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list Sep 13 2024 Written by

Top 15 KRS One Songs

Top 15 KRS One Songs

KRS-One embodies the essence of Hip Hop. His philosophy, “Rap is something you do, Hip Hop is something you live,” encapsulates his approach to the culture. As the self-proclaimed ‘Teacha,’ KRS-One consistently drops knowledge, earning his reputation as one of Hip Hop’s most prominent conscious voices. Beyond his lyrical prowess, KRS-One stands out as an electrifying live performer, a formidable freestyle and battle rapper, and a powerful presence in the Hip Hop community. His influence is so profound that if Hip Hop were a political system, KRS-One would be its leader.

KRS-One’s longevity in the game is a testament to his unwavering authenticity. For over three decades, he has consistently produced impactful music, proving that staying true to oneself can lead to a lasting career. His genuine approach has earned him the utmost respect from true Hip Hop heads, regardless of critics’ opinions or detractors’ attempts to diminish his impact. The legacy of KRS-One is unassailable. Any discussion about the most influential or greatest emcees must include KRS-One, with many arguing he deserves the top spot. His career spans numerous highlights, both before and after the turn of the millennium.

As Hip Hop Golden Age, we’ve selected our top 15 KRS-One tracks from his pre-2000 catalog, including both solo work and Boogie Down Productions releases. We invite you to share your thoughts on our list and mention any tracks you feel should have been included. Your input is valuable in celebrating the impact of this Hip Hop legend.

15. Poetry (1987)

Well now you’re forced to listen to the teacher and the lesson / Class is in session so you can stop guessing / If this is a tape or a written down memo / See I am a professional, this is not a demo / In fact call it a lecture, a visual picture / Sort of a poetic and rhythm-like mixture…”

“Poetry,” the opening track from Boogie Down Productions’ seminal 1987 album Criminal Minded, encapsulates the essence of early Hip Hop. This groundbreaking song establishes the blueprint for the entire album, featuring stripped-down, hard-hitting beats that serve as the perfect backdrop for KRS-One’s dope bars.

KRS-One’s intelligent wordplay and confident delivery shine throughout “Poetry,” exhibiting his ability to blend complex ideas with street-smart observations. The track’s raw energy and unapologetic attitude capture the spirit of Hip Hop’s golden age, making it a defining moment in the genre’s history.

“Poetry” not only set the stage for Criminal Minded but also helped shape the sound and direction of Hip Hop for years to come. Its influence can be heard in many tracks and albums that followed, as artists sought to emulate its powerful combination of minimalist production and thought-provoking lyrics. This track represents Hip Hop in its purest form – revolutionary, uncompromising, and fiercely intelligent.

14. Rappaz R N Dainja (1995)

“Any MC can battle for glory / But to kick a dope rhyme to wake up your people’s another story / Act like you never saw me / Cause when it comes to lyrics, I’m in a different category” 

“Rappaz R N Dainja,” the opening track from KRS-One’s 1995 self-titled sophomore solo album, is a hard-hitting declaration of Hip Hop supremacy. Produced by the legendary DJ Premier, this track exemplifies the raw energy and lyrical prowess that define KRS-One’s style.

The song’s title serves as a clever wordplay, warning subpar emcees of their precarious position in the Hip Hop landscape. KRS-One’s delivery is sharp and unapologetic, asserting his dominance in the genre while challenging lesser talents to step up their game.

Premier’s signature production, characterized by its gritty beats and expertly crafted scratches, provides the perfect backdrop for KRS-One’s forceful rhymes. The track’s aggressive tone and confrontational lyrics establish a powerful opening for the album, setting high expectations for what follows.

“Rappaz R N Dainja” represents KRS-One’s role as Hip Hop’s self-proclaimed teacher, delivering a stern lesson to those who fail to respect the art form’s integrity. This track is a prime example of KRS-One’s ability to combine lyrical dexterity with thought-provoking content, reinforcing his status as one of Hip Hop’s most influential voices.

13. Outta Here (1993)

“Do you ever think about when you outta here? / Record deal and video outta here? / Mercedes Benz and Range Rover outta here? / No doubt BDP is old school, but we ain’t goin’ out!” 

“Outta Here,” released in 1993, can be seen as a precursor to “Rappaz R N Dainja.” This dope joint delivers a warning to rappers riding high on temporary success, reminding them that longevity in Hip Hop is far from guaranteed. KRS-One’s lyrics cut through the facade of material wealth and fleeting fame, urging artists to focus on substance and skill rather than superficial achievements. His incisive delivery drives home the message that true success in Hip Hop requires more than momentary popularity. The track’s production provides a fitting backdrop for KRS-One’s cautionary tale, with a thumping beat that emphasizes the urgency of his words.

