E L U C I D - REVELATOR

ELUCID’s REVELATOR is a bold statement from the New York emcee, elevating his already impressive discography into uncharted territory. Known for his work with the duo Armand Hammer alongside billy woods, this album sees ELUCID stepping confidently into his own artistic vision. After a strong solo debut with Save Yourself (2016) and the introspective follow-up I Told Bessie (2022) this latest effort places him on a new level of artistry, on par with the best of Armand Hammer and even billy woods’ most lauded solo work.

From the outset, REVELATOR hooks you with its raw and industrial sound, setting a tone of unpredictability. “The World is Dog” opens the album with glitchy textures, heavy with layers of sound that shift like tectonic plates. The production, driven by ELUCID himself with contributions from avant-garde talents like Jon Nellen, August Fanon, Child Actor, DJ Haram, and The Lasso, builds an atmosphere that’s disorienting but compelling. His voice, deep and commanding, cuts through the distorted electronics and eerie beats, providing a stark anchor in an otherwise chaotic soundscape.

Tracks like “CCTV,” featuring Creature, and “Slum of a Disregard” push the sonic boundaries further, marrying live instrumentation with electronic dissonance. The persistent drumbeats and deep basslines give these tracks a vitality that keeps the listener engaged, with ELUCID’s abstract lyricism drawing you into the depths of his observations about a world teetering on collapse. The themes of resistance, systemic decay, and societal breakdown are ever-present but never feel heavy-handed. Instead, they simmer under the surface, emerging in moments of sharp clarity, as in the potent “RFID” and the grim “Bad Pollen.”

REVELATOR‘s seamless integration of diverse sonic elements is top-notch. Avant-jazz, industrial noise, ambient drones, and glitch-heavy beats blend with live instrumentation, creating a dynamic that feels meticulously crafted but spontaneous at the same time. Tracks like “Instant Transfer” with billy woods and “Ikebana” highlight this, where the production shifts between sparse and suffocating, matching the lyrical intensity. There’s a tension in the music that mirrors the world ELUCID is speaking to, a reality marked by exploitation, conflict, and survival.

Lyrically, ELUCID  is at his sharpest, wielding his deep, commanding voice like an instrument in itself, balancing the abstract and the personal. Thematically, he dives into issues of systemic oppression, political violence, and survival, offering fragmented reflections on identity, power, and the fragile state of the world. On “Bad Pollen,” for example, his bars paint a vivid picture of persistence and determination amid adversity, while billy woods’ verse adds layers of cynical resignation. Lines like “I squeeze my children’s hand and walk hard against the wind” capture ELUCID ’s ability to distill complex emotions into brief yet powerful imagery, creating moments of clarity within the album’s dense structure.

His wordplay, often dense and layered, never feels overwrought. Instead, there’s an economy to his writing that makes his statements hit harder. On “Ikebana,” he delivers lines like, “I make gorgeous babies but I’m done makin’ N-words,” evoking themes of legacy, identity, and the complexities of fatherhood in just a few words. Throughout REVELATOR, his lyrics oscillate between introspective reflections and sharp social critique, always with a sense of urgency.

The final stretch of the album offers some of its most powerful moments. “14.4” with Skech185 merges frantic drums and distorted basslines with meditations on race and power. “Xolo” and “Zigzagzig” close the album with haunting, industrial soundscapes that feel almost apocalyptic, leaving the listener in a space of reflection. DJ Haram’s production on “Zigzagzig” pushes ELUCID’s voice to the forefront, where he grapples with themes of resistance and international struggle, particularly his solidarity with Palestine.

REVELATOR is a fearless exploration of sound and meaning, where every track brings something unexpected, yet essential, to the table. The production is lush and experimental, often veering in new directions while maintaining cohesion. ELUCID’s ability to draw from a wide range of influences—from free jazz to noise to industrial Hip Hop—without losing his identity makes this album so impactful. It’s a record that feels both timely and timeless, reflecting the dissonance of the modern world while hinting at something greater beneath the surface.

In short, REVELATOR is not just a standout in ELUCID’s solo and group catalog—it’s a major statement in the history of underground Hip Hop.

Release date: October 11, 2024.

Mach-Hommy - #RICHAXXHAITIAN

With H.B.O. (2016) and Pray For Haiti (2021), #RICHAXXHAITIAN is one of Mach-Hommy’s best records, a strong addition to his discography. This 17-track project is a deep dive into his signature abstract lyricism and grimy production, hinting at a possible artistic shift.

The production on #RICHAXXHAITIAN is terrific. The beats are impressive front to back, from soulful Quelle Chris and Georgia Anne Muldrow tunes to haunting soundscapes by Conductor Williams and August Fanon. These instrumental backdrops, often with jazz, reggae, and other musical influences, perfectly complement Mach-Hommy’s vocals.

Mach-Hommy himself is on fire too. His signature slow flow rides these abstract beats, and his bars are consistently sharp and thought-provoking. He switches between English, French, and Haitian Creole, adding another layer of complexity. Features like Black Thought, Roc Marciano, and Drea D’Nur elevate the tracks they are on.

The abstract nature might be challenging for some listeners, but it’s partly what makes #RICHAXXHAITIAN so rewarding. It’s an immersive experience that demands repeat listens to appreciate its intricacies fully. Tracks like “COPY COLD” and “HOLY ____” evidence the album’s potential for both catchy hooks and elite lyricism. The project’s core theme is Haitian identity and social issues. Mach-Hommy doesn’t shy away from addressing the country’s struggles, weaving his commentary into his abstract narratives. The album’s second half is particularly strong, offering some of Mach-Hommy’s most innovative and cohesive song structures.

#RICHAXXHAITIAN is a triumph for Mach-Hommy. It’s a cohesive and consistently engaging listen, demonstrating his growth as a lyricist and willingness to experiment. The production is top-notch, the features are well-chosen (with the possible expectation of a dubious line from Your Old Droog on “EMPTY SPACES”), and the exploration of Haitian themes adds depth. It’s certainly one of his most rewarding records, offering a glimpse into the mind of a truly unique artist.

Release date: May 17, 2024. 

Common & Pete Rock - The Auditorium Vol. 1

Common and Pete Rock’s The Auditorium Vol. 1 is a Hip Hop masterpiece that brings together two of the genre’s most influential figures.

Common, a pivotal voice in conscious Hip Hop since his 1994 breakthrough album Ressurection, has built a career on introspective lyrics and a smooth flow, earning multiple Grammy Awards. Over the years, he’s released critically acclaimed albums like Like Water for Chocolate (2000) and Be (2005), while expanding his reach into acting, writing, and activism. His introspective lyrics and smooth flow have earned him multiple Grammy Awards and a reputation as one of Hip Hop’s most thoughtful voices.

Pete Rock, on the other hand, is one of the true architects of the genre’s sound. Emerging from Mount Vernon, New York in the late ’80s, Rock quickly became known for his innovative production style, blending jazz and soul samples with hard-hitting beats. His work, both solo and as part of Pete Rock & CL Smooth, has influenced generations of producers and helped define the sound of ’90s East Coast Hip Hop.

With over 60 years of combined experience at the genre’s forefront, The Auditorium Vol. 1 delivers exactly what fans have been craving – a return to the soul-infused, lyrically rich sound of Hip Hop’s golden age. From the opening track “Dreamin’,” Common sets the tone with vivid storytelling and name-drops of Black icons, while Pete Rock’s production skillfully blends soul samples with hard-hitting beats. The album’s sound presents a perfect fusion of jazz, funk, and classic boom-bap, creating a rich sonic landscape for Common’s introspective and conscious rhymes.

Standout tracks like “Fortunate”, “Wise Up”, and “Stellar” showcase the duo’s chemistry. Rock’s expertly crafted beats provide the ideal backdrop for Common’s sharp lyricism, which touches on themes of gratitude, philosophy, and personal growth. The production on “Wise Up,” which cleverly incorporates elements from MC Shan’s “The Bridge,” is particularly impressive.

While the album pays homage to the ’90s sound that both artists helped define, it never feels dated. Instead, it demonstrates how timeless great Hip Hop can be. Guest appearances, including Jennifer Hudson on “A God (There Is)” and De La Soul’s Posdnuos on “When the Sun Shines Again,” add depth to the project without overshadowing the core duo.

Common’s performance throughout is stellar, proving that he’s lost none of his lyrical prowess over his three-decade career. His flow is as smooth and confident as ever, whether he’s delving into personal reflections or addressing broader social issues. Pete Rock’s production is the glue that holds the album together. His signature style – soulful samples, crisp drums, and expert scratching – is on full display. Each beat is crafted with obvious love and precision, creating a cohesive sound that flows naturally from track to track.

If there’s any criticism to be made, it’s that some tracks could benefit from tighter editing. A few songs run longer than necessary, which might test the patience of some listeners. However, this is a minor quibble in an otherwise exceptional album.

The Auditorium Vol. 1 is a triumphant return to form for both Common and Pete Rock. It’s a love letter to Hip Hop’s roots that still manages to sound fresh and relevant. For fans of thoughtful lyricism and soulful production, this album is an essential listen. It not only honors the legacy of both artists but also proves they still have plenty to offer in today’s Hip Hop landscape. Here’s hoping we don’t have to wait long for Volume 2.

Release date: July 12, 2024.

JPEGMAFIA - I LAY DOWN MY LIFE FOR YOU

JPEGMAFIA has consistently been a disruptive force in Hip Hop. With a career marked by fearless experimentation, he’s built a reputation as one of the genre’s most innovative figures. From the explosive energy of Veteran (2018) to the complex and confrontational All My Heroes Are Cornballs (2019), Peggy has never shied away from exploring new sonic territories. His 2021 album LP! was a bold display of his eclectic influences, while his 2023 collaboration with Danny Brown on SCARING THE HOES brought together two of Hip Hop’s most eccentric minds for a project that was as chaotic as it was captivating.

With I LAY DOWN MY LIFE FOR YOU, JPEGMAFIA takes another audacious step forward. This project arrives with the same intensity that fans have come to expect, but it also reveals new dimensions of Peggy’s artistry. The album kicks off with “i scream this in the mirror before i interact with anyone,” an attention-grabbing opener with its candid declaration about being a more provocative version of NBA bad boy Dillon Brooks. This track sets the tone for an album that’s both inwardly reflective and outwardly confrontational.

Peggy’s production on this album is a sonic kaleidoscope. He blends glitchy electronics, heavy metal riffs, and an array of samples that range from the HBO series Succession to Brazilian funk, creating a sound that’s uniquely his own. Tracks like “it’s dark and hell is hot” and “vulgar display of power” nod to influential artists like DMX and Pantera, but Peggy infuses these references with his own distinctive style. “Exmilitary,” named after the Death Grips album, combines groovy acoustics with intense riffs, displaying Peggy’s ability to merge seemingly disparate influences into a cohesive whole.

While the first half of the album bristles with aggressive energy, the latter half reveals a softer, more reflective side. The shift is evident in tracks like “loop it or leave it,” which features a glittering, string-heavy instrumental, and “Don’t Put Anything On The Bible,” where folk artist Buzzy Lee contributes a delicate, humming backdrop. This balance of harsh and gentle elements demonstrates Peggy’s versatility and willingness to explore new emotional depths.

Lyrically, JPEGMAFIA is as sharp and unapologetic as ever. He doesn’t shy away from taking shots at figures like Drake, critiquing the music industry, and addressing heavy topics like the military-industrial complex and American politics. On “New Black History,” featuring Vince Staples, he tackles topics like cultural commodification and shallow industry practices. The album also features moments of personal reflection, such as on “either on or off the drugs,” where he candidly addresses issues like drug problems and depression. The guest appearances on the album are carefully chosen and impactful. Denzel Curry’s contribution on “JPEGULTRA!” is a standout, blending his fiery delivery with Peggy’s chaotic energy to create a powerful and intricate joint.

I LAY DOWN MY LIFE FOR YOU is JPEGMAFIA at his most versatile. It’s an album that challenges and surprises, blending genres and emotions, from punk energy to introspective balladry. For fans of experimental music and those looking for an artist unafraid to break the mold, this record is a thrilling, unpredictable ride. Once again, JPEGMAFIA proves why he is one of the most dynamic and innovative voices in contemporary music.

Release date: August 2, 2024.

Ka - The Thief Next to Jesus

Ka’s The Thief Next to Jesus is a profound exploration of faith, morality, and survival, displaying the Brooklyn emcee’s unmatched ability to turn life’s complexities into poetic verses. This ninth solo effort sees Ka doubling down on his minimalist but potent style, drawing listeners into his introspective world where every word carries weight and every beat serves a purpose. The album continues the journey he’s taken listeners on throughout his career, offering new insights while remaining rooted in the stark realism that has defined his work.

The album begins with “Bread, Wine, Body, Blood,” where Ka cautions against becoming the weapon used to harm oneself and others, setting a somber tone that resonates throughout the project. This track is emblematic of the album’s contemplative nature, blending Ka’s reflective lyricism with sparse, organ-driven production. “Beautiful” shifts to a more soulful vibe, a meditation on the wish for a long and peaceful life, even amidst the struggles that life inevitably brings. The instrumental simplicity of the album is highlighted in tracks like “Tested Testimony,” where a haunting, drum-free loop accompanies Ka’s reflection on the choices that have defined his path.

