimy Hip Hop.

Release date: May 10, 2024. 

Dillon & Batsauce - What Have We Done

Underground Hip Hop veterans Dillon and Batsauce have been making unorthodox rap music together for nearly 20 years with a simple formula: Batsauce makes the beats, Dillon writes the songs, and whatever happens, happens. After carving out their own lane with a catalog of EPs and LPs over the past two decades, the duo has now released What Have We Done?

The title of their latest effort could be rhetorical or a genuine question. Dillon and Batsauce probably don’t want to know the answer, nor do they want listeners to overthink it. Instead, What Have We Done? invites listeners to experience the trials and tribulations, the small wins, and the big losses of aging independent artists in an increasingly competitive music world.

The album features contributions from a well-curated crew of characters, including legends like Grand Puba and Kool Keith, as well as modern rap heroes like Quelle Chris and Reef the Lost Cauze. The result is a collection of songs that range from personal to aspirational to perhaps a bit delusional. Whether it’s ‘too much’ or ‘not enough,’ the question What Have We Done? remains open to interpretation. It might not be a question at all, but rather a visceral reaction as career creators reflect on a life lived on the edge. With nothing but great beats and relatable rhymes, What Have We Done is a fun listen.

Release date: July 12, 2024. 

Your Old Droog - Movie

Your Old Droog’s ninth studio album, Movie, sees the Ukrainian-American lyricist returning with a project that balances varied production styles and introspective themes. Known for his 90s Hip Hop style and comparisons to Nas and MF Doom, Droog floats over beats from notable producers like Just Blaze, Harry Fraud, Madlib, and others.

On Movie, Droog delivers observations on the rap game, reflections on his childhood, and classic braggadocio, all wrapped in his improved lyricism. While he occasionally drops a questionable line, his ability to toe the line between charmingly bold and overly flamboyant remains intact.

The album starts slowly but picks up momentum, maintaining consistency throughout. Droog’s earnest reflections on his struggles, upbringing, family, and heritage shine through tracks like “Mantra” and “Grandmother’s Lessons.” “The Sandbox” stands out as a touching tribute to three children who passed too soon.

Droog also showcases his witty side with clever bars on tracks like “Success & Power,” “Crescent Moon,” and “3 MILLION,” while songs like “I Think I Love Her” and “A Damn Shame” add a charming touch. However, some lines, such as a controversial Hitler reference on “Mercury Thermometers,” are hard to ignore, though they are thankfully few and far between.

The production on Movie is solid, with a vintage-like quality and samples that sound delightfully dirty and blurry. Droog’s technical proficiency shines, making this one of his most complete projects in recent years. Overall, Movie is a strong addition to Your Old Droog’s discography. Fans of 90s Hip Hop and thoughtful, introspective lyrics will find much to enjoy here.

Release date: June 20, 2024.

M-Dot - Daze Of Greed

In an era of fleeting projects and short-lived attention spans, Boston veteran M-Dot defies the trend with Daze Of Greed, a fully realized 14-track album. This marks his fourth official solo release, and third in as many years, proving his commitment to the classic album format. Daze Of Greed plunges into a dark and gripping world obsessed with materialism. M-Dot’s vulnerability adds an extra layer to the album’s thematic undercurrent of discontent. There are plenty of standouts, our favorite track on Daze Of Greed is “Run Along” with a feature from the legendary Grand Puba and sharp scratches by Dom2er & DJ 7L. 

Release date: March 8, 2024.

Masamoon - B.I.D.S. (Beautifully Ignorant Disrespectful Sh*t)

Masamoon is a four-man rap crew consisting of Big Left, Billy Nojokes, Aztek The Barfly, and Frankie Fadeless. Inspired by the legendary blade-smith Masamune, they hone their craft with relentless dedication, channeling the raw energy and intricate wordplay of the golden era. Their Hip Hop is hardcore boom-bap, drawing on classic influences but infused with their own distinct flavor.

What characterizes Masamoon is the synergy between its members. Big Left commands respect with his razor-sharp delivery, anchoring the group. Billy Nojokes injects humor and charisma with his witty wordplay. Aztek The Barfly delivers intricate rhymes and vivid metaphors, while Frankie Fadeless brings smoothness and balance to the dynamic energy. Together, they form a formidable unit, each member complementing the others’ strengths.

