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Article Nov 17 2015 Written by

“STRAIGHT OUTTA COMPTON” A Historical Movie Tour

With the release of the biopic Straight Outta Compton, Hip Hop Golden Age revisits the streets of Compton and Los Angeles to embark upon a Hip Hop historical tour of gangsta rap.

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During the mid-1980s, a crack epidemic, gangs, police brutality, and racial unrest devastated the city. It would be the economically marginalized neighborhoods of Los Angeles and the collective issues affecting communities of color that truly altered the development and direction of West Coast Hip Hop into mainstream society. Throughout Southern California, it was social and economic issues that created locations for Hip Hop’s seed to manifest. Today, those Hip Hop seeds have given way to the creation of West Coast Hip Hop culture and gangsta rap. These various Southern California locations, some still in existence, others lost to commercial development, became the springboard for gangsta rap.

SKATELAND U.S.A.

1950 N. Central Avenue, Compton, CA. 90222

Hip Hop Significance

Among early sites for Hip Hop in Los Angeles some of the most important were roller rinks such as Skateland U.S.A. and World on Wheels. Skateland U.S.A., the Compton roller rink, was known as home turf to the Bloods gang organization. For the grand opening of Skateland U.S.A., the roller rink celebrated with a concert featuring local legends The World Class Wreckin’ Cru. Soon thereafter, the location became synonymous for providing a platform for early West and East Coast Rap and R&B music.

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Grand Opening of Skateland U.S.A.—January 1984

Many up-and-coming Rap and R&B artists performed at the Compton roller rink, local legends The World Class Wreckin’ Cru, East Coast duo Eric B. and Rakim, teen R&B sensations New Edition, West Coast DJ pioneer Mixmaster Spade, Flavor Unit member Latifah (Queen), and the first ever performance of N.W.A. At the time, Dr. Dre maintained DJ duties at Skateland U.S.A. and begun fostering local and East Coast rap talent.

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Promotional Poster for “The World’s Most Dangerous Group”)

One crew Dr. Dre began working with was a trio known as C.I.A. (Criminals In Action). The C.I.A. crew, consisting of Darrell “K-Dee” Johnson, Tony “Sir Jinx” Wheatob, and O’Shea “Ice Cube” Jackson, established a regular gig at Skateland U.S.A., through Dr. Dre. At the same time, Eric “Eazy-E” Wright would hang out with DJ Yella and Dr. Dre inside the DJ booth and discuss forming a super group. Shortly thereafter, during Skateland U.S.A.’s after parties Eazy-E, Dr. Dre, and DJ Yella could be seen composing music in the roller rink’s snack bar.

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Skateland U.S.A.—today

EVE’S AFTER DARK

12823 S. Avalon Blvd., Compton, CA. 90221

Hip Hop Significance

Opened in 1979, Eve’s After Dark was known as a high-class club that was a fixture on the dance map of Los Angeles. The after-hours club, located within an unincorporated area of Los Angeles County, operated outside the rules of the city and stayed open till 5 in the morning.

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Inside Eve’s After Dark

Eve’s After Dark also served as a springboard for East Coast rappers. The dance club booked the first L.A. area appearance of New York rappers Kurtis Blow and Run D.M.C. Yet, every weekend the dance club became a social melting pot for early rap music, up-and- coming DJs, young entrepreneurs, and Hip Hop culture in Compton.

During O’Shea “Ice Cube” Jackson’s high school years, he would rock the microphone at Eve’s After Dark with the group C.I.A. (Criminals In Action). At this time, Ice Cube encouraged by Dr. Dre began to spit sex rhymes over popular rap songs to shock and excite crowds. Thus, Run D.M.C.’s My Adidas became My Penis. On weekends, Eric “Eazy-E” Wright could be spotted in the crowd of searching for rap talent and to catch DJ Yella and Dr. Dre spinning records for local legends The World Class Wreckin’ Cru.