Ka’s career has been marked by a series of thematically rich and musically restrained projects that stand apart in the Hip Hop landscape. His 2008 debut Iron Works introduced the world to his unique approach—raw, reflective, and deeply philosophical. This was followed by Grief Pedigree in 2012, which solidified Ka as a powerful voice in underground Hip Hop, known for his dense lyricism and self-produced beats. Honor Killed the Samurai (2016), arguably his absolute best project, was a turning point, earning widespread acclaim for its intricate narratives that drew parallels between the struggles of street life and the discipline of ancient warriors.

With albums like Descendants of Cain (2020) and A Martyr’s Reward (2021), Ka continued to explore themes of legacy, sacrifice, and survival, further cementing his place as a master storyteller. These albums, much like The Thief Next to Jesus, are not just collections of songs but cohesive bodies of work that require deep listening for full appreciation.

In The Thief Next to Jesus, Ka builds on this foundation, incorporating samples from gospel and blues to create a stark, atmospheric soundscape that enhances the album’s thematic depth. “Collection Plate” reflects on economic hardship with a soulful backdrop, while “Broken Rose Window” returns to the bluesy elements, offering a raw depiction of life’s struggles. “God Undefeated” brings in gospel influences, reinforcing the album’s exploration of spirituality and perseverance.

The closing tracks, “Hymn & I” and “True Holy Water,” provide a fitting conclusion to the album, with Ka delving into the complexities of faith and the enduring human spirit. These songs encapsulate the album’s essence, tying together its themes of struggle, reflection, and hope. The Thief Next to Jesus is one of Ka’s most thematically cohesive projects, blending gospel and blues influences with his reflective lyricism. It’s an album that demands multiple listens to fully appreciate its depth, and it’s a powerful addition to Ka’s already stellar discography.

Only months after the release of The Thief Next to Jesus, Ka tragically passed away on October 12, 2024. His unexpected death meant a tremendous loss for Hip Hop, robbing the culture of one of its most introspective and profound voices. His final album is a lasting testament to his poetic brilliance and commitment to making music that challenges, reflects, and resonates on a deeply human level. Ka’s legacy, already significant, has been made even more poignant by his untimely departure, leaving behind a body of work that will continue to influence and inspire.

Release date: August 19, 2024.

Skyzoo - Keep Me Company

Skyzoo’s Keep Me Company is an introspective, jazz-infused Hip Hop masterclass. Rooted in the traditions of storytelling and lyricism that have defined his career, the album sees Skyzoo reflecting on personal growth, relationships, and legacy with an ease that comes from years of perfecting his craft. It’s a project that feels intimate yet universal, a hallmark of Skyzoo’s music.

Though Skyzoo has built an impressive career collaborating with legends like 9th Wonder (Cloud 9), Appolo Brown (The Easy Truth), Pete Rock (Retropolitan), and as part of Barrel Brothers with Torae, Keep Me Company represents a quieter, more reflective chapter. This isn’t about reinvention but refinement, showing an artist at peace with himself and his artistry.

The album opens with “Community Service,” where jazzy horns swirl over a steady beat as Skyzoo examines themes of unity and purpose. His conversational delivery pulls the listener in, and JRose’s spoken word outro adds depth and warmth. From there, the project unfolds with tracks like “Finder’s Keepers” and “Home Away From Home,” which lean into lush, jazz-inspired production while exploring themes of ambition, connection, and memory. The instrumentation breathes, complementing Skyzoo’s intricate rhymes without overshadowing them.

“Drug Free School Zone” brings a rawer edge, with Skyzoo reflecting on responsibility, legacy, and survival. The production is stripped back, emphasizing his words and showcasing the precision of his storytelling. Similarly, “Prayers for the Customers” and “Courtesy Call” balance everyday observations with larger, philosophical questions. The latter features Chuck D, whose commanding presence underscores the weight of Skyzoo’s reflections on life’s stakes and the consequences of choices.

Lighter moments, like “Record Store Day,” bring charm and relatability as Skyzoo spins a narrative around vinyl culture and fleeting connections. The cozy, jazzy backdrop enhances the track’s nostalgic feel, making it a standout. As the album progresses, tracks like “Sleeping Beauty” and “Wins of the Father” delve deeper into Skyzoo’s personal life, offering raw, emotional reflections on family, love, and gratitude.

The closing track, “Jazz in the Projects,” is a sprawling eight-minute finale that encapsulates the album’s themes of survival, growth, and triumph. Over lush production, Skyzoo weaves vivid imagery and introspection, leaving listeners with a sense of closure and quiet confidence.

What makes Keep Me Company resonate is its honesty. Skyzoo isn’t chasing trends or overloading his music with flashy production. Instead, he’s creating a cohesive, timeless project that invites listeners to sit with it and uncover its layers. The jazz-infused boom-bap production gives the album a warm, lived-in feel, perfectly complementing Skyzoo’s thoughtful lyricism.

Keep Me Company is Skyzoo at his most reflective and intentional, delivering an album that feels deeply personal yet widely relatable. It’s a project that rewards patience, growing richer with each listen, and reaffirms Skyzoo’s place as one of Hip Hop’s most consistent and thoughtful voices.

Release date: November 29, 2024.

Tyler, The Creator - Chromakopia

Tyler, the Creator’s Chromakopia dives deep into the shadows of his psyche, blending chaos with personal reflection and maturity. Known for his visual and musical storytelling flair, Tyler crafts each song on Chromakopia like a piece of shattered glass, showing us complex new angles of his ever-evolving mind. Pulling from a rich mix of electronic, jazz, soul, R&B, and Hip Hop, he pushes into familiar and unsettling territory, echoing the warm stylings of Flower Boy (2017)  but with a darker, moodier lens.

The album feels like a feverish confessional, masked but raw. Tyler’s lyrics are brimming with introspection, tackling adulthood, aging, and fame, capturing a journey marked by highs, lows, and fear for what’s to come. He’s not rapping about global escapades or flaunting fame here; instead, he’s reflecting on his legacy, relationships, and even ideas about fatherhood. Tracks like “Take Your Mask Off” peel back the bravado, encouraging characters (and maybe himself) to strip away their facades. Songs like “Noid” carry a textured, reflective weight, where his lyrics expose anxieties and the pressures fame brings, while “Darling, I” and “Like Him” explore familial connections with a softer yet hauntingly sincere tone.

Musically, Tyler balances forceful Hip Hop moments with lush, R&B-infused soundscapes. The production swings between vibrant and minimal, occasionally missing the immersive depth fans may have come to expect after IGOR (2019). Even so, the subtle production on Chromakopia doesn’t detract; it channels attention back to his lyrics and themes, where Tyler’s evolution as a mature artist shines. Collaborations add fresh layers, from Doechii’s electric verses to Schoolboy Q’s gritty edge, each offering Tyler the space to explore.

With tracks like “Rah Tah Tah,” Tyler dials into pure energy, while songs like “Hey Jane” paint softer, more reflective scenes, evoking a sense of impermanence. Tyler’s mother narrates the album, rooting the record in personal history and a reminder of his journey so far. The album’s mix of themes—from love and fame to internal struggle—evokes a blend of melancholy and resilience. It’s as if Tyler is opening the door on the later chapters of his life, one where he steps out of character while grappling with the permanence of legacy.

Chromakopia is a layered experience, challenging but deeply authentic, embracing Tyler’s growth and offering glimpses of a raw, often chaotic human story. If anything, Chromakopia marks a point where Tyler’s work feels freer than ever—familiar but unconventionally real.

Release date: October 28, 2024. 

Masta Ace & Marco Polo - Richmond Hill

Masta Ace is a stalwart figure in the rap industry, with a career across generations. Hailing from Brownsville, Brooklyn, New York, he rose to prominence in the late 1980s as part of Marley Marl’s Juice Crew, where he showcased his rap talent alongside legends like Big Daddy Kane, Biz Markie, and Kool G. Rap, debuting on Marley Marl’s classic posse cut “The Symphony” in 1988. His 1990 debut album, Take a Look Around, began an underappreciated but exceptional discography. After his debut LP, Ace explored the impact of gangster rap with SlaughtaHouse in 1993 and blended East Coast sensibilities with West and South Coast car culture on the groundbreaking Sittin’ On Chrome in 1995.

The concept-driven brilliance of Disposable Arts (2001) and its successor A Long Hot Summer (2004) cemented his status as an artist who proved he was able to evolve with the times, as did collaborative projects with eMC and Ed O.G., and albums like MA_DOOM: Son of Yvonne (2012), and The Falling Season (2016).

In 2018, Masta Ace teamed up with Toronto producer Marco Polo for A Breukelen Story, and their collaboration continues in 2024 with a sequel, this one based on Polo’s upbringing in Richmond Hill, Ontario. Titled Richmond Hill, the album presents a mature and well-rounded collection of tracks featuring strong lyricism paired with stylish boom-bap beats. Artists like Inspectah Deck, Stricklin, Blu, Che Noir, Wordsworth, and Coast Contra make guest appearances, adding depth to the narratives and addressing contemporary issues with clarity. This album showcases Masta Ace’s decades of rapping experience and his ability to cut through Polo’s soulful samples and crisp drums with effortless skill, proving his lyrical finesse is timeless.

Release date: January 26, 2024.

Awon & Phoniks - Golden Era 2

Awon & Phoniks are back at it with Golden Era 2, a dope follow-up to their 2013 debut Return To the Golden Era. The Don’t Sleep Records founders have been putting in work, which shows in this fresh release that stays true to their underground Hip Hop roots.

Phoniks comes through with some killer production, laying down jazzy boom-bap beats that hit hard and give Awon plenty of room to flex his lyrical muscles. The whole album has that classic Hip Hop feel – but don’t get it twisted, these guys aren’t stuck in the past, they’ve cooked up a vision for where underground Hip Hop can go next.

The guest list on Golden Era 2 is straight fire: Anti-Lilly, Tiff the Gift, Dephlow, Hex One, V Knuckles, Demetrius Rhymes, PEL, Napoleon Da Legend, and John Robinson all step up to the mic. Each feature brings something unique to the table without throwing off the album’s vibe. Awon’s flow is on point throughout, gliding over Phoniks’ signature beats like it’s second nature. This album is another win for the Don’t Sleep catalog, proving once again that Awon & Phoniks are carrying the torch for real, soulful Hip Hop.

If you’re down with the duo or always on the hunt for authentic Hip Hop, Golden Era 2 will hit the spot. It’s clear Awon & Phoniks are all about keeping Hip Hop alive and kicking, and they’re delivering the goods we’ve come to expect from these two. Trust us, this one’s worth your time.

Release date: August 9, 2024.

Revival Season - Golden Age Of Self Snitching

Atlanta’s music scene throws another curveball with the arrival of Revival Season, a duo defying categorization with their debut album, The Golden Age of Self-Snitching. Brandon “Bez” Evans and Jonah Swilley blend rap, rock, and more to craft a unique and captivating sound that is both innovative and infectious.

Drawing inspiration from genre-bending innovators like the Beastie Boys and Run the Jewels, Revival Season injects unbridled energy into each of the album’s 14 tracks. From the opening salvo of “Look Out Below,” the duo grabs hold of your senses and throws you into a world where genre boundaries dissolve and creativity reigns supreme.

One of The Golden Age of Self-Snitching greatest strengths lies in its seamless fusion of disparate elements. Bez’s dynamic flow effortlessly glides over Swilley’s eclectic production, a dope blend of bass-heavy synths, live drums, and pulsating computer beats. Tracks like “The Path” and “Chop” showcase Bez’s lyrical prowess, offering insightful social commentary woven into catchy hooks and irresistible grooves.

Swilley’s production serves as the perfect canvas for Bez’s lyrical fire, with Swilley crafting beats around Bez’s vocals, instead of the other way around. In an era where so much Hip Hop is formulaic and derivative, Revival Season delivers a breath of fresh air with this album, standing out for its bold originality. The Golden Age of Self-Snitching brings something new and exciting to the table, destined to leave a lasting impression, unlike the fleeting hype many releases experience in today’s music landscape. The Golden Age of Self-Snitching is a vibrant and fun album you won’t want to miss out on.

Release date: February 23, 2024. 

Nuse Tyrant - Juxtaposed Echoes

San Diego-based lyrical virtuosu Nuse Tyrant’s Juxtaposed Echoes is a gritty, introspective journey through urban landscapes and inner turmoil. Produced by Trust One and Clypto, the album blends contrasting sounds and perspectives, with Nuse Tyrant’s compelling narrative at its core.

Tracks like “Don’t Blink” and “24kt” explore themes of struggle, temptation, and the pursuit of wealth, while “Miss You Bad” offers a poignant reflection on memory and loss. The album pays homage to Hip Hop legends with “Ghost of Dilla” and delves into cinematic storytelling with “The Story of the Crane Fighter” and “Love Jones.”

Nuse Tyrant’s lyrical prowess shines throughout, particularly on tracks like “Camouflaged Faces” and “Corner Pocket,” where he demonstrates his ability to paint vivid pictures with words. The album tackles complex themes of duality, social commentary, and personal growth, culminating in the powerful call to action of “UnheardCrys.”

With its blend of raw emotion, thought-provoking lyrics, idiosyncratic flows, and exciting left-field production, this album establishes Nuse Tyrant as a formidable voice in contemporary Hip Hop, offering listeners a rich, multifaceted experience unlike anything else you’ll hear this year.