12. The Bridge Is Over (1987)

“You see me coming in de dance with the spliff of sensei / Down with the sound called BDP / If you want to join the crew, well you must see me / You can’t sound like Shan or the one Marley…”

“The Bridge Is Over,” released in 1987 as part of Boogie Down Productions’ Criminal Minded album, marks a defining moment in Hip Hop history. This track, aimed at Marley Marl’s Juice Crew and specifically responding to MC Shan’s “Kill That Noise,” was the final blow in the infamous Bridge Wars.

The song’s power lies in its stark simplicity. Its menacing beat, punctuated by sharp drum kicks and an iconic piano melody, creates an instantly recognizable sound that has become etched in Hip Hop’s collective memory. KRS-One’s delivery is ruthless and unapologetic, dismantling his opponents with surgical precision.

The impact of “The Bridge Is Over”  extended beyond the immediate feud, influencing the art of battle rap and setting a new standard for diss tracks. This song remains a crucial piece of Hip Hop lore, demonstrating the importance of defending one’s artistic territory.

11. Why Is That? (1989)

“Mental pictures, stereotypes and fake history / Reinforces mystery / And when mystery is reinforced / That only means that knowledge has been lost…” 

“Why Is That?” from Boogie Down Productions’ 1989 album Ghetto Music: The Blueprint of Hip Hop exemplifies KRS-One’s signature style. This thought-provoking track challenges listeners to question societal norms and historical narratives. The song’s lyrics delve into complex topics such as education, history, and cultural identity, encouraging listeners to seek knowledge beyond conventional sources. KRS-One’s delivery is assertive and enlightening, balancing his sharp critique with empowering messages.

Musically, “Why Is That?” features a compelling beat that supports KRS-One’s lyrical flow without overshadowing his words. The production creates an atmosphere that enhances the song’s intellectual content, making it both engaging and educational. This track highlights KRS-One’s ability to craft music that entertains while stimulating critical thinking.

10. Duck Down (1992)

“No I won’t let up, because of how I’m set up / I come in the jam with the crazy fresh lyrics so you get up / MCs get wet up, they met up with atypical / Subliminal, I’m original metaphysical Criminal Minder…” 

“Duck Down,” released in 1992 as part of Boogie Down Productions’ album Sex and Violence, is one of KRS-One’s most forceful tracks. This hard-hitting song showcases KRS-One’s lyrical prowess and uncompromising attitude towards inferior emcees.

The track’s foundation is a relentless, wicked drum beat that provides the perfect backdrop for KRS-One’s aggressive delivery. His flow is razor-sharp, cutting through the instrumental with precision and authority. The lyrics are a masterclass in asserting dominance, as KRS-One leaves no doubt about his position at the top of the Hip Hop hierarchy. “Duck Down” was a clear warning to any would-be challengers, with KRS-One’s wordplay and metaphors reinforcing his status.

9. I'm Still No. 1 (1988)

“Rap is still an art, and no one’s from the Old School / Cuz rap is still a brand-new tool / I say no one’s from the Old School cuz rap on a whole / Isn’t even twenty years old / Fifty years down the line, you can start this / Cuz we’ll be the Old School artists / And even in that time, I’ll say a rhyme / A brand-new style, ruthless and wild / Runnin’ around spendin’ money, havin’ fun / Cuz even then, I’m still number one!” 

“I’m Still No. 1,” from KRS-One’s 1988 album By All Means Necessary, is another powerful declaration of Hip Hop supremacy. This joint shows KRS-One’s unwavering confidence and foresight, as he boldly proclaims his dominance in the genre in the present and far into the future.

The song’s lyrics are a masterclass in self-assurance, with KRS-One asserting his position at the top of the Hip Hop hierarchy. His flow is impeccable, riding the beat with precision and authority. The production complements his delivery perfectly, creating a sonic backdrop that amplifies his message.

“I’m Still No. 1” established KRS-One as a force to be reckoned with in 1988 and also prophesied his enduring influence in Hip Hop. Over three decades later, this track continues to resonate, proving that KRS-One’s bold claim was more than mere bravado – it was a promise he has consistently fulfilled throughout his career.

8. Criminal Minded (1987)

“We’re not promoting violence, we’re just having some fun / He’s Scott La Rock, I’m KRS-One” 

“Criminal Minded,” the title track from Boogie Down Productions’ 1987 debut album, is a quintessential Hip Hop classic. This song is the perfect example of KRS-One’s lyrical prowess and Scott La Rock’s innovative production, creating a powerful synergy that helped define Hip Hop’s sound.