Their debut full-length as a group, B.I.D.S. (Beautifully Ignorant Disrespectful Sh*t), is a banger. Clocking in at a hefty 58 minutes with 17 tracks, it’s a fully realized album brimming with raw underground boom-bap. This release is a must-listen for fans of 90s-centric underground boom-bap, offering some of the rawest and most authentic sounds in Hip Hop this year.

Release date: May 7, 2024. 

MC Juice, All Natural & Georgia Anne Muldrow - CALIsthenics

Chicago-born but L.A.-based MC Juice brings the West Coast spirit with Georgia Anne Muldrow (another L.A. resident) on production duties. The sole exception is co-headliners All Natural, repping the Chi-town. But musically, this album is a cross-country voyage. We get airy NYC boom-bap vibes, Southern funk on the title track and even a dash of synth-laden New Wave. Muldrow’s masterful touch laces the instrumentals with her signature psychedelic flair but leaves ample space for the emcees to shine.

The highs here are undeniable. “Paper Thick,” the dope album opener featuring E-40, Casual, and Del (a clear nod to MC Lyte’s 1988 classic “Paper Thin”), is a banger. Tracks like “CALIsthenics,” “Enemies Of The State,” and the album highlight, “Run It Back” (composed almost entirely of bars from classic Hip Hop tracks) are all top-notch.

However, a few dull moments mar the experience. And with a runtime of just over 30 minutes, any missteps feel magnified. While some moments demand your attention, the overall project feels like a teaser for something more substantial. Still, this is a must-listen, if only for the brilliance of “Run It Back.”

Release date: March 29, 2024. 

R.A.P. Ferreira & Fumitake Tamura - The First Fist To Make Contact When We Dap

R.A.P. Ferreira, also known as Milo, is one of the game’s most inventive wordsmiths. On the short but sweet The First Fist To Make Contact When We Dap he serves up a heady mix of abstract and philosophical content, offering listeners plenty to dissect. Linking up with Japanese producer Fumitake Tamura, known for his prowess in ambient and glitch sounds, proves to be a triumph, the two blending the vibes of jazz rap with glitch elements in a compelling way. If you’re part of the left-field crowd, this joint is a mandatory spin – a testament to Ferreira’s innovation and Tamura’s sonic finesse.

Release date: January 26, 2024.

Ras Kass, RJ Payne & Havoc - GUTTR

Legendary West Coast lyricist Ras Kass expresses his admiration for Mobb Deep’s late Prodigy in a pre-album release press statement: “We all miss Prodigy and that classic Mobb Deep energy, there is no replacing that or him, period! I did want to pay homage to them and channel that vibe. Havoc being on board to set the musical canvas for an entire album has been the opportunity of a lifetime.”

This collaborative project is set up as a tribute to that Mobb Deep sound. Ras Kass teams up with Philly’s R.J. Payne, both known for razor-sharp wordplay. The impressive guest list features names like Method Man, Lil Fame, Kurupt, KXNG Crooked, Twista, Raekwon, Freeway, and DJ Kid Capri (among others). Mobb Deep’s Havoc crafted the entire album’s soundscape. With Ras Kass, R.J. Payne, and the guests channeling Prodigy’s energy, this project feels like a fine tribute to the Queensbridge rapper, even if the album’s vibe is not as gritty as the atmosphere on Mobb Deep’s best records, and there’s nothing truly memorable here. That said, GUTTR is a nice album – here’s hoping it’s just the beginning for this powerful trio.

Release date: May 3, 2024. 

Body Bag Ben & XP the Marxman - Good Times, Bad Times

Body Bag Ban, one of our favorite producers in the grimy neo-boom-bap subgenre, delivers another quality underground project with XP the Marxman. While we slightly favor BBB’s collaboration with Vega7 The Ronin on Kawasaki Killers released in March, Good Times, Bad Times more than holds its own and is nearly as impressive.

Release date: June 28, 2024.

Al.Divino - Pyroglyphs

Pyroglyphs offers a refreshing departure from the usual similar-sounding projects out in today’s underground Hip Hop scenes. Al.Divino’s unique style may not be everyone’s cup of tea, but paired with the dark and quirky production, it’s undeniably intriguing. While it may not cater to every listener’s taste, for those seeking something a bit off the beaten path, this album is a must-listen.