Release date: July 10, 2024.

Midnight Sons - Money Has No Owners

Zilla Rocca and producer Chong Wizard are Midnight Sons, and with Money Has No Owners they deliver a mature and thoughtful follow-up to their strong self-titled 2020 debut. Money Has No Owners features regular Zilla Rocca collaborators like PremRock and Curly Castro, alongside voices like Blu, AJ Suede, Midaz The Beast, and Defcee. Warm production from Chong Wizard lays the soulful foundation for Zilla Rocca’s introspective lyricism. Tracks like “Tough Guys Fill A Cemetery” and “Marathon Man” deliver classic boom-bap vibes, while “Ignore The Red Flags” and “Terrible Twos” bring delicious jazz flavors. The title track sets the tone, reminding us that success requires constant hustle. “Money Has No Owners” is a reminder to stay focused and build momentum, a sentiment that resonates with anyone who’s ever chased a dream.

Money Has No Owners deserves a wider audience than it will probably get, but trust us, it’s worth seeking out. This is one of the best Hip Hop albums released in 2024 so far.

Release date: March 29, 2024. 

Roc Marciano - Marciology

For the past fifteen years, Roc Marciano has been an undisputed titan of underground Hip Hop. His journey began with Busta Rhymes’ Flipmode Squad and The U.N., but Marciano’s true calling emerged as a solo artist. He became a driving force in the revival of the mafioso subgenre, originally pioneered by 90s icons like Kool G Rap, Raekwon, and Nas.

Marciano’s signature sound – atmospheric, gritty lo-fi beats – has become the blueprint for a new generation. His style heavily influences artists like the ones from Griselda and all their affiliates. His dark, post-boom-bap sound, often eschewing drums altogether, has heavily influenced and dominated underground Hip Hop in the past decade.

Marciano’s discography boasts standouts like Marcberg (2010) and Reloaded (2012), and the more recent The Elephant Bones (2022). His latest offering, Marciology, continues this tradition of excellence. While maybe not his absolute best, it’s another strong entry in a strong catalog, delivering a laidback but deadly soundscape across its 14 tracks and 45-minute runtime. Features from Larry June, Crimeapple, T.F., and Flee Lord complement Marciano’s signature flow and sharp wit, further solidifying the album’s strength.

Marciology is a masterclass in atmospheric production, a collaboration between Marciano himself, Alchemist, and Animoss. When it comes to crafting this style of Hip Hop there’s only Brownsville’s Ka who might rival Roc Marciano. Marciology is a must-listen for any true Hip Hop head.

Release date: March 29, 2024. 

ShrapKnel - Nobody Planning To Leave

Underground Hip Hop veterans Curly Castro and PremRock, aka ShrapKnel, are back with their third LP, Nobody Planning To Leave. The album, produced entirely by Controller 7, boasts Open Mike Eagle, Onry Ozzborn, Lungs, Breezly Brewin, D-Styles, and ELUCID guest appearances.

The title Nobody Planning To Leave is a double-edged sword. It’s both a declaration of dedication and a nod to the realities of life. Sometimes you fight for what you love, other times fate has a different plan. One thing’s for sure – nobody wants to abandon their passion. More often than not, life’s pressures force us to walk away.

Nobody Planning To Leave is the product of a chance encounter. A few DMs between Castro and Controller 7 in 2021 blossomed into a full-fledged album. Following in the footsteps of their previous albums, ShrapKnel (2020) and Metal Lung (2022), this latest offering delivers hard-hitting, slightly experimental beats paired with intricate wordplay. Nobody Planning To Leave is a fun listen for forward-thinking underground Hip Hop fans, another jewel in the crown of the Backwoodz Studioz label.

Release date: June 7, 2024.

Kendrick Lamar - GNX

Kendrick Lamar’s new album, GNX, landed like a curveball, surprising fans and critics alike. Known for intricate storytelling and heavy conceptual themes, Kendrick flips the script here with a looser, more visceral project. The energy is pure West Coast—a soundtrack for blaring from car speakers on a hot LA afternoon. While unmistakably Kendrick, with clever wordplay, hard-hitting beats, and moments of brilliance, GNX lacks the ambition of masterpieces like To Pimp a Butterfly or Good Kid, M.A.A.D City.

Let’s address the elephant in the room: Kendrick’s releases often spark an almost ritualistic rush to proclaim “Album of the Year” before the first track even finishes. His track record justifies the hype, but this time, the worship feels overblown. GNX isn’t groundbreaking; it’s a digestible, fun collection of tracks that reflect Kendrick’s current mindset—mature, reflective, and less concerned with perfection. It’s not an album that redefines the genre or pushes a grand cultural agenda, but it doesn’t try to be.

The album opens strong with “wacced out murals,” where Kendrick’s fiery delivery takes aim at the industry and some of his idols over pounding drums and ominous strings. Tracks like “reincarnated” stand out for their introspection, with Kendrick weaving imagined past lives into a soulful meditation on history and identity. Meanwhile, songs like “gloria” and “luther” add depth, and SZA’s smooth vocals add texture in her two standout features. However, not all experiments land—tracks like “gnx” (featuring LA newcomers) and “dodger blue” falter under weak production, a recurring issue throughout the album.

While GNX lacks the cohesion of Kendrick’s earlier projects, its looseness offers charm. It feels less like a masterpiece and more like a mixtape—a snapshot of where Kendrick is now. Though uneven, it’s still proof that even on an off day, Kendrick remains miles ahead of most peers. Not “Album of the Year”, but undeniably a worthy addition to K-Dot’s legacy.

Release date: November 22, 2024.

LL Cool J - The FORCE (Frequencies Of Real Creative Energy)

LL Cool J’s The FORCE is a strong and unexpected return to form, easily his best album in almost 25 years, since G.O.A.T. (2000). Where much of his output in recent decades leaned toward pop and was often lackluster, this album shows LL with renewed energy and lyrical sharpness. His long-awaited collaboration with Q-Tip brings together LL’s veteran swagger with Tip’s dynamic production. Although at times the beats don’t mesh perfectly with LL’s rhymes, the album delivers a consistently engaging experience, peaking with highlights like the posse cut “The Vow” and the ferocious “Murdergram Deux,” where LL and Eminem engage in an exhilarating bar-for-bar exchange.

The album’s strength lies in its confident, unapologetic approach. LL doesn’t try to chase current trends, but he also avoids being too nostalgic, making The FORCE sound timeless. Tracks like “Runnit Back” are full of the kind of affirmations that speak to all generations, and the inclusion of newer voices on “The Vow” feels refreshing, a rare feat for a project driven by an artist from Hip Hop’s golden era. LL’s signature braggadocio, displayed on tracks like “Post Modern” and “Black Code Suite,” is balanced with introspective moments like “30 Decembers,” where he reflects on aging and the passing of time in the context of the COVID-19 pandemic.

The album is not without its flaws, as some tracks feel underdeveloped or a bit overstuffed. Still, LL’s charisma and lyrical prowess make up for the few stumbles, and his features—particularly Nas and Eminem—only elevate the project further. Q-Tip’s beats bring a rich variety, from boom-bap to funk, with the chemistry between producer and rapper rarely faltering.

It’s important to recognize LL Cool J’s pedigree and the foundational role he played in shaping Hip Hop. As one of Def Jam’s flagship artists, he helped define the genre in its earliest stages. His debut, Radio (1985), produced by Rick Rubin, was a raw, stripped-down record that showcased his brash delivery and larger-than-life persona. He followed this with Bigger and Deffer (1987), home to classics like “I’m Bad” and the iconic “I Need Love,” one of the earliest rap ballads. Mama Said Knock You Out (1990) further solidified LL as a powerhouse, with tracks like the title cut proving he could evolve with the times without losing his edge.

On The FORCE, LL taps into that same hunger that made him a household name. At 56, he’s still proving that he can hang with the best, delivering intricate flows and clever bars that remind listeners why he’s one of the genre’s longest-standing legends. This project proves LL’s staying power, and though it might not reinvent the wheel, it’s a solid offering that reaffirms his place in the pantheon of Hip Hop greats.

Release date: September 6, 2024. 

Freddie Gibbs - You Only Die 1nce

Freddie Gibbs dropped another banger with You Only Die 1nce, proving he’s still got that fire. While his collabs with Madlib and The Alchemist are modern classics, this solo joint holds its own. Despite rolling with a squad of different beatmakers here, the album flows smooth like butter. Gibbs keeps it tight from start to finish, serving up that raw, uncut flavor we’ve come to expect. His flow is relentless, riding over tranquil beats that hit just right.

This isn’t an earth-shattering, game-changing record, but it’s solid gold from front to back. Gibbs gets personal, diving deep into his past and paying respects to fallen rappers. The production is chill, letting Freddie’s bars take center stage. No features, no gimmicks – just Gibbs doing what he does best. While it might not reach the heights of Piñata (2104) or Bandana (2019) it’s a strong project without a doubt. The beats might not be as memorable as his Madlib collab projects, but they provide the perfect backdrop for Gibbs to flex his lyrical muscles.

You Only Die 1nce is a dope 37-minute ride through Gibbs’ world, exhibiting his unmatched flow and introspective side. It’s a grounded, no-nonsense project that proves Freddie Gibbs is still one of the most consistent voices in Hip Hop today. This album has us hyped for whatever he’s cooking up next, especially if Montana, the long-teased third collaboration with Madlib, is on the horizon.

Release date: October 31, 2024. 

Blu & Evidence - Los Angeles

Blu and Evidence’s Los Angeles is a love letter to the City of Angels, crafted by two of its most talented sons. This collaborative effort brings together Blu’s seasoned lyricism and Evidence’s masterful production, resulting in an album that captures the essence of L.A. in all its gritty, sun-soaked glory.

Blu, who first made waves in the underground scene with his and Exile’s 2007 classic Below the Heavens, has had a somewhat inconsistent output since. However, Los Angeles marks a return to form, arguably his strongest work in the 2020s decade. Evidence’s production provides the perfect backdrop for Blu’s introspective bars, ranging from hard-hitting boom bap to jazzy, soulful instrumentals that perfectly complement the lyrical content.

The album kicks off with “54th,” a stripped-down track that sets the tone with shout-outs to the neighborhood. From there, we’re taken on a journey through the city, with tracks like “The Land” and the title cut painting vivid pictures of life in L.A. “3 Wheel Motion,” featuring Kokane, offers a syrupy, laid-back vibe that’s perfect for a smoke session, while “L.A. Tourists” with M.E.D. cleverly switches up from piano-driven boom bap to psychedelic sounds midway through.

Blu’s storytelling shines throughout the project. He touches on everything from the infamous L.A. traffic (“L.A. Traffic” featuring Cashus King & Self Jupiter) to the rare cold days in the typically sunny city (“The Cold”). “Heaven” stands out with its gospel-infused production, as Blu recounts a letter from a departed friend describing the afterlife.

The features on “Los Angeles” are well-chosen and add depth to the project. The Domo Genesis and Navy Blue collaboration on “Lights at Night” is a particular highlight, with the trio painting a vivid picture of the city’s nighttime skyline. Evidence himself steps up to the mic on “Wish You Were Here,” delivering passionate bars alongside Blu.

Evidence’s production deserves special mention. He effortlessly switches between styles, from drumless tracks to hard-hitting boom bap to jazz-infused beats. This versatility provides a rich sound that will keep you engaged throughout the album’s runtime. While Blu’s flow might not be the most technically complex, it fits perfectly with the melodies and production. His delivery is consistently on point, whether he’s delving into grittier street narratives or more introspective material.

Los Angeles is a homerun for both Blu and Evidence. For fans of thoughtful lyricism and top-tier production, this album is a must-listen. With Los Angeles, Blu and Evidence have created an authentic, engaging portrait of their city that will resonate with long-time fans and new listeners alike.

Release date: July 12, 2024.

Previous Industries - Service Merchandise

Service Merchandise is a collaborative album from Previous Industries, that brings together Open Mike Eagle, Video Dave, and STILL RIFT in a nostalgic, but forward-thinking exploration of time and memory. Named after a defunct retail catalog, the album is infused with a sense of longing for the past, captured in both its lyrics and production. Each track title evokes a bygone era of American consumer culture, while the beats, primarily crafted by Child Actor, carry a hazy, lo-fi aesthetic reminiscent of the golden age of Hip Hop.

The trio’s chemistry is great throughout the album. Their verses flow effortlessly, weaving between playful banter and introspective musings. Video Dave’s wistful lines on “Roebuck” and STILL RIFT’s sharp reflections on “Fotomat” highlight their ability to blend humor with deeper themes. Open Mike Eagle, as always, delivers intricate rhymes filled with cultural references that strike a chord with listeners who remember the days of Blockbuster and Kay Bee Toys.

Service Merchandise is more than a trip down memory lane; it’s a meditation on the passage of time and how our memories shape our present. The album’s blend of quirky beats, clever wordplay, and genuine emotion makes it a standout project in all their careers.

Release date: June 28, 2024.

ANKHLEJOHN - Pride Of A Man

ANKHLEJOHN, the Southeast DC native, is a force to be reckoned with. This self-made artist handles production, mixing, mastering, and creative direction for his work while running his Shaap Records label and touring globally. His prolific output is clear, having already released eight full-length albums since 2018 – a sign of a tireless work ethic.