The track’s clever wordplay and hard-hitting beats capture the raw energy of Hip Hop’s early years. Criminal Minded played a crucial role in Hip Hop’s evolution, marking the beginning of the genre’s Golden Age alongside other influential albums like Run DMC’s Raising Hell, Eric B & Rakim’s Paid in Full, Public Enemy’s Yo! Bum Rush The Show, and LL Cool J’s early works.

7. You Must Learn (1989)

“I believe that if you’re teaching history / Filled with straight-up facts no mystery / Teach the student what needs to be taught / Cause Black and White kids both take shorts / When one doesn’t know about the other ones’ culture / Ignorance swoops down like a vulture…” 

“You Must Learn,” from Ghetto Music: The Blueprint of Hip Hop is a powerful critique of the American education system. KRS-One challenges the predominantly white-centric curriculum, emphasizing the importance of African American history in schools. The track’s lyrics are a call to action, urging listeners to seek knowledge beyond what’s taught in classrooms. KRS-One’s delivery is educational and engaging, as he weaves historical facts with his signature sharp rhymes.

This track continues to be relevant today, highlighting the ongoing need for diverse and inclusive education. “You Must Learn” reinforced KRS-One’s reputation as a socially conscious artist who uses Hip Hop as a tool for enlightenment and empowerment.

6. Sound Of Da Police (1993)

Now here’s a little truth, open up your eyes / While you’re checking out the boom-bap, check the exercise / Take the word “overseer,” like a sample / Repeat it very quickly in a crew, for example / Overseer, overseer, overseer, overseer / Officer, officer, officer, officer / Yeah, officer from overseer / You need a little clarity, check the similarity…” 

“Sound Of Da Police,” from KRS-One’s 1993 album Return of the Boom Bap, is a searing critique of law enforcement’s treatment of Black communities. This track’s enduring relevance speaks to the persistent issues of police brutality and systemic racism in America.

KRS-One’s lyrics draw a sharp parallel between modern policing and slavery-era overseers, highlighting the historical continuity of oppression. His clever wordplay, exemplified by the “overseer/officer” connection, drives home the message with linguistic precision. The song’s iconic “woop-woop” siren sample and driving beat create an urgent atmosphere that amplifies KRS-One’s powerful delivery.

His rhymes and passionate performance convey the frustration and anger of communities subjected to police harassment and violence.”Sound Of Da Police” remains a potent anthem in the fight against racial injustice, its message as crucial today as it was upon release.

5. Step Into A World (Rapture's Delight) (1997)

“Yo, I’m strictly about skills and dope lyrical coastin’ / Relying on talent, not marketing and promotion / If a dope lyrical flow is a must / You gots to go with a name you can quickly trust / I’m not sayin I’m number one, uhh I’m sorry, I lied / I’m number one, two, three, four and five / Stop wastin’ your money on marketing schemes / And pretty packages pushin’ dreams to the fiends / A dope MC is a dope MC / With or without a record deal, all can see / And that’s who KRS be son / I’m not the run of mill, cause for the mill I don’t run” 

“Step Into A World (Rapture’s Delight),” from KRS-One’s 1997 album I Got Next, is an electrifying party anthem that energizes fans and challenges rivals at the same time. The song’s infectious beat, sampling Blondie’s “Rapture,” provides a dynamic backdrop for KRS-One’s razor-sharp bars. His flow is impeccable, effortlessly weaving between boastful declarations and insightful commentary on Hip Hop culture.

KRS-One’s wordplay and rhyme schemes in this track are particularly impressive, demonstrating his mastery of the craft. Lines like “I’m not saying I’m number one, uh I’m sorry, I lied / I’m number one, two, three, four and five” show his confidence and wit. “Step Into A World” stands out as the pinnacle of I Got Next, reaffirming KRS-One’s status as a Hip Hop icon and cementing the song’s place among his greatest works.

4. South Bronx (1987)

“Many people tell me this style is terrific / It is kinda different but let’s get specific / KRS-One specialize in music / I’ll only use this type of style when I choose it / Party people in the place to be, KRS-One attack / You got dropped off MCA cause the rhymes you wrote was wack / So you think that Hip Hop had its start out in Queensbridge / If you pop that junk up in the Bronx you might not live…” 

“South Bronx,” released in 1986 as a single off upcoming BDP debut Criminal Minded, is a powerful response to MC Shan’s “The Bridge.” This track firmly established KRS-One’s claim about Hip Hop’s origins and his dominance in the genre.

The song’s hard-hitting beat, crafted by DJ Scott La Rock and KRS-One, provides a robust foundation for KRS-One’s assertive lyrics. KRS-One’s storytelling shines as he recounts Hip Hop’s early days in the Bronx, name-checking influential figures and events. The track’s chorus, with its repetitive “South Bronx” chant, became an instant earworm and rallying cry for Bronx Hip Hop pride.