Release date: March 23, 2024. 

Sadistik & Maulskull - Oblivion Theater

Bandcamp blurb: Oblivion Theater, the collaborative masterpiece of Sadistik and producer Maulskull, is a hauntingly captivating journey. This album is an artful fusion of introspective lyricism and innovative beats, defying conventional boundaries. The album conjures a dark, immersive realm where storytelling and soundscapes intertwine, creating a mesmerizing sonic experience.

Sadistik, a luminary in the underground rap scene hailing from the Pacific Northwest, captivates with razor-sharp lyricism. His verses cut through with precision, painting vivid, thought-provoking narratives. With a penchant for striking metaphors and poetic imagery, Sadistik’s rhymes resonate like haunting poetry set to a beat. His discography showcases an unflinching gaze into the human experience. In a genre often known for bravado, Sadistik stands as a beacon of authenticity, leaving an indelible mark on the world of alternative Hip Hop.”

Before the release of Bring Me Back When The World Is Cured in 2022, Sadistik’s ’emo raps’ never quite clicked with us. However, on that album, a collaboration with CunninLynguists producer Kno, Sadistik’s lyrical prowess truly stood out. His ability to craft dark and evocative imagery with his rhymes was undeniable, and the emotional depth of his content was heightened by Kno’s stellar production. Oblivion Theater follows suit. While Maulskull’s production is darker, less melodic, and more experimental than Kno’s, it similarly provides a perfect backdrop for Sadistik’s bars and flows. The result is a powerful and immersive album, a strong follow-up to Bring Me Back When The World Is Cured. 

Release date: February 23, 2024. 