We’ve been fans of ANKHLEJOHN’s music since his excellent collaboration with producer Big Ghost Ltd, VAN Ghost, one of our favorite albums released in 2018. His 2021 LP As Above So Below is a great album too. Pride of a Man is arguably his best effort since those previous releases.

ANKHLEJOHN’s brand of boom-bap is anything but ordinary. His sound is gritty, his lyrics potent, and his music evokes a time when rappers spoke with purpose rather than mere posturing. With Pride of a Man, he paints vivid pictures of his life story, using cinematic flair and thought-provoking parallels to captivate his audience.

With 17 tracks and a 45-minute runtime, this album has the polish and depth of a major label debut. Pride of a Man boasts top-tier production values, with collaborations from acclaimed producers like The Alchemist, Statik Selektah, Nicholas Craven, and August Fanon. ANKHLEJOHN commands the album with effortless skill, without having to rely on guest features on every track. The few well-placed featured artists – Navy Blue, Willie the Kid, Domo Genesis, Fly Anakin, and Inspectah Deck – only serve to enhance the overall experience.

Fully realized and well-rounded, Pride of a Man is a prime example of how a compelling full-length Hip Hop album is done. For those who appreciate raw, unapologetic lyricism backed by gritty production, Pride of a Man is a must-listen.

Release date: September 4, 2024.

Apathy - Connecticut Casual: Chapter 2

Two decades after emerging as part of the Demigodz and Army of the Pharaohs collectives, Connecticut underground emcee Apathy celebrates the upcoming 10th anniversary of his acclaimed Connecticut Casual album with a sequel. This ninth full-length solo LP returns to his roots, with Playa Haze crafting a chilled-out boom-bap soundscape reminiscent of 90s Hip Hop, without sounding derivative. Longtime collaborator Celph Tilted appears on “Todd McFarlane”, just one of the many standout tracks on the album. Connecticut Casual 2 is a mature evolution for Apathy, showcasing his lyrical prowess over stylish beats. This album is a must-listen for fans of classic Hip Hop and followers of Apathy’s career trajectory.

Release date: April 12, 2024.

Cavalier - Different Type Time

Different Type Time is a deeply personal reflection on life and a love letter to Hip Hop. Cavalier’s rhymes weave through the smooth, jazzy beats like a master storyteller, proving his skills as a wordsmith haven’t dulled a bit. The production on Different Type Time is a dream team effort, with producers like Quelle Chris, Ahwlee, and Messiah Musik crafting a cohesive vibe that feels effortless. Cavalier meticulously curated the entire experience, ensuring the 21-song album flows perfectly despite its hour-long runtime.

Different Type Time offers an introspective journey that explores life’s complexities with refreshing honesty, reminding us of the power of music to connect and inspire. It’s a tasteful blend of jazz-hop and raw lyricism, a hidden gem waiting to be discovered. So put on your headphones, hit play, and let Cavalier take you on a trip.

Release date: April 19, 2024.

Rome Streetz & Daringer - Hatton Garden Holdup

Rome Streetz teams up with Daringer for Hatton Garden Holdup, a gritty, 42-minute boom-bap project that stays true to the essence of underground Hip Hop. Daringer’s production creates the perfect backdrop for Rome’s sharp lyricism, balancing eerie, stripped-down beats with gritty boom-bap elements that fans have come to expect from both artists. The album kicks off with “Ace of Base,” where Rome flexes his experience in the drug game over a drumless beat. Tracks like “Starbvxkz” and “Drive By” maintain that rugged street energy, while “Sage,” featuring ScHoolboy Q, highlights both MCs’ dedication to the game.

Guest appearances from Meyhem Lauren, Conway the Machine, and Cormega bring extra weight to the album. Songs like “Pro Tro” and “Weight of the World” showcase these collaborations over dusted kicks and snares, adding to the project’s raw energy. “100 Schemes” warns against industry pitfalls, while “Spike” calls out those stuck in the same place for too long.

Rome’s consistency shines here, with some of his sharpest bars yet. While it might not break new ground, Hatton Garden Holdup offers exactly what fans of both Rome Streetz and Daringer crave—hard beats, gritty flows, and top-tier lyricism. A strong, no-nonsense addition to both artists’ catalogs.

Release date: October 4, 2024.

Blu & Exile - Love (The) Ominous World

Blu & Exile’s Love (the) Ominous World adds another chapter to the duo’s impressive collaborative catalog, even if it doesn’t quite reach the heights of their classics Below the Heavens (2007) or Miles (2020).

Blu’s storytelling remains sharp, offering personal reflections and narratives about his life in L.A. On tracks like “Suge Knight,” he delves into his early career experiences, recounting his encounters with major labels like Death Row and Roc Nation. Exile’s production, rooted in boom-bap with soulful and jazzy undertones, creates a solid backdrop for Blu’s introspective bars.

Standout moments include “Undisputed,” where Blu confidently tackles hard-hitting topics, and “Homies,” a heartfelt tribute featuring Cashus King and Pistol McFly. “Gold” is another highlight, blending reflective lyricism with classic boom-bap production. The album concludes with “Love Is Blu,” a powerful track that brings the project full circle.

Blu’s recent collaboration with Evidence, Los Angeles (released earlier in 2024), arguably packs a stronger punch in terms of production, lyrical depth, and concept. Love (the) Ominous World still delivers plenty of brilliant moments though, blending nostalgia with sharp reflections on life and the music industry. This album is another strong effort from a duo consistently delivering thoughtful, high-quality Hip-Hop.

Release date: September 20, 2024. 

Mavi - Shadowbox

MAVI’s latest drop, Shadowbox, is a compact powerhouse clocking in at 33 minutes, but don’t let its brevity fool you. This Charlotte, North Carolina underground sensation is packing heat with every bar.

MAVI’s formula remains intact – soulful samples and introspective lyrics – but he’s taken it to a new level. The production is on point throughout, with a variety of sounds that flow together smoothly. It’s like MAVI’s painting his struggles on a canvas, and everybody is invited to the gallery.

What sets MAVI apart in the drumless Hip Hop game is his pen game. The man’s lyricism is razor-sharp, touching on themes of self-awareness, suffering, and the futility of creating art from pain. He’s spitting his soul-crushing bars with renewed energy, almost as if he’s stepped out of the shadows and into the light. From the cloudy vibes of “open waters” to the glitchy funk of “tether,” and the jazzy notes of “testimony,” MAVI keeps things interesting track after track.

While Shadowbox might be MAVI’s most lyrically depressing album, it’s also his most mature feeling work. It’s a natural progression from Let the Sun Talk and fixes any issues some might’ve had with Laughing So Hard, It Hurts. MAVI fans will know what to expect – beautiful, soulful samples and bars for days. For those new to his game: this album is worth your time. It’s raw, it’s tight, and everything is in its place.

Is it better than Let the Sun Talk? That’s for you to decide. But one thing’s for sure – Shadowbox is polished, and mature, and cements MAVI as one of the most consistent rappers in his niche. This is the kind of album that sticks with you long after the last track fades out. MAVI’s out here proving why he’s a leader in underground rap, and Shadowbox is the evidence.

Release date: August 9, 2024.

Lupe Fiasco - Samurai

Lupe Fiasco’s ninth studio album, Samurai, is an intriguing concept project dedicated to the life and career of neo-soul singer Amy Winehouse, imagined from her perspective as a battle rapper. Though the concept may not fully come across, the album is a compelling listen anyway.

The album’s concept, inspired by an actual voicemail from Winehouse, is a creative homage to her legacy. Standout tracks like “Samurai” and “Cake” feature minimalistic, jazzy beats that perfectly complement Lupe’s dense rhyme schemes, making the album an easy and at the same time complex listening experience. The absolute highlight, “No. 1 Headband,” is one of the best Hip Hop songs of the year. The production throughout the album is smooth and jazzy, with clean and polished instrumentals that emphasize Lupe’s intricate lyrics and diverse flows, allowing listeners to focus on the depth and complexity of his storytelling.

Samurai consists of eight tracks and runs just over 30 minutes, which we feel is too brief to really be considered a full album. However, by our standards, it qualifies for making the cut for our best albums list, if just barely. Because of its short length, it demands perfection, and while the album starts strong, not all tracks maintain the same level of quality musically. Lupe’s pengame and lyrical prowess are as impressive as ever, but the beats, particularly in the latter tracks, tend to meander.

For us, Samurai is better than Drill Music in Zion (2022) but doesn’t quite reach the heights of Tetsuo & Youth (2015) or Drogas Wave (2018). It also falls short of the brilliance of his first two albums, Food & Liquor (2006) and The Cool (2007). Nonetheless, Samurai is a strong addition to Lupe’s discography, with his technical skill and lyrical depth on full display.

Samurai may require multiple listens to fully appreciate its lyrical intricacies, but it is a smooth, thematically rich album that will satisfy both long-time fans and new listeners alike.

Release date: June 28, 2024.

Bobby J From Rockaway & Dom Dirtee - Higher

Bobby J From Rockaway and Dom Dirtee’s Higher feels like a straight shot of Hip Hop adrenaline, rooted in tradition but still full of personality. The album’s production and lyricism are focused and purposeful, creating a world that feels classic without coming off as overly polished. From start to finish, it’s clear this isn’t about trends—it’s about staying true to the fundamentals of sharp bars and beats that hit hard.

The title track kicks things off with a beat that feels atmospheric and determined, setting the tone for the record’s energy. “Once Again” leans heavily into the boom-bap pocket, giving Bobby room to deliver commanding verses that make his intentions clear. “Vibin’ (All By Myself)” shifts gears with a playful nod to the joy of solitary moments spent with good music, a relatable sentiment that feels effortless.

“Dangerous” brings a raw, unapologetic energy, while “I Gotta” enlists Paul Wall for a collaboration that brims with confidence and swagger. Tracks like “Round N Round” hit with relentless drums and a rhythmic intensity that keeps you locked in, while “Get Away” provides a moment of reflection, expressing the need to break free from the grind. The pacing of the album ensures that the momentum never lags, yet it still allows space for introspection when necessary.

Closing with “Hello” and “Break Me Down,” Bobby delivers moments of resolve, confidence, and defiance. Dom Dirtee’s production remains consistent throughout, layering soulful elements with hard-hitting percussion that complements Bobby J’s precise delivery. At just over 35 minutes, Higher is lean and intentional, packing sharp rhymes and versatile beats into every second. It’s Hip Hop made for those who value craftsmanship, energy, and authenticity, leaving you wanting more without feeling incomplete.

Release date: November 18, 2024.

Kurious & Mono En Stereo - Majician

Kurious is a 54-year-old rapper from the Upper West Side of Manhattan, who has been a well-known name in underground Hip Hop for decades. After his debut A Constipated Monkey (1994) on Columbia Records, he took a long hiatus before returning with the forgettable II (2009). Real heads will know Kurious though, if not for his low-key classic debut album, then for his appearance on MF DOOMS’s underground monument Operation: Doomsday on the track “?”.

For Majician, released on Rhymesayers Entertainment, Kurious benefits of the late MF DOOM‘s influence, who oversaw the coming to life of this project before his passing in 2020, obviously before Majician‘s completion. DOOM’s touch can be felt throughout the album though, especially in the intricate, almost puzzle-like structure of many tracks.

Majician blends introspective lyrics with Mono En Stereo’s nostalgic production that pays homage to DOOM’s influence. Tracks like “Unknown Species” and “Untainted” exhibit Kurious’ ability to weave sharp rhymes over jazz and funk-infused beats. “Eye of Horus” offers historical insights while “Separation Anxiety” dives into personal reflection, exploring inner struggles with a raw, synth-driven backdrop.

The album highlights include “Bacalao Opera,” which emphasizes protecting one’s vision, and “Par for the Course,” featuring Mr. Fantastik, revitalizing classic drum breaks. Kurious maintains his signature wit on tracks like “1984”, taking the listener on a nostalgic journey with Kurious reflecting on the b-boy era over a retro sample, and he explores deeper themes on “Cow’s Eye” and “Teach & Forgive.”

The album closes with “Come Back,” addressing the pursuit of success amidst chaos. Majician is a dope LP, that reaffirms Kurious’ standing as a seasoned lyricist, combining technical skill with thoughtful storytelling. This project is a tribute to his legacy and a powerful addition to his catalog, no doubt one of his best works.

Release date: October 18, 2024.

Ol' Burger Beats - 74: Out Of Time

Hailing from Norway, Ol’ Burger Beats is a producer renowned for his signature jazzy sample-based beats. His 74: Out of Time is a vibe that pays homage to the year 1974 and serves as a showcase of chill abstract jazz rap. Set at a steady 74 beats per minute, the album not only captures the essence of ’74 but also taps into its music, activism, and aesthetics. Ol’ Burger Beats uses this tempo as a foundation to construct sublime, jazzy instrumentals that provide the perfect canvas for some of underground and abstract Hip Hop’s finest vocalists.

Across 17 tracks, Ol’ Burger Beats crafts a seamless trip through his sonic world. With a lineup that includes Fly Anakin, Awon, Quelle Chris, Pink Siifu, billy woods, lojii, YUNGMORPHEUS, Tha God Fahim, Vic Spencer, and more, the roster is stacked with talent, each bringing their A-game to the table.

While 74: Out of Time may not push boundaries or surprise listeners with wild experiments, its consistent vibe is its strength. So if you’re a fan of laid-back, abstract jazz rap, don’t overlook this gem—it’s a great offering from start to finish.