“South Bronx” played a crucial role in the infamous “Bridge Wars,” igniting one of Hip Hop’s most legendary rivalries. This anthem continues to be celebrated as a defining moment in Hip Hop history, representing the genre’s competitive spirit and cultural roots.

3. Love's Gonna Getcha (Material Love) (1990)

“My family’s happy everything is new / Now tell me what the fuck am I supposed to do?” 

“Love’s Gonna Getcha (Material Love),” from Boogie Down Productions’ 1990 album Edutainment, is a masterclass in Hip Hop storytelling. KRS-One weaves a compelling narrative about the allure and dangers of materialism, particularly in urban communities. KRS-One’s bars are engaging and instructive, drawing listeners into the story while imparting valuable life lessons.

KRS-One’s storytelling skills shine as he chronicles a young man’s descent into crime, driven by the desire for material possessions, from a first-person perspective The song’s structure, with its recurring chorus emphasizing the central theme, reinforces the cyclical nature of the struggle it describes.

The accompanying video enhances the song’s impact, bringing KRS-One’s lyrics to life with powerful visuals. This combination of audio and visual storytelling amplifies the track’s thought-provoking message, making “Love’s Gonna Getcha” an absolute standout in KRS-One’s extensive catalog.

2. MCs Act Like They Don't Know (1995)

“Flow with the master rhymer, as I leave behind / The video rapper, you know, the chart climber / Clapper, down goes another rapper / Onto another matter, punch up the data, Blastmaster / Knowledge Reigns Supreme Over Nearly Everybody / Call up KRS, I’m guaranteed to rip a party…”

“MCs Act Like They Don’t Know,” from KRS-One’s 1995 album KRS-One, represents the best of his collaboration with DJ Premier. This track combines Premier’s iconic production with KRS-One’s unparalleled lyrical prowess, resulting in a Hip Hop masterpiece. Premier’s production’s raw energy amplifies KRS-One’s message, creating a sonic experience that captures the essence of true Hip Hop.

KRS-One’s lyrics serve as a stern reminder to other rappers about the core values of Hip Hop culture. He emphasizes the importance of live performance skills, asserting that the ability to rock a crowd is essential for any genuine emcee. This message carries significant weight coming from KRS-One, widely regarded as one of Hip Hop’s most electrifying live performers.

“MCs Act Like They Don’t Know” is a definitive statement on Hip Hop authenticity, delivered by two of the genre’s most respected figures.

1. My Philosophy (1988)

“Rap is like a set-up, a lot of games / A lot of suckers with colorful names / I’m so-and-so, I’m this, I’m that / Huh, but they all just wick-wick-wack” 

“My Philosophy,” from By All Means Necessary, is a visionary Hip Hop masterpiece built on KRS-One’s unparalleled lyrical prowess and keen cultural insight. KRS-One’s verses dissect the commercialization of Hip Hop and call out inauthentic rappers with surgical precision. Lines like “Rap is like a set-up, a lot of games / A lot of suckers with colorful names” cut to the core of the issue, challenging the integrity of the genre’s practitioners – and this as early as in 1988.

“My Philosophy” is packed with quotable lines that have become part of Hip Hop’s lexicon. Over 35 years after its release, this track’s relevance has only grown, as its warnings about the pitfalls of commercialization and inauthenticity in Hip Hop ring truer than ever. “My Philosophy” was and is a defining statement in Hip Hop, cementing KRS-One’s status as one of the genre’s most influential and prophetic voices.

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6 responses to “Top 15 KRS One Songs”

  1. Niel says:

    Surprised ‘A friend’ did not make this list somewhere

  2. Jermaine Dennis says:

    Right
    Even the song “Hot” on Krissytles album
    which heard folks say that was a diss towards Nelly which I didnt think that at all. He definitely expose Mcs for what they are not

  3. K Douglas says:

    15. Wannabemceez
    14. P Is Still Free
    13. The MC
    12. You Must Learn
    11. Duck Down
    10. I’m Still #1
    9. Step Into a World (Rapture’s Delight)
    8. The Bridge is Over
    7. Outta Here
    6. Jack of Spades
    5. Criminal Minded
    4. South Bronx
    3. MC’s Act Like They Don’t Know
    2. Love’s Gonna Get’cha (Material Love)
    1. My Philosophy

  4. Bonez says:

    Nope it was “Ova Here” and “You Don’t Really Want This” that were Nelly dis tracks. “Hot” was released before the beef iirc.

  5. DJ Smith says:

    ‘Ruff Ruff’ featuring Freddie Foxxx is just fabulous on the Sex and Violence album.

  6. joe says:

    where is ” Black Cop ” ?

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