Honorable Mentions

Click here for full Honorable Mentions list

Best Hip Hop EPs Of 2024

• The Musalini – Active & Attractive
• Rahiem Supreme – Phenomenon Worldwide
• Lyrical C – Systemic Rap-ism
• Boldy James & Conductor Williams – Across the Tracks
• Vinnie Paz – Jacinto’s Praying Mantis
• OT the Real & Fuego Base – Moving Base OT
• Nowaah the Flood – The Star Messenger
• Guilty Simpson & Kong the Artisan – Giants of the Fall
• RJ Payne – Hellraiser
• UFO Fev & Fredro Starr – Strapped
• Pounds448 – Vacuum Seal Valedictorian
• Tha God Fahim & NicoJP – Snakes
• Kurious & Mono En Stereo – Mystery
• SAINT JAME$ – BY ANY MEAN$
• Da Flyy Hooligan & Malek Winter – Blacc Kenzou
• CJ Fly & NasteeLuvzYou – the PhaRaOh’S return 2: NUBIA
• Freshman Woes – A Tribe Called Fresh
• Homeboy Sandman & Mono En Stereo – Rich II
• Khrysis & Silent Snipers – Perfect Time
• Maticulous – The Expanse
• Da Buze Bruvaz – Trigga Twinz
• Reek Osama & No!sy Neighbour – Consigliere
• Oddisee – And Yet Still
• Nowaah the Flood – Diluvian
• Supastition – All That Was Left Unsaid
• André DeSaint & Machacha – Cult Classique
• Reks & DJ Views – The Magnificence
• XP the Marxman – Terremotto
• Blimes – The Bridge
• Jamal Gasol & 38 Spesh – It’s Still a Dirty Game
• Norcal Nick & Blu – When the Future Finds the Past It Will Sound Like This
• Ramses, Fashawn & T.A. The Handful – Paperboy
• Abstract Museum & Guilty Simpson – Block Runners
• Napoleon Da Legend & DJ Rhettmatic – Legmatic
• K.A.A.N. & DJ Hoppa – Delusions of Grandeur
• Raz Fresco & Daniel Son – Northside
• Brad Baloo, DJ Yoda & Edo G – Hometown Heroes
• Reks & CHiLL-iLL – Hidden Messages In Water
• B Dolan – The Wound Is Not the Body
• Pro Zay & Sadhugold – Pulled Gold Out Tha Mud
• Edo G & Tone Spliff – Audio Edibles
• M.A.V. (Da Cloth) & Damien – Mirror Talks
• Rome Streetz & Wavy Da Ghawd – Buck 50
• Fendi P – White Lines
• Novatore – The 87 Arsonist
• Blueprint – Falling Down
• Bun B (UGK) – Yokozuna Trill
• Jay Royale – The Bea Gaddy Soup Kitchen
• Reks & Monaqee – What Happened to the Rainbows
• Mic Bles & Level 13 – Still No Halos
• Computer Jay & Dream Dave – Get ‘Em
•  Jay Exodus – 44
• Reks & Nezra – A Vibe Called Yes
• Showrocka & Mickey Factz – Manifest Destiny
• Hus Kingpin – In a State of Nirvana
• Ty Da Dale & V Don – Banned In 9 States
• Reuben Vincent – General Admission
• UFO Fev, Red Inf & Vanderslice – Chemistry
• Cookin Soul & The Musalini – Mackaroni
• Shabazz Palaces – Exotic Birds of Prey
• DJ Muggs & Mooch – Roc Star
• FastLife, Madhattan & Wino Willy – Ravenite Social Club
• Reks & Faf – The Miracle on 54 Park Street
• Substance810 & Machacha – The Port
• MichaelAngelo – No Face, No Case
• Chyna Streetz & 183rd – From Hell to Chanel
• Crimeapple – Let Him Cook
• Stik Figa – Soil Songs
• Reks & KarlitoDaKid – I Am Not Your Negro
• Elcamino & Real Bad Man – The Game is the Game
• Jus-P – Black Menace to Society
• Rahiem Supreme – Grandmaster Raski
• Kail Problems & DJ Hoppa – Massive
• J.Sos & 38 Spesh – Come Back for You EP
• Sule – Written on Wides Corner
• Mike & Tony Seltzer – Pinball
• Raz Fresco & Cookin Soul – Bakin Soul
• Ransom & Harry Fraud – Lavish Misery
• Bandt – Period
• Jynx716 & Che Noir – ANDY
• Al.Divino – Have a Bad Day
• Ryan Heinz – Noise Ordinance
• EARTHGANG – Robophobia
• OT the Real – Prepare for War
• Durty Rob – Brain Food
• Moka Only & Baptiste Hayden – The Deli
• Ar-Ab – Road to Glory
• Nowaah the Flood & Giallo Point – Right Over Left 2: Square Business
• Reks & Short Buss13 – M.A.G.A. (Make Art Great Again)
• Reks & Shortfyuz – F.E.L.A. (For Everyone Love Always)
• Reks & Melks – Y.O.D.A. (Young Ones Defy Age)
• Ferris Blusa & Machacha – Glory to Gawd
• Emskee & MiLKCRATE – The Dumb Bummer
• AJ Suede – Opta Mystic
• Ruste Juxx & Oh Jay – Break It Down
• Quincy Hinch – Behind the Boards
• Little Simz – Drop 7
• Blu & Roy Royal – Royal Blu
• 2nd Generation Wu & Dom Archey – This May Sting!
• John Jigg$ – S.O.U.L. (Something Our Underground Lost)
• Declaime & Kiina – The Bottom Line
• The Musalini & 38 Spesh – In God We Trust
• Dr Lekta – Flowers for the Illest
• Dr Lekta – The Manuscript
• A-F-R-O – New Colonel In Town
• Rasheed Chappell & 38 Spesh – Checks & Balances
• Kool Keith, Lynx196.9 & Arturo Banbini – Bandoleros
• Che Noir – The Color Chocolate Vol. 1
• Crimeapple & Preservation – El Leon
• Kota the Friend – Lyrics To Go Vol. 5
• Mickey Diamond – Gone In 60 Seconds
• Al.Divino – Firewater
• Rasco & Guilty Simpson – Swan&Simpson
• UFO Fev & M. Stacks – Crash Landing
• 1Jack & Illinformed – Happy After Hell
• AWOL One & Kool Keith – Aponia
• Raz Fresco & Dibia$e – Knockout
• Pacewon, Ill & C-Lance – The Songs We Have
• Reks & Samir – Rather Unique
• Truth & Da Beatminerz – Nostalgia ThEraPy
• Reek Osama & Machacha – Reek Havoc

The Best Hip Hop Albums Of 2023

Click here or on the image for the full list.