Release date: February 16, 2024. 

Godfather Don - Thesis

Godfather Don, the veteran producer and rapper from New York City, is a much-respected figure among Hip Hop purists. His catalog includes low-key classics such as Hazardous (1991), and The Cenobites (1995/1997) with Kool Keith. In 2024, he presents his latest solo album, Thesis.

Thesis is entirely written and produced by Godfather Don himself, featuring 16 tracks that capture the authentic Dontown, NYC feel. The beats, rooted in 90s-inspired boom-bap, create an ideal foundation for Don’s lyrical delivery. And Godfather Don certainly delivers – his bars and flows are as sharp and engaging as ever.

This album adheres to a format we love – a full hour of music, devoid of bullsh*t skits and interludes, and without guest features. This focused approach allows the album to progress smoothly from start to finish. In an era where many artists opt for short releases or collaborations, Don demonstrates the power of a well-executed solo project. With Thesis, this industry veteran reaffirms his position as a respected figure in Hip Hop, proving that his skills on the mic and in the studio continue to evolve and impress.

Release date: August 30, 2024.

Awon & Parental - Sublime

Hailing from Brooklyn, NYC, and currently based in Newport News, Virginia, rapper Awon established Don’t Sleep Records in 2014 alongside his frequent collaborator Phoniks. Since then, Don’t Sleep Records has been holding it down as one of our go-to labels, boasting a lineup and catalog that’s straight fire. The initial three collaborations between Awon and Phoniks remain among our top picks for best Hip Hop albums of the 2010s.

Fast forward to 2024, and Awon’s still on top of his game. His teaming up with the French beat wizard Parental, renowned for his jazzy touch, resulted in Sublime, a certified gem. With its smooth lyricism and beats, this album epitomizes jazz-hop at its finest. Released under the German record label HVV, it’s tailor-made for all the Jazzmatazz aficionados out there.

Release date: February 9, 2024.

Arrested Development - Bullets In The Chamber

Our love for Arrested Development dates back to their 1992 debut, 3 Years, 5 Months & 2 Days in the Life Of..., and it’s a flame that still burns. Speech and crew have maintained their artistic potency, evident in recent gems like Don’t Fight Your Demons (2020) and For The FKN Love (2021), both standout releases, and both part of the best Hip Hop albums released in the 2020s so far.

Bullets In The Chamber proudly continues this legacy, delivering over an hour of great music laden with positive vibes and self-reflection. Featuring an impressive lineup including Chuck D, Canibus, Sa-Roc, Ras Kass, Skyzoo, and Grandmaster Caz, the album underscores that, even in their fourth decade, Arrested Development remains as fresh and relevant as ever. The beats, predominantly crafted by British producer Configa, are consistently top-notch, providing a dope backdrop for the inspiring lyrical content and performances. The lead single “Hip Hop Saves Lives” (featuring Chuck D and Grandmaster Caz) served as a prelude to yet another memorable chapter in the Arrested Development saga.

Release date: January 12, 2024.

Vince Staples - Dark Times

Vince Staples dives deep into personal territory on Dark Times. Thematically, it recalls the introspective storytelling of his 2015 debut album, Summertime ’06, exploring past struggles and the weight of the present. The production reflects this inward focus, with a slower, more atmospheric soundscape than his previous releases.

Dark Times prioritizes a cohesive flow over individual bangers. Standout songs like “Black & Blue” and “Freeman” showcase some of Vince’s sharpest lyricism, painting vivid portraits of his experiences. However, the emphasis on atmosphere comes at a cost. Catchy hooks are largely absent, and some tracks struggle to stand out independently. The well-crafted production, heavily influenced by jazz, lacks the versatility of his past work, maybe leaving some listeners wanting more upbeat moments. We like the subdued vibe of this album though, making this Vince Staples’ best work since his classic debut in our book.

Dark Times is a compelling listen. Vince’s rapping is top-notch, and his introspective lyrics offer a unique perspective on familiar themes of religion, societal struggles, and personal growth. This is a well-made, grounded, and honest Hip Hop album. While some may miss the energy of Vince Staples’ earlier work, Dark Times offers a mature and thought-provoking exploration of one of modern Hip Hop’s most captivating voices.

Release date: May 24, 2024. 

Beans - ZWAARD

Experimental Hip Hop veteran Beans and Finnish electronic producer Vladislav Delay (aka Sasu Ripatti) join forces on ZWAARD, a full-length exploration of electronic-infused beats and mindblowing lyricism. Despite never meeting, the two share a rich history within the independent music scene. ZWAARD serves as a validation of both artists’ talents. Beans, a founding member of the influential left-field rap act Anti-Pop Consortium, brings his fiercely innovative rapping style to the forefront. Ripatti, known for his diverse production aliases, sheds light on his role as a groundbreaking electronic composer.

The album unfolds like a journey, meticulously numbered but far from linear. The album starts with a direct and revelatory exploration of mortality and artistic purpose. Beans’ lyricism remains sharp throughout, whether confronting aging, the recent pandemic, or weaving cryptic wordplay. His delivery is unwavering, even as the album delves into more abstract territory. Experimental interludes add texture, culminating in the nihilistic deconstruction of “ZWAARD 14”, the album’s closer and one of the standout tracks.

ZWAARD is an album that demands repeated listens. It’s not for everyone, but for those seeking a unique blend of electronic experimentation, mind-bending wordplay, and raw talent, it’s a rewarding listen.

Release date: March 13, 2024.

Rapsody - Please Don't Cry

Five years after her critically acclaimed album Eve, North Carolina rapper Rapsody is back with her fourth studio LP, Please Don’t Cry. This introspective project presents her signature soulful production, razor-sharp lyricism, and a newfound vulnerability.

While there’s no denying Rapsody’s talent, Please Don’t Cry has some minor flaws. Clocking in at 22 tracks, the album feels slightly bloated. Some tracks, like “Raw” and “Black Popstar,” are good but don’t quite match the brilliance of others. However, the highs on this album are truly exceptional. Tracks like “Asteroids” showcase Rapsody’s resilience in the face of criticism, while “3:AM” featuring Erykah Badu offers a heartwarming glimpse into her personal life. “He Shot Me” tackles gun violence with raw honesty, and “Look What You’ve Done” explores the challenges faced by women in the music industry.

Comparisons can be made to classic albums like Little Simz’s Sometimes I Might Be Introvert (2021) and Kendrick Lamar’s To Pimp a Butterfly (2015). Please Don’t Cry shares a similar introspective quality, tackling themes of growth, self-acceptance, race, personal struggles, plus genre boundaries crossing musicality. Rapsody’s flawless wordplay and ability to craft relatable narratives further cement her position as one of Hip Hop’s most skilled lyricists.

Despite its length, Please Don’t Cry maintains a cohesive flow, smoothly transitioning between soulful introspection and energetic bangers. This record feels genuine, demonstrating Rapsody’s artistic growth and willingness to lay bare her soul. While a few tracks might not hit the mark, the overall quality is undeniable.

Release date: May 17, 2024. 

Gangrene - Heads I Win, Tails You Lose

Gangrene, the duo comprised of producer/rapper The Alchemist and rapper/producer Oh No, came to fruition through a chance meeting facilitated by their mutual friend and Dilated Peoples member, Evidence. What began as a casual exchange of beats and verses via email swiftly evolved into a serious musical partnership, leading the duo to unveil Gangrene. Their debut album, Gutter Water, made its mark in 2010 and was followed by Vodka & Ayahuasca in 2012 and their third offering, You Disgust Me, in 2015.

Often flying under the radar, the first three Gangrene projects deserve more recognition. Their album Heads I Win, Tails You Lose further solidifies the quality level of their discography. Oh No and Uncle Al both deliver solid bars and flows, and the grimy boom-bap production and intricate sampling truly captivate. The album features appearances from trusted collaborators like Evidence and Boldy James, the latter shining on the standout cut “Just Doing Art”. This release arguably is Gangrene’s darkest and most enigmatic work to date, maintaining their signature sound while delving into deeper, more cryptic themes.

Release date: April 19, 2024.

MC Lyte - 1 of 1

MC Lyte’s 1 Of 1 marks a triumphant return for the legendary rapper, offering a fully realized 50-minute album that we feel is her best in over three decades. This project reasserts her presence in the Hip Hop landscape after nearly a decade away, featuring Lyte’s signature sharp lyricism and storytelling over solid beats, with some tracks seasoned with R&B-influenced hooks.

Lyte’s journey in Hip Hop began in East Flatbush, Brooklyn, where she discovered her passion for rap at 12. By 16, she made an impactful debut with “I Cram to Understand U,” addressing the crack epidemic. Her thoughtful approach continued with singles like “Poor Georgie” and “Eyes Are the Soul,” tackling issues such as drunk driving and the AIDS crisis.

1 Of 1 opens with “Thank You,” featuring Muni Long and Mary Mary, setting a reflective tone. Tracks like “Life & Luxury” and “King King” explore the complexities of success and pay homage to Black men, with the latter featuring a collaboration with Queen Latifah. Tracks like “To Rock the Mic” and “1-5” showcase vintage Lyte, packed with assertive bars that speak to her longevity in the industry.

Songs like “Alright” offer honest reflections and wisdom from Lyte’s experiences, while “Music Is” closes the album by reflecting on her connection to the art form. The lead single “Woman” with Big Daddy Kane and Cheryl “Salt” James further highlights her collaborative spirit, and “Change Your Ways” featuring both Common & Stevie Wonder (!) is one of the most thought-provoking cuts on the album, encouraging listeners to make changes in their lives.

Throughout her extensive career, Lyte has collaborated with icons like Janet Jackson, Beyoncé, and Queen Latifah, paving the way for future female artists in a male-dominated genre. 1 Of 1, produced by Warryn Campbell, Nottz, DJ Scratch, Easy Mo Bee, and others, follows 2015’s Legend and features the artists mentioned in this review and other notables, like Ghostface Killah.

1 Of 1 proves that MC Lyte’s influence and talent continue to inspire and uplift, making this latest work a significant addition to her storied career. It’s more than a comeback; it’s a powerful reminder of her continued relevance and skill in Hip Hop.

Relesase date: September 20, 2024. 

Daniel Son & Futurewave - Bushman Bodega

Toronto emcee Daniel Son returns with Bushman Bodega, reuniting with producer Futurewave for another hard-hitting collaboration. Known for his early projects like The Gunners with Giallo Point and Yenaldooshi with Futurewave, Daniel Son’s profile in the underground scene has been steadily rising. His recent collab with Raz Fresco, Northside, paid homage to Toronto’s Hip Hop roots, and now, Bushman Bodega continues that momentum.

This album exemplifies Daniel Son’s lyrical prowess and gritty storytelling, paired with Futurewave’s meticulously crafted beats. Together, they create an immersive listening experience that feels raw and cinematic. Daniel Son’s dark humor and reflective lyrics perfectly complement Futurewave’s atmospheric production, making each track a compelling piece of the larger narrative.

Bushman Bodega reaffirms the strong chemistry between Daniel Son and Futurewave, highlighting their ability to bring out the best in each other. The album features a strong lineup of guest artists, adding depth and variety to the project. Overall, Bushman Bodega not only meets but exceeds the high expectations set by their previous collaborations, this is a great listen for fans of underground boom-bap.

Release date: July 12, 2024.

ScHoolboy Q - Blue Lips

After a five-year hiatus, Los Angeles rapper ScHoolboy Q’s long-awaited sixth studio album, Blue Lips, proves the wait was worth it. This project throws listeners into a world of captivating duality, blending jazzy and soulful sounds with eerie, menacing beats, and mixing up mature introspection with trash talk to great effect. Blue Lips is a clear step up from the very underwhelming CrasH Talk (2019) and rivals his critically acclaimed earlier works like Habits & Contradictions (2012) and Oxymoron (2014). While Blank Face LP (2016) remains our favorite ScHoolboy Q album, Blue Lips holds its own.

Blue Lips throbs with the signature darkness that has always defined Q’s sound, yet it feels refreshingly inventive. The production is strong throughout, featuring lots of dope beat switches and soulful samples that complement Q’s dynamic and at times fiercely biting delivery. Particularly the first half of the album is powerful, boasting standout tracks like “Pop”, “THank God 4 Me”, “Blueslides”, “Love Birds”, “Cooties”, “oHio”, and “Foux”. Guest appearances from artists like Freddie Gibbs, Ab-Soul, and Rico Nasty add extra flavor to the project.

Q isn’t afraid to be experimental on Blue Lips. He navigates smoothly between visceral trap-flavored bangers and jazzy vibes, sometimes within the same track. While the second half of the album, might not quite match the strength of the first, the overall experience remains finely tuned and engaging. Whether you’re a longtime ScHoolboy Q fan or just discovering his music, Blue Lips is a strong modern rap album that demands to be heard.

Release date: March 1, 2024. 

Talib Kweli & J. Rawls - The Confidence Of Knowing

Talib Kweli, the Brooklyn MC known for his work with Black Star, Reflection Eternal, and classic solo albums Quality (2002) and Eardrum (2007), delivers a strong offering with his 10th solo album, The Confidence of Knowing. Fully produced by J. Rawls, this album is like a reunion between two longtime collaborators, with Rawls previously behind memorable tracks from Black Star’s 1998 classic Mos Def & Talib Kweli Are Black Star. This partnership continues to thrive as J. Rawls provides a backdrop of dope soulful, jazz-infused beats, well-suited to Kweli’s thoughtful lyricism.