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Eve’s After Dark—today

Eve’s After Dark maintained a recording studio, featuring an old four-track deck, which quickly became a music laboratory for Dr. Dre, The World Class Wreckin’ Cru, C.I.A. and others. The back room recording studio would become a starting point for “gangsta rap”. One night, Dr. Dre and Eazy-E were sitting around with a stack of rhymes that Ice Cube had penned. Eazy-E had already purchased recording time for an East Coast trio called HBO, which Dr. Dre had discovered. Yet, when the trio got in the studio, they balked at the West Coast-flavored rhymes and declined to record Cube’s song. Instead, Dr. Dre urged Eazy-E to rap the lyrics to a song detailing the day-in-the-life tale of a Compton gangster; it was Boyz- N-the-Hood.

KDAY 1580-AM RADIO STATION

Crenshaw Blvd. & 43rd St. (corner), Los Angeles, CA. 90008

Hip Hop Significance

In 1956, Los Angeles-based KDAY 1580-AM radio station began broadcasting at 50,000 watts. At its inception, the station featured Top 40 music and well-known radio jocks such as Art Laboe, Alan Freed, and Wolfman Jack. Before long, its focus was mainstream fare from black artist, including Marvin Gaye, James Brown, Sam Cooke and Ray Charles. In the 1980s, KDAY pioneered airwaves by becoming the nation’s first Rap music orientated radio station. The station ushered in West Coast trailblazers Ice-T, N.W.A., Egyptian Lover, Above the Law, and many others. It also hosted rap concerts featuring the first-ever appearances of East Coast rappers, Big Daddy Kane and Run D.M.C.

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Original KDAY 1580-AM radio station sign

If a new artist or rap group came to L.A., KDAY was their only destination station. Up-and-coming artists, meanwhile, were desperate to get their music onto the air that they offered cocaine, heroin, and marijuana, even handfuls of $100 bills. KDAY became the most popular radio station in L.A. by embracing the community and conducting larger than life promotions that included a Bike-A-Thon, Annual Toy for Tots Drive, community service in schools & neighborhood centers, live-on-location broadcasts, contests, custom mixes and exclusive interviews.

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KDAY 1580-AM studio on 43rd & Crenshaw

Many of today’s artists, radio station jocks, and record executives began their careers at KDAY. One such person was Greg Mack and his radio show, Mack Attack. Greg Mack is responsible for introducing rap music to L.A. airwaves. He also showcased the first ever live radio mixing shows (5:00 Traffic Jam, Friday Night Live, Mixtape Show, and Live From Skateland U.S.A.) with a group of legendary DJs that included, Dr. Dre, DJ Yella, Battlecat, DJ Keith Cooley, DJ Julio G, DJ Pooh, and Mixmaster Spade. In fact, Dr. Dre and DJ Yella spent every spare moment recording their KDAY mixes at Eve’s After Dark. The DJs and others during this era helped the radio station become a musical powerhouse within the L.A. Hip Hop community.

MACOLA PRESSING PLANT/STUDIO

6209 Santa Monica Blvd., Hollywood, CA. 90038

Hip Hop Significance

Founded in 1984, the LA-based Macola Records was a pressing plant where artist could have 500 records pressed for $1000 dollars. In order to get vinyl pressed up one would only have to bring in master tapes and Macola Records handled production and distribution. It was one of the first record pressing plants for rap music. Many well-known West Coast artists distributed songs through Macola Records, World Class Wreckin’ Cru, Egyptian Lover, Unknown DJ, and Bobby Jimmy of L.A. Dream Team, to name a few. The record pressing plant is responsible for issuing the first copies of N.W.A.’s groundbreaking single Boyz-N-the-Hood.

Macola Pressing plant—today

Macola Pressing plant—today

 In the mid-1980’s Macola Records was the place to go if you wanted your songs on wax. Many early West Coast labels were founded by the artist themselves to promote their own music. Macola Records and its

Sub-labels gave artists the chance to press their own records. So, in the years 1984 to 1990 almost every West Coast pioneer was down with the pressing plant located at 6209 Santa Monica Blvd.