Throughout the album, Kweli remains grounded in the themes that have long defined his career, touching everything from art and Hip Hop history to reflections on society. Tracks like “Breath, Eyes, Memory” offer a laid-back vibe, while “Native Sons” is a nice nod to classic boom bap. “We Outside,” featuring TriState, brings a jazzy flair, and “SWAT” with Coast Kweli takes a more hardcore approach. Guest appearances from Blu, Buckshot, Skyzoo, Ras Kass, and others enrich the project without overshadowing Kweli’s voice.

Although The Confidence of Knowing may not reach the iconic status of some of Kweli’s earlier works, it’s a cohesive and engaging listen that displays his continued relevance in today’s Hip Hop. His delivery is smooth and reflective, never overly aggressive, which pairs well with J. Rawls’ smooth 90s-centric production. Great album.

Release date: September 13, 2024.

Heems - VEENA

On VEENA‘s intro track, Himanshu “Heems” Suri’s mother describes him as a “poet of Queens.” This album centers around India and diasporic Queens while exploring Hip Hop’s cult crates with guests like Cool Calm Pete and Mr. Cheeks. Voicemail skits from global creatives like No Doubt’s Tony Kanal, director Zoya Akhtar, and Riz Ahmed reveal open-door confessionals about family, addiction, and depression.

In “Manto,” Heems raps about complex PTSD, chemical dependencies, and self-sabotage, addressing generational trauma from the 1947 Partition of India and Pakistan. Produced by Sid Vashi, this album serves as rap as self-directed therapy. Heems delves into personal and historical struggles while deftly balancing humor and introspection. On “Ratatouille,” he raps about surviving addiction and mental health issues with an earnest positivity that shines through.

Heems’ signature humor remains but is used more judiciously. On “Bourdain,” he blends transnational flexes with insouciant wit. “Dame” humorously sends up the Hip Hop playboy trope, while “Rakhi” features a trap beat with vocals from Pavvan and Ajji, offering an exciting chorus that stands out in the subgenre.

“Flowers” shows off Heems’ versatility, with Navz-47’s intoxicating chorus complementing his seductive rhymes. The album closes with “Banshee,” where Heems shares the spotlight with Cool Calm Pete, emphasizing themes of community and connection.

VEENA is Heems’ best record as a solo artist, capturing his family’s struggles and triumphs. This album, following February’s Lafandar, cements Heems’ return to the rap scene with poignant storytelling and dynamic beats, making it one of the year’s better rap albums.

Release date: August 23, 2024. 

Eddie Kaine & Big Ghost Ltd - Last Exit To Crooklyn

In the ongoing storyline of Eddie Kaine and his experiences in Brooklyn’s Bed Stuy neighborhood, Last Exit To Crooklyn picks up where A Tree Grows In Brooklyn (2021) left off, with both albums produced by Big Ghost Ltd. Collaborating with artists like Planet Asia, Rim, Jae Skeese, Smaccz, Emilio Craig, Spoda, O Dawg, and Passport Rav, this latest project is Eddie Kaine’s best work to date for us. The album offers a diverse mix of voices that add depth to Kaine’s storytelling, providing insight into the challenges and realities of life in Bed Stuy. From introspective reflections to gritty street tales, Kaine’s sharp lyricism is engaging throughout, set against Big Ghost Ltd.’s distinctive production style. Last Exit To Crooklyn is a must-listen for fans of authentic Hip Hop, offering a genuine glimpse into one of New York City’s most iconic neighborhoods, cementing Eddie Kaine’s place as a promising voice in Brooklyn’s Hip Hop scene.

Release date: April 2, 2024.

Joey Valence & Brae - No Hands

Joey Valence & Brae return with a genre-bending party on their NO HANDS album, reminiscent of a time when it was still OK for Hip Hop albums to be FUN. Forget generic Hip Hop; this album throws everything in the mix, from Miami bass to old-school breakbeat, with splashes of electronic dance music and even jazz. Somehow, it all works together beautifully. The beats are powerful and energetic, providing the ideal platform for the duo’s engaging lyrical delivery.

NO HANDS is a clear step up from their debut. The album feels more polished, the rhymes flow better, and the chemistry between Joey Valence and Brae is even more tangible. Valence’s production skills are on full display as he blends diverse musical influences into a cohesive and infectious sound.

The album boasts some fire collaborations as well. Especially Danny Brown’s feature on “PACKAPUNCH” integrates into the album’s vibrant atmosphere perfectly, adding another layer of energy to the already electrifying track. NO HANDS channels the humorous old-school energy of the Beastie Boys, but with a modern twist that keeps things fresh and exciting.

Despite being only 31 minutes long, NO HANDS packs a punch. Playful, internet-savvy lyrics add to the album’s charm, making it an enjoyable listen from beginning to end. Tracks like “PACKAPUNCH”, “NO HANDS”, “LIKE A PUNK”, “THE BADDEST”, “OK”, “JOHN CENA”, and “DOUGHBOY” flaunt the duo’s talent for crafting fun and energetic Hip Hop.

In short, NO HANDS is a contender for the year’s ‘funnest’ album. It’s a perfect example of how to have a blast making music and still deliver top-notch Hip Hop. This album cements the duo’s place in the East Coast scene and leaves us hungry to see what crazy concoctions they come up with next.

Release date: June 7, 2024.

Killah Priest - Abraxas Rebis Simha Pleroma

Killah Priest is one of the most distinctive voices in Hip Hop. Refusing to conform to mainstream trends, he has carved out a unique path with a staggering music output. Even if the quality of his work can be mixed, works like Heavy Mental (1998), Elizabeth (Introduction to the Psychic) (2007), The Psychic World of Walter Reed (2013), Planet Of The Gods (2015), and Rocket To Nebula (2020) all are top-tier Hip Hop albums.

Abraxas Rebis Simha Pleroma fits comfortably within the stronger half of his discography. This album offers a more accessible listening experience compared to his recent works. It blends his signature esoteric and spiritual themes with more relatable lyrics, combining drumless instrumentals with harder beats. As fans of Killah Priest, we thoroughly enjoy this album. For those new to his music, it is an accesible introduction to his catalog. All in all, Abraxas Rebis Simha Pleroma is a strong addition to Killah Priest’s ever-growing discography.

Release date: September 18, 2024. 

DJ Muggs & Raz Fresco - The Eternal Now

Raz Fresco’s The Eternal Now, a collaboration with the iconic DJ Muggs, is a high point in the Toronto artist’s career. This 15-track LP blends Raz’s clever lyrics with Muggs’ diverse production, spanning jazzy instrumentals, boom-bap, and rap rock elements.

Raz’s evolution from a laid-back Brampton teen to a seasoned lyricist shines through. His bars reflect personal experiences, including brushes with the Five-Percent Nation and legal troubles, creating a mix of timeless and contemporary content. Standout tracks like “Smoke & Mirrors” and “Spooky” showcase Raz’s smooth flow against Muggs’ inventive beats.

For Muggs, this project represents a refreshing departure from his recent work, his beats more diverse than some of his recent Griselda-associated sounds. While not every track hits the mark, the overall package impresses – it’s the chemistry between Raz and Muggs that drives the album.

The Eternal Now shows Raz Fresco’s growth and persistence in the underground rap scene. From his early days producing for French Montana mixtapes as a teenager to his “Magneto Was Right” series during the pandemic, Raz has continually evolved. Collaborating with DJ Muggs here, he delivers his most mature and cohesive work that carves out its own space, blending conscious lyricism with a mix of production styles that showcase both artists’ strengths.

Release date: July 26, 2024.

Mutant Academy - Keep Holly Alive

Mutant Academy’s Keep Holly Alive is a striking debut that puts the Richmond collective’s talent on full display. Known for their deep ties to the city’s underground Hip Hop scene, the crew delivers an album filled with raw energy and effortless chemistry. Fly Anakin, Henny L.O., and Big Kahuna Og lead the charge, trading relentless bars over production that draws heavily from jazz and soul. The beats, handled by an in-house lineup of producers including Ohbliv, Graymatter, Foisey, and others, create a hazy yet sharp atmosphere that suits the rappers perfectly.

Fly Anakin’s distinct, technical delivery slices through the rich production, while Big Kahuna Og’s Dipset-inspired flow and Henny L.O.’s smoother, sing-songy style add flavor to the mix. They sound completely in sync, effortlessly bouncing off each other with no need for hooks to break up the rhythm. The album thrives on this natural back-and-forth, staying true to Hip Hop’s essence while adding modern twists.

The decision to keep features limited, with only Quelle Chris making an appearance, allows the core trio to shine. Each track feels personal, a reflection of their tight-knit brotherhood and shared vision. Tracks like “Fate on My Side” and “Fatherless Flow” are built on deep, moody beats that evoke the spirit of East Coast Hip Hop, while others, like “Paranoid,” add a dreamier layer to the album’s sound.

Keep Holly Alive is a celebration of the crew’s artistry and the rich culture of Richmond itself, a city too often overlooked in discussions of Hip Hop’s landscape.

Release date: October 8, 2024.

Crimeapple & Big Ghost Ltd - Bazuko

Crimeapple and Big Ghost Ltd. are back with a bang on Bazuko, the successor to their excellent 2018 collabo Aguardiente. Bazuko is a masterclass in raw lyricism and gritty production. Crimeapple unleashes lyrical fire over Big Ghost’s signature beats, blending jazz (“Laugh Now”), hardcore boom-bap (“Chemical Imbalances”), and soulful samples (“Pretty Girl Who Can Rap”).

Bazuko explores a range of themes, from the harsh realities of street life (“5000 Degrees”) to introspective self-reflection (“Higher Learning”). Crimeapple tackles even darker territory with “Smoke Signal,” while “Las Trompetas” injects a welcome groove.

Surpassing its predecessor El León, Bazuko boasts a richer soundscape and a more seasoned Crimeapple. This reunion proves their creative chemistry is still there, resulting in a project that elevates both the rapper and the producer.

Release date: May 31, 2024.

NAHreally & The Expert - BLIP

Massachusetts-born Jersey City-based rapper NAHreally, known for his down-to-earth wit and relatable observations, joins forces with Dublin, Ireland-based producer The Expert on BLIP. The Expert’s airy, psychedelic beats are tailormade for NAHreally’s conversational flow. The result of this partnership is an album brimming with humor, insightful lyrics, and clever wordplay.

NAHreally avoids flashy flows, instead opting for a style that feels more like a conversation with a close friend. His raps are full of folksy wisdom and wry observations, delivered with a casual charm. The Expert, meanwhile, is a master of sonic tapestries. He weaves samples from various sources into light, free-flowing beats that serve as standalone pieces and backdrops for NAHreally’s verses.

Despite collaborating remotely, NAHreally and The Expert found a natural connection. They exchanged ideas and references, building the album from nearly 100-beat sketches and lyrical fragments. This meticulous approach results in a dynamic, open record with a lived-in feel. Guest appearances by Open Mike Eagle, Hemlock Ernst, Dillon, and Jesse The Tree further elevate the project, adding depth to the 14-song tracklist.

BLIP is an engaging journey through contemporary life. Packed with humor, relatable experiences, and skillfully crafted lyricism, it’s an album that will leave you wanting to revisit it.

Release date: March 29, 2024.

Brother Ali & unJUST - Love & Service

Minneapolis legend Brother Ali’s 2024 album Love & Service is a powerful addition to his impressive two-decade discography, following 2019’s surprise release Secrets & Escapes. Ali’s trademark sharp lyrics and passionate delivery are fully displayed on Love & Service, tackling weighty themes like God, mortality, societal collapse, and the enduring search for beauty. The unconventional production, crafted by unJUST of Hieroglyphics fame, offers a heady blend of chopped-up 70s and 80s educational film samples, creating a warm but raw soundscape that perfectly complements Ali’s dense wordplay.

Love & Service isn’t afraid to ask tough questions. It’s a beautiful album, that confronts the harsh realities of human failings. The guest spots, featuring heavyweights Roc Marciano, Aesop Rock, Quelle Chris, and Casual, add to the album’s richness. Clocking in at 42 minutes, the album is packed with substance without sacrificing flow, blending styles while maintaining a cohesive feel. Love & Service may not reach the heights of classics like Shadows On The Sun (2003) or The Undisputed Truth (2007), but it’s undoubtedly a worthy addition to Brother Ali’s legacy. This is conscious Hip Hop at its finest: thought-provoking, socially aware, and ultimately, hopeful.

Release date: April 26, 2024. 

YUNGMORPHEUS & Alexander Spit - Waking Up & Choosing Violence

YUNGMORPHEUS’s latest album, Waking Up and Choosing Violence, finds the L.A.-based rapper navigating life’s anxieties with renewed vigor. Partnering with producer Alexander Spit, known for his work with The Alchemist, YUNGMORPHEUS sounds more energized than ever. Tracks like “DEAD WHITE FACES” and “Chateau d’Yquem” capture his reflections on societal struggles and personal transitions. On “Deuteragonist’s Issue #3,” he acknowledges faulty foundations, his delivery shifting from dejection to relief, signaling a deeper understanding of life’s priorities.

Spit’s production enhances YUNGMORPHEUS’s introspective journey. “A Moment’s Reprieve” transitions from a somber sax to joyful samples, paralleling the artist’s musings on outgrowing old habits. “Al Herpin” blends nostalgic sounds with modern beats, displaying YUNGMORPHEUS’s ability to weave personal history with contemporary issues.

Supported by Spit’s masterful production, YUNGMORPHEUS delivers brutally honest lyrics with a newfound confidence. Waking Up and Choosing Violence is a pivotal record in his discography, poised to elevate his career.

Release date: June 28, 2024. 

Schoolly D - 'Cause That Nixxers Crazy That​’​s Why

Schoolly D is a name that carries weight as one of Hip Hop’s early innovators. Known for his raw lyricism and gritty beats, he helped define the gangsta rap style in the mid-1980s. His music stood out for its unflinching look at life on the streets, tackling topics like violence, racism, and survival with a boldness that pushed Hip Hop into new territory. Tracks like “P.S.K. (What Does That Mean?)” and “Gucci Time” became underground anthems, and his first two albums Schoolly D (1986) and Saturday Night! (1987) remain influential classics.

With his new release, ‘Cause That Nixxer’s Crazy That’s Why, Schoolly D revisits the essence of what made his early work so iconic. Almost four decades after his debut, he’s crafted an album that captures the gritty, bass-heavy beats and rebellious energy of his prime. Tracks are raw, unpolished, and steeped in the classic boom-bap vibe, reminding listeners of a time when Hip Hop was built on raw talent and street-level honesty. Ice-T, a longtime admirer who has often credited Schoolly D as a major influence, appears on the album, along with Chuck D, whose SpitSLAM label released the record. Their contributions add a layer of authenticity and camaraderie to a project that feels like a nod to Hip Hop’s roots.

This album isn’t about chasing trends or appealing to modern sensibilities—it’s a gift for fans who’ve stuck with Schoolly D since the mid-80s. For younger listeners, it’s a time machine, pulling them into the era where Schoolly’s confrontational and unfiltered style first emerged. Longtime followers will appreciate how ‘Cause That Nixxer’s Crazy That’s Why reconnects with the sound and ethos of his first two albums. The stripped-down production and biting lyricism feel like a homecoming, a reminder of how powerful his voice was—and still is. Whether you’re revisiting his classics or discovering him for the first time, this album stands tall as a tribute to a Hip Hop pioneer whose influence continues to echo decades later.

Release date: November 1, 2024. 

Boldy James & Nicholas Craven - Penalty Of Leadership

Boldy James started 2024 on a strong note, collaborating with Nicholas Craven for a second time on a full album. The relative silence from Boldy in 2023, attributable to a serious accident he was in, amplified the anticipation for this release. Craven’s sample selection elevates the beats, creating a dope sonic experience. Boldy’s performances over Craven’s beats are solid, maintaining his established tone and approach that smoothly align with the production.

While Penalty of Leadership is not his absolute best work, it is a robust addition to Boldy James’ discography, signaling a promising start to 2024 for him and Hip Hop in general. The collaboration showcases a strong pen game from Boldy, with the soulful samples by Craven adding depth. The beats shine, and Boldy, discussing his accident candidly amidst the typical braggadocio in his deadpan style, sounds great.

Release date: January 12, 2024.

Everliven Sound & Slimline Mutha - Echo Chamber

Cymarshall Law and Skit Slam, also known as BlackBelt Poemz, form the duo of Everliven Sound. Echo Chamber is a collaborative LP with UK producer Slimline Mutha. Drawing inspiration from the sounds of 90s legends like Pete Rock, Q-Tip, and Large Professor, Slimline Mutha’s beats set a dope backdrop. Everliven Sound’s bars and flows are in sync with the instrumentals, culminating in an exceptional album that feels like a nostalgic nod to early 1990s Hip Hop, sure to resonate with fans of the era.

Release date: March 13, 2024.

Real Bad Man & Lukah - Temple Needs Water. Village Needs

Album blurb: “Temple Needs Water. Village Needs Peace. is a philosophical exploration into the essence of community, spirituality, and transformation. This 15-track collaboration between producer Real Bad Man and Memphis rapper Lukah meditates on themes of unity, leadership, sacrifice, and renewal. With contributions from billy woods (Armand Hammer), Adrian Utley (Portishead), and Shabaka Hutchings, this album ascends through personal and spiritual achievements, delves into the duality of knowledge, the unseen forces, and the cyclical nature of life and death. The album reflects on growth, resilience, duty, ancestral wisdom, and the healing power of words, culminating in a celebration of inner peace and communal harmony. With a backbone of musically ambitious beats and soul-baring verses, this album carves its mark as the year’s most enthralling listen.”

While calling Temple Needs Water. Village Needs Peace. the year’s most enthralling listen might be a stretch, it’s certainly an intriguing project. The music takes a meandering approach, the focus seems to be squarely on the lyrical content. Perhaps these understated instrumentals are a deliberate move, giving the powerful lyrics the space they deserve. This is a slow burn of an album, one that might require multiple listens to fully appreciate it.

Release date: March 29, 2024. 

Vic Spencer & August Fanon - Psychological Cheat Sheet 5

Vic Spencer, the prolific Chicago emcee, has released a wealth of strong projects, but his collaborations in the Spencer For Hire series with SonnyJim and the Psychological Cheat Sheet with August Fanon series are among his best work. The latest entry, Psychological Cheat Sheet 5, is one of the highlights of the series, featuring Vic’s sharp lyricism paired with August Fanon’s exceptional production.

This album excels in its storytelling, exploring Vic’s youth, experiences in group homes, and his musical influences. The production may be the finest in the series, and Vic’s lyrical talent shines through, filled with recurring themes and self-referential callbacks. His pen game is strong, crafting intricate verses that invite deeper listening. Psychological Cheat Sheet 5 is an essential listen for fans of thoughtful and well-crafted Hip Hop.

Release date: October 29, 2024. 

Logic - Ultra 85

Logic’s Ultra 85 has been teased for years, and it’s clear Bobby put his heart and soul into crafting this conclusion to his decade-long story. Right off the bat, “Paul Rodriguez” hits you like a ton of bricks. It’s easily one of the best tracks of the year and sets the tone for what’s to come. Logic’s flows throughout the album are straight-fire, and he’s skating over these beats like it’s second nature.

Speaking of beats, the production on Ultra 85 is strong. 6ix and Logic have cooked up some jazz-infused, old-school flavored instrumentals that go great with Bobby’s rhymes. Each track feels immersive, with violins and classic bass lines creating a sophisticated backdrop for Logic’s introspective bars.

Lyrically, this might be Logic’s deepest dive yet. He gets super personal, touching on themes of anxiety and self-reflection. It’s mature, intelligent, and at times, downright touching. Sure, some of the content feels a bit repetitive, especially given the hour-plus runtime, but the quality of the verses is undeniable.

Now, let’s talk about skits. Logic loves his skits, but as always, they’re hit or miss here. They add to the album’s concept, but they can be jarring, and mess with the replay value of some tracks and the album’s flow. It’s a one-time listen for most, then an immediate skip on future plays.

Is Ultra 85 a perfect sequel to The Incredible True Story (2015)? Not exactly. The story feels a bit thin – two dudes in a spaceship talking and then heading back doesn’t give us much to chew on. But as a standalone album, it’s got a lot going for it.

Ultra 85 fits right in with Logic’s recent hot streak (think No Pressure (2020), Vinyl Days (2022), and College Park (2023). It might not be the most conclusive finish to his career, but it’s a solid addition to his catalog. Tracks like “Teleport” and “Once Upon a Time in Hollywood” are definite highlights that’ll have you coming back for more.

Bottom line: Ultra 85 shows Logic at the top of his game. It’s charming, emotional, and powerful, even if it’s a bit long-winded. If you’ve been riding with Bobby since day one, this album’s gonna hit different. And if you’re new to Logic? Welcome to the party – you picked a good time to join.

Release date: August 9, 2024.

Copywrite - The Last Supper

Underground Hip Hop veteran Copywrite returns with his seventh full-length album, The Last Supper, a dense and potent project that feels like a culmination of his career. Harkening back to the golden age of the Weathermen crew, The Last Supper boasts 13 tracks brimming with that early 2000s boom-bap sound. Copywrite reunites with DJ Mighty Mi for a few tracks, and Swab, another frequent collaborator, takes the production helm on a significant portion of the album, crafting instrumentals that evoke a nostalgic 89-tek-9 vibe reminiscent of the classic WKCR days.

The guest list is a who’s who of indie rap’s golden age, featuring underground royalty like Ras Kass, Breeze Brewin, Niko Is, Bless Picasso, Mickey Factz, and Atmosphere’s Slug. Breeze Brewin’s presence alongside Bobbito Garcia on a Swab-produced banger is sure to excite fans of that era, while Slug’s introspective lyricism perfectly complements Copywrite’s own on the poignant “Turning the Page.”

Other standout tracks include “Green Screen,” where Copywrite lays down scorching bars over a classic Evidence beat, and “Diamond Bukowski,” featuring Niko Is and Bless Picasso, a track that flaunts the pure lyrical passion of these underground veterans.

The Last Supper is a strong contender for Copywrite’s best work yet. It’s denser and more focused than his previous releases, with the production matching the intensity of his lyrical power. This album is a must-listen for fans of underground Hip Hop and those who appreciate skilled lyricism delivered with raw intensity.

Release date: May 10, 2024. 

Enoch - Waiting for Something To Happen

Waiting For Something To Happen is a solo LP by Enoch, the Florida-based producer and long-standing member of CYNE. Born from a mix of emotions including grief, confidence, fear, and ambition, this project reflects the complexities of modern life. Enoch enlisted a great lineup of Hip Hop icons and underground spitters, including Artifacts, Sadat X, Kool Keith, Psycho Les, Rockness Monsta, Elzhi, and Guilty Simpson, among many others, to join him on this journey.

While the lyrical talent on display is impressive enough, Enoch’s production steals the spotlight, making this album one of the standout producer projects of the year. Those familiar with CYNE know to expect nothing less than top-notch production, but Waiting For Something To Happen goes beyond expectations. Enoch’s meticulously crafted deep-bass beats serve as the backbone of the project, tying together the diverse contributions of the featured artists in a great way.

Release date: March 8, 2024. 

Benny The Butcher & 38 Spesh - Stabbed & Shot 2

Even if all that plug-and-brick talk might seem played out at this point, it’s still compelling enough coming from Benny the Butcher, a leading figure in the gritty street rap underground. While this niche in Hip Hop has seen countless similar projects over the years, Benny has stood out since his 2018 neo-classic Tana Talk 3, which helped shape the subgenre. Partnering again with 38 Spesh, known for his production skills and solid mic presence, they deliver a powerful sequel with Stabbed & Shot 2, which surpasses both the first installment and Benny’s recent Everybody Can’t Go.

Stabbed & Shot 2 kicks off with “Still Better” and then moves into “1st of April,” where V Don’s boom-bap beats complement Benny and Spesh as they affirm their street credibility. “High Stakes” continues the dark, gritty vibe, while “Thruway Music 2” picks up where its predecessor left off. Tracks like “Who Really the King?” and “Center Stage” reveal the duo’s reflections on loyalty and living the street life, with Harry Fraud’s soulful production shining through.

The album’s singles, “Jesus Arms” featuring Busta Rhymes and “Brick Specials,” highlight Benny and Spesh’s ability to weave mobster themes and cinematic lifestyles into their lyrics. “Hometown Hero” pays homage to their roots in Buffalo and Rochester, and collaborations with Dave East, Klass Murda, and O.T. the Real on tracks like “Bad Guy” and “Internal Affairs” showcase their raw, unfiltered style.

“Coke Runs” with Ransom and “Watchlist” continue the album’s narrative of risk and reward, while the closer “Power” featuring Elcamino addresses the divisive nature of power. Over the six years since their first collaboration, both Benny and Spesh have grown and evolved, making Stabbed & Shot 2 a rare sequel that not only lives up to but surpasses the original, reaffirming their status as experienced street poets.

Where Benny’s Everybody Can’t Go partly aimed for a more mainstream sound, Stabbed & Shot 2 brings him back to the gritty, underground style where he truly shines. Together with 38 Spesh, Benny delivers one of the year’s finest street rap projects.

Release date: October 18, 2024.

Eminem - The Death Of Slim Shady (Coup De Grâce)

Eminem’s 2024 album The Death of Slim Shady (Coup De Grâce) marks a strong return to form for the rap icon. After years of mixed reception and a notably low point with 2017’s Revival, Em has managed to recapture the magic that made his iconic trifecta – The Slim Shady LP (1999), The Marshall Mathers LP (2000), and The Eminem Show (2002) – so legendary.

This concept album revolves around the struggle between Eminem and his alter-ego Slim Shady, with the latter aiming for cancellation and control. Em taps into his outrageous roots, aiming at various groups and societal issues, sometimes coming across as trying too hard, but mostly without being overly corny. The interactions between Eminem and Slim Shady add depth and engagement to the record.