THE ROADIUM

2500 W. Redondo Beach Blvd., Torrance, CA. 90504

Hip Hop Significance

Beginning in late 1985, Eric “Eazy-E” Wright would frequently visit Roadium swap meet and Steve Yano’s record booth to buy the latest vinyl records. Also, around the same time Dr. Dre and DJ Yella would hangout, cut records (DJ), and search through record crates at Yano’s booth. Both Dr. Dre and DJ Yella were already local legends in the Hip Hop community because of their affiliation with the World Class Wreckin’ Cru. On the flip side, Eazy-E had amassed a small fortune from drug dealing and was looking for a legitimate opportunity to invest his money; he would create a record company.

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Roadium swamp meet original movie screen

Eventually, Eazy-E would become persistent and press Yano to introduce him to World Class Wreckin’ Cru’s Dr. Dre. In time, the two would join forces and create a record label and form a rap group that would overrun the record business and turn “gangsta rap” into a household name. The partnership took full form in Hip Hop culture’s most iconic rap group N***** With Attitude (N.W.A.), which in 1988 released rap music’s most influential album to date Straight Outta Compton.

Roadium swap meet in full swing

Roadium swap meet in full swing

DEATH ROW RECORDS

10900 Wilshire Blvd. Suite #1240, Los Angeles, CA. 90024

Hip Hop Significance

In 1992, Marion “Suge” Knight and his attorney (a longtime drug dealer representative) David Kenner negotiated a $10-million deal for Death Row Records with alternative & rock powerhouse Interscope Records that altered Hip Hop’s landscape. The Death Row—Interscope partnership put an affiliated Blood gang member (Suge Knight) and an accomplished producer (Dr. Dre) in business with a well-financed enterprise. Together, Death Row and Interscope Records would take the “rebellious” celebration of the L.A. gang mentality that Eazy-E and N.W.A. popularized and make it pure pop.

Death Row Records—circa 1994

Death Row Records—circa 1994

Death Row Records announced their thuggish vision by embracing their controversial logo, a prisoner strapped to an electric chair. In fact, according to legend (and lawsuits) Marion “Suge” Knight, the force behind Death Row Records, and several men allegedly threatened Eazy-E with baseball bats and made him an offer he couldn’t refuse. When this meeting was over, Eazy had relinquished any claims to the contract of Dr. Dre.

Thus, from 1992-1996, Death Row Records maintained a stronghold on record sales making an estimated $100 million a year with West Coast artists, Dr. Dre, Snoop Dogg, Tupac Shakur, The D.O.C., The Lady of Rage, Nate Dogg, Sam Sneed, RBX, Michel’le, Jewell, and DJ Quik, among others. The record company is also responsible for releasing Hip Hop’s first double album, 2Pac’s All Eyes On Me.

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Building that housed Death Row Records–today

By 2006, the infamous Death Row Records filed for bankruptcy. As of 2009, the company remains in limbo and was auctioned off for to indie Canadian entertainment company WIDEawake for $18 million.

N****’s With Attitude is now immortalized on film with release of a musical biopic. The family tree of N.W.A. has branched out and grown into some of today’s biggest rap artists/groups, producers, actors, directors, even executives. The World’s Most Dangerous Group has come along way from the streets of Los Angeles. If you have or haven’t seen the biopic of five guys who changed the music industry forever with one album, it doesn’t make a difference. But I’m sure you’ve heard of  “Compton”. Well, these are the streets that birthed “gangsta rap” and influenced the world.

“So, thank you and I hope you enjoyed your tour. Watch your step when stepping out the bus”.    

Written by

I was born in Hiphop’s era of creation and raised on Hip Hop, Hip Hop music and Hip Hop Kulture. Hip Hop music is the soundtrack to my life while Hip Hop has taught me about life. I’ve embraced Hip Hop as a …

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