Lyrically, Eminem is on point. His wordplay, flow, and delivery are top-notch throughout most of the album. He even addresses his critics head-on, calling out the tendency to nitpick and hate on great artists:

Now let’s travel inside the mind of a hater
‘Cause I don’t see no fans, all I see’s a bunch of complainers
“Kendrick’s album was cool, but it didn’t have any bangers
Wayne’s album or Ye’s, couldn’t tell you which one was lamer
Joyner’s album was corny, Shady’s new shit is way worse
Everything is either too tame or there’s too much anger
I didn’t like the beat, so I hated Might Delete Later”
You nerdy pricks would find somethin’ wrong with 36 Chambers
It’s what they do to the greats
Pick apart a Picasso and make excuses to hate

Production-wise, the album benefits from Dr. Dre’s involvement, bringing a welcome return to their collaborative sound. While some beats could be stronger, overall, the production complements Eminem’s style well. The features are a mixed bag, but thankfully, there are no questionable Ed Sheeran-like pop collaborations this time around.

Standout tracks like “Temporary” and “Somebody Save Me” add emotional depth, contrasting nicely with more aggressive cuts like “Habits,” “Lucifer,” and “Antichrist.” The album’s strength lies in its overall songwriting, concept, and the interplay between Eminem and Slim Shady. The Death of Slim Shady isn’t without flaws. Some topics are repetitive, and the AI-assisted “young Shady” vocal effect can be hit-or-miss. However, when it works, it adds an interesting layer to the concept. Highlights include the clever flip on “Guilty Conscience,” JID’s stellar verse on “Fuel,” and Skylar Grey’s performance on “Temporary.”

The Death of Slim Shady sees Eminem wrestling with his past persona in an entertaining back-and-forth. He uses Slim Shady to aim at various targets, from Gen-Z to cancel culture to specific public figures, while attempting to play the rational personality himself. This framing device works well, even if it could be seen as a scapegoat for the juvenile and edgier content. While not a blazing return to glory, the album is filled with light-hearted and funny moments lacking in Eminem’s recent work. There are a few missed opportunities and some regression to pop elements towards the end, but the album is largely consistent.

For open-minded listeners and long-time fans, The Death of Slim Shady is a solid addition to Eminem’s discography. It may not reach the heights of his early classics, but it’s a fun, self-aware reflection on his legacy that proves Em can still entertain and provoke. This album won’t convert die-hard Eminem haters, but for those willing to give it a chance, it’s a return to form that showcases his enduring skills as a rapper and storyteller. While not perfect, The Death of Slim Shady is Eminem’s most consistent and thematically cohesive effort since the underappreciated Relapse (2009), proving that the recent hate he’s received is largely undeserved.

Release date: July 12, 2024.

Honorable Mentions

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Best Hip Hop EPs Of 2024

• 3Large – Full Spectrum
• Nowaah the Flood & Stu Bangas – Plans of the Diligent
• Bub Rock – Don Rodrigo
• Nejma Nefertiti, Double A.B. & Dub Sonata – Animal Barz II
• CL Smooth & Peter Gunz – Da Odd Couple
• Rudy Williams – Artificial Beef
• Marlon Craft – The Long Game
• Nym Lo & 183rd – Money Ink Millionaires
• Moonrunner Vega & TrippyTrippz – Glorious Sacrifices
• Optimystic, Lord Vladagus & Afu-Ra – Rising Sun
• DJ Views & Ras Kass – Walkabout Westside
• Reek Osama & BhramaBull – Street Purgatory
• Nacho Picasso, Milc & Televangel – Montage Music
• Nowaah the Flood & Cedar Law$ – Down by Law
• Black Silver & Main Flow – Weaponized Alchemy
• Eto – Long Way Home
• K.A.A.N. – The Lost Files
• El Gant & Shyste Chronkyte – Schemes
• Che Noir – The Lotus Child
• A-F-R-O & Stu Bangas – The Bad and the Ugly
• PremRock and Willie Green – Through Lines
• Stan Ipcus – Sleep If You Want
• Fat Tony, Fatboi Sharif, & steel tipped dove – Brain Candy
• Jabee – The Spirit Is Willing, But The Flesh Is Weak
• Conductor Williams – Conductor We Have a Problem Part 3
• Pounds448 & Bohemia Lynch – If He Dies, He Dies
• Tha God Fahim & Nicholas Craven – Tha Myth Who Never Quit 3
• Tha God Fahim & Nicholas Craven – Tha Myth Who Never Quit 2
• Homeboy Sandman – Turns Out I Can Sell a Few of These After All
• Ruste Juxx & Kasan Da Julah – Juxx & Da Julah
• Nowaah the Flood & Kyo Itachi – Sudan Samurai Scrolls
• Ostubash & Digital Fiend – We Fiend, They Bash!
• JRoberts – Gift and Curse
• Emma Lee M.C. & Roccwell – Chocolate Bars
• Pro Dillinger & Futurewave – DirtWave Vol. 1
• Nowaah the Flood & Bombay Da Realest – Live from the Blues Palace
• Zoomo – Absolution
• Curren$y & DJ.Fresh – The Encore
• Jus One & ChumZilla – The Seven Piece
• Boldy James & Harry Fraud – The Bricktionary
• SonnyJim & Giallo Point – No Vi$ible Means of Income 3
• Greg Cypher – Hello, I Must Be Going
• Fat Tony, Fatboi Sharif & Steel Tipped Dove – Brain Candy
• Chubs & Wino Willy – Legend of the Golden Drac
• Desert Camo – Desert Camo
• Casual – Fights Over Egypt
• Lt Headtrip & Bloodmoney Perez – EMBLEMS
• OT the Real & Nickel Plated – Cost of Living
• Jamal Gasol & Sayzee – Smoke Wave
• Jay Worthy & MadeinTYO – Time After Time
• Diamond D – The Diam Piece 3: Initium
• 2 Eleven – Proof of Concept
• XP the Marxman – Run or Duck
• Stove God Cooks – Stop Callin Me, I’m Cookin (Side A)
• Passport Rav & Rob Viktum – Amygdala
• Planet Asia & 38 Spesh – Trust the Chain II
• Bless Picasso – Rillest in the Room 2
• Bub Rock – Plea$e Don’t Think I’m Actin Funny
• Ilajide & Def Dee – Tape Delay
• Reks & Nasty P – Undefeated
• Enem – Vandal to VanGogh
• Fendi P & Ceasar the Noble – Party on the Blade
• Verb T & Malek Winter – Restoration
• Mad Skillz – The Seven Number Ones
• Mr. Green – The Legend of the Gold Benz
• Benny the Butcher – Summertime Butch
• Wais P & Khrysis – Hocaine
• Spoda & Wavy Da Ghawd – Against All Odds
• Kinetic 9 & Rubbabandz – Wu-Tang vs. The Grain
• Navy Blue – Memoirs in Armour
• AJ Suede & Wolftone – Permafrost Discoveries
• 1/2 Pint & MC Glamorous – 2 Queens and a Mic
• Nowaah the Flood – Floody Absolut
• Jamal Gasol & Cedar Law$ – Fresh 31
• Flee Lord – Raised in the Sand
• Pro Dillinger & Bucky Luger – Don’t Feed the Animal
• Black Silver & Pep Love – Grown & Flexxy
• The Musalini – Active & Attractive
• Rahiem Supreme – Phenomenon Worldwide
• Lyrical C – Systemic Rap-ism
• Boldy James & Conductor Williams – Across the Tracks
• Vinnie Paz – Jacinto’s Praying Mantis
• OT the Real & Fuego Base – Moving Base OT
• Nowaah the Flood – The Star Messenger
• Guilty Simpson & Kong the Artisan – Giants of the Fall
• RJ Payne – Hellraiser
• UFO Fev & Fredro Starr – Strapped
• Pounds448 – Vacuum Seal Valedictorian
• Tha God Fahim & NicoJP – Snakes
• Kurious & Mono En Stereo – Mystery
• SAINT JAME$ – BY ANY MEAN$
• Da Flyy Hooligan & Malek Winter – Blacc Kenzou
• CJ Fly & NasteeLuvzYou – the PhaRaOh’S return 2: NUBIA
• Freshman Woes – A Tribe Called Fresh
• Homeboy Sandman & Mono En Stereo – Rich II
• Khrysis & Silent Snipers – Perfect Time
• Maticulous – The Expanse
• Da Buze Bruvaz – Trigga Twinz
• Reek Osama & No!sy Neighbour – Consigliere
• Oddisee – And Yet Still
• Nowaah the Flood – Diluvian
• Supastition – All That Was Left Unsaid
• André DeSaint & Machacha – Cult Classique
• Reks & DJ Views – The Magnificence
• XP the Marxman – Terremotto
• Blimes – The Bridge
• Jamal Gasol & 38 Spesh – It’s Still a Dirty Game
• Norcal Nick & Blu – When the Future Finds the Past It Will Sound Like This
• Ramses, Fashawn & T.A. The Handful – Paperboy
• Abstract Museum & Guilty Simpson – Block Runners
• Napoleon Da Legend & DJ Rhettmatic – Legmatic
• K.A.A.N. & DJ Hoppa – Delusions of Grandeur
• Raz Fresco & Daniel Son – Northside
• Brad Baloo, DJ Yoda & Edo G – Hometown Heroes
• Reks & CHiLL-iLL – Hidden Messages In Water
• B Dolan – The Wound Is Not the Body
• Pro Zay & Sadhugold – Pulled Gold Out Tha Mud
• Edo G & Tone Spliff – Audio Edibles
• M.A.V. (Da Cloth) & Damien – Mirror Talks
• Rome Streetz & Wavy Da Ghawd – Buck 50
• Fendi P – White Lines
• Novatore – The 87 Arsonist
• Blueprint – Falling Down
• Bun B (UGK) – Yokozuna Trill
• Jay Royale – The Bea Gaddy Soup Kitchen
• Reks & Monaqee – What Happened to the Rainbows
• Mic Bles & Level 13 – Still No Halos
• Computer Jay & Dream Dave – Get ‘Em
•  Jay Exodus – 44
• Reks & Nezra – A Vibe Called Yes
• Showrocka & Mickey Factz – Manifest Destiny
• Hus Kingpin – In a State of Nirvana
• Ty Da Dale & V Don – Banned In 9 States
• Reuben Vincent – General Admission
• UFO Fev, Red Inf & Vanderslice – Chemistry
• Cookin Soul & The Musalini – Mackaroni
• Shabazz Palaces – Exotic Birds of Prey
• DJ Muggs & Mooch – Roc Star
• FastLife, Madhattan & Wino Willy – Ravenite Social Club
• Reks & Faf – The Miracle on 54 Park Street
• Substance810 & Machacha – The Port
• MichaelAngelo – No Face, No Case
• Chyna Streetz & 183rd – From Hell to Chanel
• Crimeapple – Let Him Cook
• Stik Figa – Soil Songs
• Reks & KarlitoDaKid – I Am Not Your Negro
• Elcamino & Real Bad Man – The Game is the Game
• Jus-P – Black Menace to Society
• Rahiem Supreme – Grandmaster Raski
• Kail Problems & DJ Hoppa – Massive
• J.Sos & 38 Spesh – Come Back for You EP
• Sule – Written on Wides Corner
• Mike & Tony Seltzer – Pinball
• Raz Fresco & Cookin Soul – Bakin Soul
• Ransom & Harry Fraud – Lavish Misery
• Bandt – Period
• Jynx716 & Che Noir – ANDY
• Al.Divino – Have a Bad Day
• Ryan Heinz – Noise Ordinance
• EARTHGANG – Robophobia
• OT the Real – Prepare for War
• Durty Rob – Brain Food
• Moka Only & Baptiste Hayden – The Deli
• Ar-Ab – Road to Glory
• Nowaah the Flood & Giallo Point – Right Over Left 2: Square Business
• Reks & Short Buss13 – M.A.G.A. (Make Art Great Again)
• Reks & Shortfyuz – F.E.L.A. (For Everyone Love Always)
• Reks & Melks – Y.O.D.A. (Young Ones Defy Age)
• Ferris Blusa & Machacha – Glory to Gawd
• Emskee & MiLKCRATE – The Dumb Bummer
• AJ Suede – Opta Mystic
• Ruste Juxx & Oh Jay – Break It Down
• Quincy Hinch – Behind the Boards
• Little Simz – Drop 7
• Blu & Roy Royal – Royal Blu
• 2nd Generation Wu & Dom Archey – This May Sting!
• John Jigg$ – S.O.U.L. (Something Our Underground Lost)
• Declaime & Kiina – The Bottom Line
• The Musalini & 38 Spesh – In God We Trust
• Dr Lekta – Flowers for the Illest
• Dr Lekta – The Manuscript
• A-F-R-O – New Colonel In Town
• Rasheed Chappell & 38 Spesh – Checks & Balances
• Kool Keith, Lynx196.9 & Arturo Banbini – Bandoleros
• Che Noir – The Color Chocolate Vol. 1
• Crimeapple & Preservation – El Leon
• Kota the Friend – Lyrics To Go Vol. 5
• Mickey Diamond – Gone In 60 Seconds
• Al.Divino – Firewater
• Rasco & Guilty Simpson – Swan&Simpson
• UFO Fev & M. Stacks – Crash Landing
• 1Jack & Illinformed – Happy After Hell
• AWOL One & Kool Keith – Aponia
• Raz Fresco & Dibia$e – Knockout
• Pacewon, Ill & C-Lance – The Songs We Have
• Reks & Samir – Rather Unique
• Truth & Da Beatminerz – Nostalgia ThEraPy
• Reek Osama & Machacha – Reek Havoc

The Best Hip Hop Albums Of 2023

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